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57 pages 1 hour read

Ingrid Rojas Contreras

Fruit of the Drunken Tree

Ingrid Rojas ContrerasFiction | Novel | Adult | Published in 2018

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Chapters 28-30Chapter Summaries & Analyses

Chapter 28 Summary: “Ghost House”

Mamá hosts an estate sale, and neighbors come to buy all their belongings except those packed in a few suitcases. Chula overhears the neighbors’ bigoted comments about the family’s misfortune, which they blame on Mamá’s former poverty and Indian blood. Chula realizes that Petrona must have taken the girls’ portraits from the family photo album to give to the guerrillas who attempted to kidnap them. On the news, Escobar gives an interview, even though he is on the run. He describes life as “a space full of agreeable and disagreeable surprises,” and his sanguine nature shocks Chula. 

Petrona [16] Summary

In drugged semi-consciousness, Petrona recalls “men between [her] legs” (250). She is gang-raped as punishment for being a traitor and sabotaging the kidnapping attempt. In flashbacks, she remembers Gorrión asking her to be his girlfriend and giving her a green stone that he claimed was an emerald. She remembers Leticia telling her that she could do more than pass envelopes; she could also give up private information about the Santiagos to the guerrillas. Returning to the present moment of her assault, she hears Gorrión begging the men to stop the sexual assault. She dissociates from her body and imagines she is grass.

Chapter 29 Summary: “God’s Nail”

Chula feels empathy for Pablo Escobar’s family, because they, too, are trying to flee the country. Mamá tells the girls she has applied for refugee status, and they must travel to Venezuela until their paperwork comes through. Chula feels anguish at the thought of leaving home without Papá. In her desperation, she runs down the street until she meets the Oligarch, who comforts her and prays the Rosary. Chula looks for the cows, mooing out the window in hopes of communicating with them as the rain pours. Searching for any connection to Papá, Chula finds his bottle of whiskey and drinks until she is deeply intoxicated. 

Chapter 30 Summary: “Two Fingers”

The next morning, newscasters report the death of Pablo Escobar. Much of the country celebrates, but the city of Medellín, where his cartel is based, mourns. In the evening, Emilio arrives to pick up Mamá and the girls in his taxi. Chula hopes until the last second that Papá will arrive, and when they leave, she fears they will never see him again. On the drive, Chula imagines she sees Pablo Escobar again and again—waiting at a streetlight, holding a newspaper, outside a church, running with a book. When they board the plane, Chula feels like she is suffocating. As they take off, Chula looks below. Petrona will be found, barely alive, in an empty lot, her panties pulled over her jeans. The guerrillas will cut off Papa’s two fingers and send them, as proof of his capture, to the Santiagos’ abandoned house. 

Chapters 28-30 Analysis

Through the experiences of the characters of Mamá and Petrona, the silencing power of trauma, an important theme of the novel, becomes apparent. As Mamá flees Colombia in a willful quest to save herself and her daughters after exposure to traumatizing violence, Petrona is brutally assaulted by Gorrión’s gang. Mamá painstakingly destructs the family’s former existence in response to trauma, while Petrona must painstakingly reconstruct a life that was robbed from her in a traumatizing way.

The historical subplot of the manhunt for Pablo Escobar plays out in parallel to the main action in this section. The extent of Chula’s empathy to Escobar’s family members is shocking, given the horrific nature of Escobar’s crimes, yet it offers a critical insight into the humanity and commonality of experience that is a consequence of civil war. Though the Escobar name is synonymous with evil, Chula is able to empathize with his uprooted family members because violence has had a similar impact on her family.

Escobar’s death coincides in the novel with the Santiago women’s emigration (see note in Overview regarding the novel’s departure from the historical timeline). This tectonic event in Colombian history signals the closure of the Colombian chapter in the Santiagos’ lives. The television coverage Chula watches of the wild and mixed reactions unfolding across the country externalizes Chula’s inner turmoil. Chula describes this catharsis, recalling that the act of “[w]atching the television is how I dealt with my grief” (259). The intensity of emotion she witnesses provides a channel for her own mourning process, though the aftershocks of her experience continue to reverberate for years.

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