55 pages • 1 hour read
Geoffrey TreaseA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Peter and Kit tell the Bells that Sir Philip is attacking Peter’s family. The Bells get their weapons and hurry to help, along with other neighbors in the valley. Peter and Kit ride to Keswick to tell Mr. Armthwaite, the Justice of the Peace, about the conspiracy. When they share the story, Peter thinks Mr. Armthwaite’s reaction is strange. Kit realizes he is in on the conspiracy and threatens him with her pistol. She and Peter lock him in his room and escape. They steal his two horses, which are of high quality. Their own horses follow out of loyalty, leaving Mr. Armthwaite no way to give chase. They realize that they cannot tell who to trust amongst the country’s officials, so they determine to ride to London themselves to deliver the message.
Peter and Kit ride hard, as they know they will soon be pursued. They realize they have no money and can’t sell the horses, as people will assume they’re horse thieves. Kit bemoans that she doesn’t yet have access to her fortune. They find some food and money in the saddlebags, which they hope will be enough to get to London. They worry that they will be caught as the wealthy Sir Philip and other plotters will be able to change to fresh horses whenever they like. Peter suggests that they cut across the Yorkshire fells to the other main road leading south, as their pursuers might not expect that and it’s a quicker road.
Peter and Kit take a rough track across the rugged landscape of the fells. They stop overnight in a tiny inn, telling the innkeepers that they are stable boys transporting new horses for their master. As they eat, many men come in for beer, dirty and stooped. They work in the peat mines on the moors.
The next morning Peter and Kit set off early, following the innkeeper’s directions. They pass the Virgin Mine, named after Queen Elizabeth, where the men toil. Further down the road, they are ambushed for their horses and money by men they recognize from the inn. The men march them toward a mine hole, planning to kill them by pushing them in. They’re almost there when the men flee on the horses: Sir Philip and his band ride into view.
Sir Philip is so intent on pursuing the distinctive horses that he doesn’t notice Peter and Kit on foot nearby. They run along the road they’d planned to take, knowing it won’t be long until Sir Philip realizes he’s chasing the wrong people. Kit is exhausted, but Peter encourages her on until they reach a forest they can hide in. There, they stumble across a travelling theater troupe, which turns out to be the Desmonds’.
They set a trap for Sir Philip. The actors dress up in their finest military costumes, with Desmond dressed as an official. He waits on the road with Peter, Kit, and a couple of costumed actors. Sir Philip is thrilled when he sees them and asks Desmond to hand them over. Desmond says he is the advance guard of an army sent to quash the conspiracy in the north. When Sir Philip tries to escape, the other actors, dressed as soldiers, block his path. Out of sight, a few more actors make the sounds of an approaching army using props and packhorses. They manage to disarm and tie up Sir Philip and his party.
All seems well: Peter and Kit can take two of their horses and easily get to London before the show on Saturday. But Desmond is worried, because the show has been moved forward, and he doesn’t know if they can make it in time.
Adult Peter now narrates what he later learned was happening in London, even though he wasn’t there at the time. He describes how the theater is being prepared for the performance. Stage carpenters are working hard, musicians are tuning, and palace servants are preparing seating for the Queen. The sound of the stage cannon alarms everyone, but it was only a practice fire. Burbage and Shakespeare are getting into costume; they wonder why Peter and Kit took off, and how they are. Peter remembers his horse’s hooves drumming the road at that moment. In the theater, Somers mumbles to himself behind the curtain. Burbage checks he knows his lines. Somers resentfully promises he is sure of his cue. The Queen appears, magnificent in her finery. Peter explains how, despite the troubles in her kingdom, she maintains stability with the force of her personality. The play begins with Burbage as Henry V. Somers lurks with his gun in preparation. Just as the cue approaches, two guards grab him and haul him backstage, where Peter and Kit are recovering from their journey.
Queen Elizabeth summons Burbage and Shakespeare to congratulate them on the play. Peter and Kit know they’ll be sent for too. Kit is whisked off to be put into girls’ clothes.
Sir Joseph also brings Peter to the Queen. At first Peter doesn’t recognize Kit, who looks beautiful in her fine woman’s clothes. They share their story with Elizabeth, who is thankful. Elizabeth warms to Kit who quotes a famous battle speech of Elizabeth’s when challenged about her unladylike behavior. Elizabeth offers to be her guardian until she inherits, noting her previous ones didn’t do a good job. Elizabeth impishly hints that she thinks Peter and Kit will marry one day. She asks Peter what he wants in return for his actions. He asks for the common land taken by Sir Philip to be returned to the local people and for their rights to it to be protected. Elizabeth agrees. Sir Philip will be executed for treason.
Adult Peter notes that Elizabeth was right about something: She lived to send him and Kit a wedding present. He looks out of the window of Kit’s fine house, hearing laughter as Kit teaches their children to climb trees.
This section finishes the book with a dramatic race against time to save the day, building toward a dramatic denouement. In the tradition of children’s adventure stories, the narrative’s moral arc ends happily, with the villains punished for their crimes.
Trease creates a brief atmosphere of calm before the storm of the final mission: Peter and Kit fantasize about what they’ll do when they’ve reached the magistrate and handed responsibility over (268). He also foreshadows the ending’s revelation that they eventually marry, showing that these events were formative in their Coming of Age journeys: Both assume their lives will remain intertwined. This is reinforced in Chapter 22, as Kit risks her life to go back for Peter: Trease shows that during their adventures, they have built an unbreakable bond.
The ride to the magistrate, hinting at an imminent resolution, also creates a false sense of security, adding drama to the subsequent revelations. Trease builds unease once they arrive: Peter finds the magistrate’s calm reaction odd (271). The reveal of his complicity in the conspiracy establishes that they are alone in their final quest: They have no way of knowing who they can trust. Kit exclaims that “the whole countryside is riddled with treason” (278), highlighting that they are surrounded by possible danger, increasing the jeopardy. This is emphasized by The Impact of Social Structures on Individuals: They are helpless against the corruption higher up the social hierarchy, forced to lie to passers-by and unable change horses without rousing suspicion, unlike their pursuers. Trease isolates his protagonists from external help to make their last mission their most challenging.
Trease uses cliffhangers and layered obstacles throughout this section: Peter and Kit’s pursuers catch up, they set off on a new plan, or they learn that they have less time than expected. This creates pace and constant jeopardy. Peter’s retrospective narration heightens this further by foreshadowing danger to come, building intrigue. For example, in Chapter 22, Peter says that the “Virgin Mine” has “power, after all these years, to strike a cold chill into [his] heart” (291). This introduction sets up anticipation for increased danger, and hints at the future obstacles presented by the desperate mineworkers.
The final mission drives the action of this last section; it represents a sprint to the finish in Peter and Kit’s quest to get to London in time to stop the conspiracy, as reflected in the name of Chapter 21, “The Road Lay Open” (280). In Chapter 24, Trease breaks the previous narrative format, which has followed Peter’s real-time view. The adult Peter now narrates a scene he wasn’t present for: the performance where the plotters plan to assassinate Queen Elizabeth. This adds to the drama, placing the reader at the scene of the climactic action, a place where no one yet knows of the impending danger, and keeping them in the dark about how Peter and Kit’s journey is going. Trease stresses the race against time element by cutting briefly back to them, layering the sound of the horse hooves beating on the road as a backdrop to the preparations of the play: “Rub-a-dub, rub-a-dub, rub-a-dub” (330). This creates a drum-like beat to give a frantic atmosphere.
This scene also highlights The Power of Theater: Trease uses the drama of theater to parallel the high stakes of the conspiracy. He builds the atmosphere of anticipation before a performance, describing the carpenters working down to the wire (328), mirroring the climactic, last-minute prevention of the assassination attempt. The sudden shock of the cannon sound-effect being practiced foreshadows the shocking violence that they intend to enact at this moment. Trease portrays the ritualistic, communal, and stimulating nature of theater, as the company and the audience are immersed in the performance: “every eye was on Burbage as he stepped forward” (334). Trease juxtaposes the play’s powerful yet harmless atmosphere with the danger of the real conspiracy, pulling together the theater world and the spy world as he references the title: “[N]o one knew that the most important cue of all had never been taken” (334).
Trease follows this climactic scene with a short closing chapter that rewards the protagonists: The Queen acknowledges their actions and resolves the obstacles that created their inciting incidents, offering Kit her guardianship, and protecting Peter’s community’s lands. After the hectic pace of the final section, Trease finishes by revealing the circumstances of Peter’s retrospective narration: He is writing up his story, now married to Kit, and back in Cumberland where he wished to spend his days. This conclusion offers the young reader a classic neat-and-happy ending that reinforces its moral lesson.
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