39 pages • 1 hour read
Ernest CallenbachA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
This first section of Ecotopia begins with an editorial announcement from the American newspaper, the Times-Post, that they will be sending their “top international affairs reporter” (1), William Weston, to the neighboring country of Ecotopia, which seceded from the U.S. roughly two decades ago and broke off contact, writing, “The problem now is not so much to oppose Ecotopia as to understand it” (1). What follows this announcement are entries from Weston’s personal journal and his articles filed for the Times-Post, both composed en route to Ecotopia and while he is there, thus establishing the format of the novel that continues throughout and is composed entirely of Weston’s writings.
In the May 3rd journal entry, Weston teases some sort of mission the unnamed American president gave him (which we later find out is to meet with Ecotopian president, Vera Allwen, and discuss the reunification of the two countries). Weston also describes some of the backstory of how the secession took place, involving nuclear mines buried beneath major American metropolises that may or may not have been an Ecotopian bluff. In any case, Weston’s note to self is to avoid the topic, since the wounds of secession remain raw, even after twenty years.
We also see in this entry and the subsequent article, “William Weston on his Journey to Ecotopia,” the nervousness he feels, since there has been almost no contact between the two nations, and rumors abound. In the second journal entry from May 3rd, Weston talks to Americans on the border, one of whom tells him, “Buncha goddamn cannibals in there!” (5).
The next two articles (and their associated journal entries) describe Weston’s first interactions with the people and society of Ecotopia. In “Crossing the Ecotopian Border,” Weston describes the magnetic high-speed rail system that connects cities and rural hubs. Unlike American transit, there are no seats—people lounge on the soft flooring and pillows, smoking marijuana amidst potted plants and recycling bins.
Similarly, in the May 4th journal entry and following article, “The Streets of Ecotopia’s Capital,” Weston describes the new Ecotopian San Francisco, where there are no private cars, transportation is free via driverless electric minibuses and numerous bicycles anyone can use, and major thoroughfares have been turned into tree-lined parks with creeks running through them. While the bottom floors of skyscrapers are usually businesses, the upper floors have been converted to apartments, and the streets are full of seemingly idle families and friends, and “[o]ver it all hangs the almost sinister quiet” (11). Ecotopian fashion includes mostly natural materials and patchwork and reused clothing, and citizens seem well-informed, spouting statistics and discussing the “social costs” that are factored into financial and policy decisions. The May 5th journal entry describes awkward encounters Weston has with a hunting party with bows and arrows carrying their kill, a deer, and with the maid at his hotel.
In his May 6th article, “Food, Sewage, and ‘Stable States,’” Weston meets with the Assistant Minister of Food to discuss Ecotopian agriculture and food production. Weston is unnerved to find this official to be just as informal as the average Ecotopian on the street, but also just as knowledgeable as one would expect. They discuss Ecotopia’s efforts to “put the country’s food cycle on a stable-state basis: all food wastes, sewage and garbage were to be turned into organic fertilizer and applied to the land” (17). Throughout the interview, Weston remains skeptical, eventually thinking he’s smelled a “totalitarian rat” (19) when it comes to enforcing these practices. However, the Assistant Minister explains they are not enforced, and instead, market forces of supply and demand end up self-regulating this stable-state agriculture. Weston ends the article still skeptical but disposes of the literature he received in the appropriate recycle bin in his hotel room.
In the May 7th journal entry that follows, Weston struggles to adapt to quotidian Ecotopian customs he encounters in his non-professional capacity. He witnesses a heated argument outside his room, which onlookers watch, apparently entertained, to keep things from getting out of hand, but otherwise do not intercede: “Nobody seemed to care what it had all been about, but they sure got a kick out of the expression of intense feeling!” (22). He also misses American food, and even his ex-wife and children, though he apparently does not spend much time with them usually.
Weston then files his fifth article, “Car-less Living in Ecotopia’s New Towns,” after visiting a “minicity” called Alviso, part of the “extreme urban vision of this decentralized society” (24), in which the ideal is small, tight-knit, and mostly self-sufficient communities, connected by clean, efficient rail lines, in which vehicle-use is radically minimized. When they are necessary, all vehicles are a simplified easy-to-produce-and-repair electric truck, which that caters to Ecotopia’s do-it-yourself nature. Weston tours a factory where the vehicles and components are produced and contrasts the extreme pragmatism with Americans’ “urge for speed and freedom” (27), and ends the article reminiscing on how Carthaginians must have felt after the destruction of Carthage.
Weston’s May 8th entry (the longest to-date) continues to express his discomfort, but also discusses a community of fellow journalists he has found at a “press commune” (29), including a man named Bert Luckman, who eventually becomes one of his closest friends. As the evening progresses, Weston gets the group’s take on what he’s been learning about stable states and Ecotopian gender norms, and progressively the conversation gets more personal. The entry ends with Weston feeling sexually frustrated and missing his lover, Francine.
This section of the novel begins with Weston’s article, “The Unsporting Life of Ecotopia,” filed May 9th, in which he explores the differences between American ideas and practices of sport and fitness and those he has found in Ecotopia. Whereas American sports revolve around the spectator, in Ecotopia “the sports scene is set up purely for the benefit of the participants” (34) and are more often individual endeavors rather than team affairs, a few examples being hunting, camping, swimming, ping pong, and volleyball. Most involve nature, and the Ecotopians lead a more active, more animalistic lifestyle in general. Weston also ominously alludes to a practice known as “the war games” which, rumor has it, causes the deaths of many youths (36). In his journal entry for May 10, Weston discusses his failed attempts to meet with Ecotopia’s president, Vera Allwen, whom he saw recently on TV and who fascinates Weston, wielding authority without the typical American trappings of ceremony and rigid hierarchy, and who is “a force to be reckoned with” (38).
The next article, “Ecotopian Television and Its Wares” tackles the most pervasive modern technology remaining in an otherwise rustic Ecotopian society: video/television. Much of the programming reveals a radical transparency in political and commercial segments of society—debates, court proceedings, and executive and legislative meetings—though there are also “weird surrealistic films” (39). Advertisements revolve solely around facts and specifications rather than salespersonship. The May 11th entry that follows reveals an Ecotopian practice Weston witnesses called “cooperative criticism,” after a customer is unhappy with his meal in a diner, and the rest of the staff and patrons work together to explore the problem and reach a solution.
The final article in this section, “The Ecotopian Economy: Fruit of Crisis” delves into the history of how Ecotopia went through a “deliberately engineered” financial crisis in order to overthrow the, as they saw it, unfair and dehumanizing aspects of American capitalism and establish a new system, based around a twenty-hour work week, sustainable practices, and an end to poverty. After filing this report, Weston writes in his May 13th journal entry about being contacted by “the Opposition,” a right-wing Ecotopian group intent on overthrowing Ecotopian society in order to return it to the American way of life. Weston ultimately is unimpressed by them.
These first forty-nine pages establish Ecotopia as a fitting heir to Thomas More’s Utopia, which launched the utopian genre. Like its predecessor, Ecotopia begins with an outsider protagonist, William Weston, learning about a society foreign to his native land, built on a set of values that seem, perhaps, overly idealistic, but are professed to be real nonetheless. Ecotopia also plays with form in a similar way, Utopia being an extended conversation between well-traveled characters, while Ecotopia updates this format to a more focused, journalistic endeavor, taking the form of fictional found documents both Weston’s newspaper articles and his private journal entries. This lends the narrative, setting, and characters a similar air of authenticity. However, there is also the added filter that comes with writing. We don’t have access to Weston’s thoughts as they occur, as can be the case with a strictly unmediated first-person narrative; instead, we see his thoughts as he has chosen to present them, perhaps recording them accurately, perhaps trying to portray himself in a certain light, even if the only audience is ostensibly himself, as with the journal entries.
The opening pages also establish an important theme of public versus private writing, through the two different and clearly-delineated media: the bold headlined articles and the dated, italicized journal entries. While the articles take on a more anthropological tone and focus mainly on the structure of Ecotopian society and their way of life, the journal entries arguably contain the more important parts of Weston’s journey, at least from a fiction standpoint. That is where we see the most character and plot development, though, of course the two frequently intersect.
Weston as a character is a mess of contradictions in these first forty-nine pages. He strives to be open-minded, and yet reveals a consistent, seemingly unavoidable bias. His tone is often gruff and dismissive (“Maybe they have gone back to the stone age”), rather than open and understanding, and yet, as our first-person lens into this fictional and strange world, he is the most relatable character, the most familiar to an American audience (15). Yet the audience for a novel about an ecological utopia might be more inclined to sympathize with the Ecotopians; indeed, Weston is often portrayed in a harsh light. In one journal entry, he discusses rape-play in a rather blasé manner, which could be off-putting to many readers, and then further down the page, discusses how much he enjoys the feel of natural cotton clothing (16).
Plot-wise, this first chunk of pages moves fairly slowly, building the world in minute detail, revolving around themes of sustainability, decentralization, and what a journalist’s priorities should be, and slowly giving us insight into Weston’s backstory and personal life, as well as beginning to establish a few important characters, like Bert Luckman. Near the end of this section, the plot begins to pick up a bit more with Weston’s encounter with “the Opposition” revealing Ecotopia, too, has its discontents.
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