logo

63 pages 2 hours read

Benjamin Stevenson

Everyone on This Train Is a Suspect

Benjamin StevensonFiction | Novel | Adult | Published in 2023

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 2Chapter Summaries & Analyses

Part 2: “Blockbuster”

Part 2, Chapter 7 Summary

During the train’s first scheduled stop, Ernie participates in an author talk. He’s puzzled by McTavish, who looks bored and trapped, seemingly lacking the curiosity about the world that Ernie associates with writers. Ernie notices that McTavish’s left side is visibly weaker than his right due to a long-ago hit-and-run injury. Majors, in her dual role as author and festival organizer, begins the discussion by hinting that Fulton has taken 21 years to write a second novel because of writer’s block and becoming a single mother. Wolfgang calls Ernie’s book cheap and sensationalist. Ernie and Wolfgang then argue about what “real” literature is. Wolfgang reveals that his current work isn’t a novel at all but a kind of “‘interactive art installation’ titled The Death of Literature” (68). McTavish surprises Ernie by coming alive once it’s his turn to speak. He talks about how, following his accident, he was afraid that he’d never write again. He seems to struggle with his emotions when Majors asks him to talk about ending his popular series of books and implies that the apparent end of the series might not be its actual end. The final writer to speak is Royce. Ernie notices how Majors keeps redirecting Royce’s attempts to dignify his work as high literature into discussions of its gory details and Royce’s past as a forensic pathologist.

When Majors opens the floor to audience questions, Brooke, who heads McTavish’s fan club, “Morbund’s Mongrels,” asks a question about the supposed death of Morbund, the protagonist of McTavish’s series. She pointedly lets McTavish know that she noticed a character named Archibald Bench. Douglas asks Ernie whether Ernie killed “him,” referring to a death in Ernie’s previous book, and Ernie gives a carefully worded answer approved by his lawyers. Harriet asks McTavish where he gets his ideas. Majors says that her favorite McTavish book is one in which a couple stages a car accident to cover up a murder. She hints that McTavish borrowed this plot from a newspaper story, but he denies this. She tells him that a similar thing happened in her hometown when she was a child. McTavish points out how unlikely it is for a Scottish author to have heard any such local Australian story. The talk ends with a revelation about the cover of Fulton’s long-awaited second novel: It features a blurb from McTavish: “A firecracker” (79). Overcome with emotion, Fulton immediately leaves the discussion and returns to the train.

Part 2, Chapter 8 Summary

Ernie drinks a beer to steady his nerves. Jasper and Harriet introduce themselves, and Jasper makes an astute comment about the jealousy among writers. Ernie learns that Jasper is a writer who came to the festival to speak with Wyatt. Jasper and Harriet leave, and Douglas Parsons sits down. He tells Ernie that he has been thinking about this trip for a long time and that it’s strange to finally be here. Remembering the second glass of champagne in front of Douglas that morning, Ernie is puzzled when Douglas claims that he’s on the trip by himself. Douglas keeps bringing up Ernie’s responsibility for a death. He’s fixated on the idea that the person in question caused Ernie great harm and wonders what it felt like to get revenge. Ernie notes, hypothetically, that it would have made him feel sad because revenge feels like a loss of power and control.

Part 2, Chapter 9 Summary

After dinner, Ernie and Juliette overhear Wyatt and Wolfgang arguing. Wyatt says, “You can’t do that,” and begins to say that “[i]t’ll ruin” something but breaks off (91), suddenly aware of everyone’s attention. Ernie notices Wyatt trying to write Wolfgang a check, but Wolfgang is apparently refusing whatever Wyatt has in mind. When Ernie mentions to Juliette that he hopes to run into Simone later, Juliette realizes that she left Simone’s scarf on her chair at breakfast and asks Ernie not to tell Simone about this. Ernie is delighted at this evidence that Juliette, too, fears Simone. Ernie finds Simone and tries to convince her to intervene in the matter of McTavish’s bad review, but she tells him to let it go. Ernie notices the three older women who were being so boisterous during the train’s departure; they’re drinking together, again, and each has a copy of a viral Erica Mathison book that Ernie considers close to pornographic. One of the women shows off her autographed copy, and Ernie notices that Gemini is Mathison’s publisher. As McTavish, very tipsy, prepares to leave the bar car, Jasper approaches him and introduces himself. Although Jasper doesn’t ask for it, McTavish signs a coaster and hands it to him. Simone hisses at Ernie that she’s trying to woo McTavish as a client and that Ernie better not mess up her opportunity. She reveals that the woman with the signed copy of the Mathison book is Veronica Blythe, a well-known book critic.

Ernie drinks until he’s the last one in the bar car. He decides to confront McTavish in his carriage and encounters Royce, inebriated, pounding on McTavish’s door. Royce insists that McTavish is inside talking to Fulton. He feels betrayed and desperate because he needs McTavish to blurb his book to bolster sales. Ernie helps him back to his room. Royce accuses Ernie of having faked the events at Sky Lodge Mountain Retreat or possibly being the real killer of everyone who died there. When Ernie assures him that it all really happened just as he wrote, Royce says that maybe something will happen on this train, too—in fact, he wishes it would so that he could see how Ernie reacts to a real murder.

Part 2, Chapter 10 Summary

Near midnight, Ernie wakes, feeling sick from the alcohol and the motion of the train. On his way back from vomiting in the communal bathroom, he sees flower petals on the corridor carpet and hears Wyatt and McTavish arguing in one of the rooms: Wyatt is angry because the new manuscript doesn’t resurrect Morbund, as promised. He mentions that the inclusion of the “Archie Bench” character is “[r]eal fucking cute” (106). When the train lurches, Ernie hits his head and makes a noise. He quickly moves to the tea alcove to pretend to be making some tea but finds that the kettle has been thrown into the trash.

Part 2, Chapter 11 Summary

The next morning’s panel features just Majors and McTavish. When Wyatt and McTavish appear, Ernie notes that they seem jovial with one another but that McTavish has a bump on his nose that is turning into a bruise. Ernie hears McTavish whisper to Brooke, “It’s a mighty fine drop to drink alone” (110). The conversation between Majors and McTavish begins; despite Majors’s efforts to speak more in depth with McTavish, he openly drinks from his flask and recycles the same ideas that he shared during the previous day’s panel. Suddenly, McTavish vomits, goes white, and begins to shiver. He manages to get to his feet but then collapses, dead, on the floor.

Part 2, Interlude Summary

Ernie addresses readers directly, offering a suspect list along with what he alleges will be readers’ reasoning at this point in the mystery: They’ll consider Fulton the main suspect because she has been nice to Ernie and was absent from the bar car. Royce will be last as a suspect because he’s “the kind of reprehensible cockroach who normally winds up the victim in these books, and you consider him too obvious as a murderer” (112). Wyatt and the other writers are in the middle of the pack: They clearly have secrets. The festival guests are also suspects, but only Douglas has behaved suspiciously so far. Ernie notes that readers likely don’t suspect Juliette because her character would need to have changed significantly from the previous book for her to become a killer. He adds that in any case, “only an idiot would accuse Juliette of murder” (113). Ernie provides a tally of occurrences of each suspect’s name in the book so far. He considers his readers and himself part of a team, working together to solve the mystery, but admits that readers may still not completely trust him.

Part 2 Analysis

The book’s second section, “Blockbuster,” focuses on developing the character of Henry McTavish, the blockbuster author, and on relating the manner of his sensational death. In addition, this section continues developing previously established thematic threads, Ernie’s character, and his exploration of the mystery genre through metafictional commentary.

McTavish is often drunk and seems to be putting on a scripted performance rather than being sincere with the people around him. This foreshadows the book’s later revelation that McTavish isn’t the accomplished popular author he seems. Likewise, Ernie’s characterization continues to reveal troubling aspects of his personality: Although Juliette unfailingly supports Ernie, he devotes little time to considering what she’s thinking and feeling, instead focusing on his own grievances and imposter syndrome. The text does, however, encourage readers to feel more sympathy for Ernie than for McTavish: Ernie continues to provide witty and engaging narration, and his survivor’s guilt goes a long way toward explaining his self-involvement. The development of McTavish’s and Ernie’s characters, as well as the constant backbiting among the other authors, supports the text’s thematic interest in The Foibles of Literary Culture and Authorial Ego.

Additionally, the text continues to use metafictional elements to explore the theme of Genre and Its Impact on Creativity, parodying many of the conventions of mystery. As rising tension emerges through the hidden connections and past grievances among authors, Ernie punctuates this tension with comic metafictional observations, directly addressing readers, in which he points out the repetitive structure and conventions of the mystery genre. He announces where the clues are, matter-of-factly explains his thinking and his writing process to readers, and pokes fun at stereotypical mystery elements such as cryptic, half-heard arguments and the suspect list that fictional detectives often compile. That the suspect list he compiles appears as “Chapter 11.5” instead of “12” draws attention to and makes light of the text as text.

Readers may be aware of the text as a created world obeying pre-established scripts, but Everyone on This Train Is a Suspect is still an engaging mystery. Instead of giving away too much information and making the mystery too easy to solve, Ernie’s constant discussion of craft and deliberate pointing at the elements of the genre often function as a kind of misdirection, making the mystery somewhat trickier and more engaging. One way the text accomplishes this is through Ernie’s repeated use of Language as a Tool to Manipulate Perception, one of the book’s thematic concerns. Although the Ernie who is writing the book has the advantage of hindsight and knows which of his in-the-moment interpretations were incorrect, he doesn’t provide the benefit of this hindsight to readers. Often, his words don’t mean what they appear to mean, either, as when he notes that “only an idiot would accuse Juliette of murder” (113). Only later will readers understand that this foreshadows Ernie’s own accusation of Juliette and his belated understanding of what “an idiot” he has been throughout the story.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 63 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools