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Bathroom doors appear or are referenced three times throughout the text, each time during a moment of high emotional vulnerability. Luc first breaks up with Oliver through a locked bathroom door after reading Cam’s article; the next morning, he talks to Oliver through a different bathroom door when describing the way his ex-boyfriend betrayed him. Finally, when Oliver breaks up with Luc, Luc offers, desperately and hopefully, to let him go into the bathroom to process his feelings instead of ending their relationship.
Bathroom doors are a symbol of discomfort. Luc shows that he can only process his emotions and share intimate information when being protected. A bathroom door shields him from rejection and pity. By hiding in the bathroom behind a closed door, Luc does not have to face Oliver. This gives him the chance to honestly express himself without needing to be reactive.
Bathrooms are typically places where people can be vulnerable and go when they do not want to be seen. This makes Luc’s final appeal to Oliver even more significant, as he seeks to rekindle their relationship while standing on the street outside of Oliver’s house. He goes from a bathroom, the most private of spaces, to a street, the most public, indicating his dedication to their relationship.
Luc’s apartment is an extension of his mental state and self-confidence, symbolizing his low self-esteem and growth throughout the book. At the beginning of the novel, the space is dirty; Luc does not clean up after himself in any sense. He has no clean dishes, leaves trash in the open, and does not engage in habitual cleaning processes like washing his sheets. He lives in the apartment he originally rented with his ex-boyfriend, tying his living space to the person who betrayed him. His lack of care for the space reflects his lack of care for himself. He does not see himself deserving of nice things, so he does not put effort into making his living space pleasant.
This changes as he gets to know Oliver and his confidence and self-esteem increase. Luc gradually comes to understand that he deserves nice things and respect from the people around him. This mental shift contributes to his decision to clean his apartment and thus grant himself a place to be safe, healthy, and vulnerable. However, it is a task that he cannot complete alone, as he quickly becomes overwhelmed with the minutia of cleaning. He reaches out to his friends, and they come to support him, giving him a foundation for a new life. This shows how Luc is loved by his friends, even when he thinks of himself as underserving of that love, and the importance of positive relationships for growth.
In the novel, photographs are a powerful tool for good and malice. From Luc’s perspective, photographs are profoundly negative. He has a long history of being photographed and having his image circulated without his consent, usually in compromising situations. Photographs have stripped him of autonomy, allowing others to create an idea of him that does not encapsulate who he truly is. However, as Luc starts to embrace his notoriety and engages in strategic socialization, the novel shows how photographs have the power to help people. Luc’s visits to an art gallery and a vegan restaurant provide positive press for the artist and chef.
When it comes to photos, the novel shows how the viewer is just as important as the subject. How viewers use and consume pictures, such as those of celebrities in compromising positions, becomes a major factor in what pictures media outlets pursue.
Oliver repeatedly sends Luc pictures of different famous men whose diminutive names are or can be Dick. Dick is most commonly a nickname for the name Richard, though it can also be a name itself. Oliver does this in response to Luc’s half-joking request for “dick pics,” or erotic photography. This is the first time that Oliver reveals his dry sense of humor and establishes an inside joke for the two of them. It is the first marker that their “fake” relationship is transitioning into something genuine. These pictures also signal to Luc’s friends the growth of his affection for Oliver, making the photos both a common joke and an important signifier.
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