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Throughout the trial, Linda learns that Patra grew up outside Milwaukee with her parents and much older siblings. She married Leo the week she graduated from college, a year after meeting him. She’d taken Paul to lessons and classes every day, and even once secretly took him to see a pediatric endocrinologist after a teacher commented on his health, though she never scheduled the tests that the doctor recommended. It was then that Leo decided they should spend some time in their new summer home, for “some mental space” (218). The day that Linda went for Tylenol, Leo decided that his family needed another “change of scenery” (218) and packed the car with an unconscious Paul and his things. Linda learned later that they drove for over two hours, took Paul to two “private residences” (219) before he died of cerebral edema.
After they leave, Linda tidies up Paul’s room, covering the “fishy-sweet” (219) scent of Paul’s room by arranging pinecones around his dresser. Then, she sits on his bed until the room darkens. Her father eventually comes to get her, worry haunting his words; but he never directly expresses whatever concerns he harbors.
Linda describes her father as quietly kind; her mother describes him as a directionless young man. A decade after Paul’s death, Linda visits home, and her mother retells the story of the commune. This time, Linda realizes that her mother hadn’t been as young when she joined as Linda had been led to believe—she’d been 33, “when she should have known better” (223). Her mother emphasizes that, though things had been bad at the end, the plans were good and their beliefs were good. When everyone else left, they restarted with Linda.
Mr. Grierson writes a P.S. on the back of his letter to Linda describing the sequoias in California. He gives her details on the differences between sequoias and redwoods because he knows Linda would want to know. He loved camping under them as a kid, remembering the massive trees as something permanent and ancient. He admits that things “always seem more impressive when you’re a little kid” (225). He never wants to go back because the experience as an adult might ruin one of his favorite memories.
After the Gardners leave, the police interrogate Linda on a regular basis, and soon they prep her for trial. As the trial grows closer, they urge her to think of herself as a fish just floating through the water. She doesn’t need the imagery; she’s been longing for the trial.
The trial begins at the end of summer, and the courtroom thick is with hot air. When Leo and Patra enter the courtroom, they are calm and avoid Linda’s eye. The DA works hard to portray Patra as blithe and “snobbish” (230). Patra speaks softly and emphasizes her love for her son. Leo sits with a Bible on his lap, nodding to Patra, not looking upset or even worried. The last time Linda had seen Paul, Leo had assured her that everything would be okay, and she “shouldn’t feel bad about any of this” (232). Linda would have pinned it all on Leo to protect Patra, but Patra never gave her the signal Linda wanted.
During the break, Linda goes outside for air, and Patra comes out a bit later, not noticing Linda until she stands up in front of her. Patra dismisses Linda, but Linda tells her that she hates Leo for Patra. She tells Patra that it wasn’t her fault, but Patra blames Linda. She can only see the teenager as “a part of the evil that took him, the one who arrived just in time for, and presided over, his disappearance” (234). Patra exclaims that she’d worked so hard at controlling her thoughts, but it was Linda who made Paul sick by seeing him as sick.
During her time with them, Linda had watched Patra dote on Paul, noting that she obviously cherished her son. Linda planned on saying that on the stand, but when she was asked what Patra did for Paul, she only said: “She did nothing” (236).
Dazed, Linda leaves the courtroom with her mother in a truck borrowed from an acquaintance. Her mother tries to speak with Linda about the trial—about how Patra’s testimony was false—but Linda is stubbornly quiet. The whole time, she thinks of her doubts about whether her mother is truly her mother. The doubt manifested slowly over time, increasing as her mother struggled to be specific about Linda’s infancy and how she can’t interact with Linda in the ways she needs.
Suddenly, Linda asks if she did okay. Her mother, unsure of what she means, tells Linda: “What happened probably would have happened whatever you’d done” (241) and that she can’t be the judge for this one. This only validates Linda’s belief that she is not her mother’s child. This thought, she reflects upon in the future, may have driven her to do and want certain things during those years. As they drive home, Linda wishes she’d asked Patra what the difference is between “what you want to believe and what you do” (242).
After she gets the reply from Mr. Grierson in her twenties, she wishes she’d asked him what the difference is “between what you think and what you end up doing” (242). She’d read his statements and followed his movements after he left prison. The Gardners were acquitted “on the grounds they were protected by religious exemption” (243), but Mr. Grierson spent 7 years in prison, plus a year later for violating his parole. Linda reads his official statement several times over the years. After Lily accused him of the things he’d only thought about, he was relieved. Though he’d denied knowing about the photos found in his apartment, Lil’s accusation makes him think: “Now my real life begins” (243).
In Chapter 16, Patra’s love for Paul is expressed through her dedication to the quality of his life—aside from his health. Her decision to secretly meet with a pediatrician, and subsequent decision to ignore the doctor’s advice, demonstrates Patra’s ability to discern and willfully neglect Paul’s ill health. Leo’s control is on full display here, too; once he suspects that Patra is losing faith, he works to isolate his family, to keep them under his control and achieve “some mental space” from outside influences (218). Linda’s last memory of Patra, doubled over, terror and grief contorting her features, alludes to Patra’s understanding that Paul is in immense danger—but she gets into the car in silence anyway, choosing to ignore her instincts.
The chapter shifts to the theme of growing up as Linda recalls her mother’s account of the commune, especially her realization that her mother had misled Linda about her age. When Linda learns that she’d been 33—mature enough to make her own decisions—she is beginning to understand that adults are equally capable of naiveté and recklessness as children. The thought relates to Patra and Leo, who certainly “should have known better” (223). The story further likens Leo and Patra to the commune through the “good ideas, good plans” (224) that all ended badly. This comparison positions Leo and Patra’s family to be as isolating and toxic as the commune Linda grew up in.
Chapter 17 uses Mr. Grierson’s letter to express the very different perspective adulthood offers: “[T]hings always seem more impressive when you’re a little kid” (225). This description works to represent both Linda’s memory of the woods as well as her memory of the Gardners. As an adult, Linda can look back upon their—and her own—actions and see them clearer. Patra’s power also diminishes over time. As a young woman, Linda saw Patra as great and permanent, like the trees, and Linda trusted her implicitly. However, time and perspective illuminates Patra’s humanness and ultimate weaknesses.
Chapter 18 offers the novel’s climax through the anti-climactic trial and final encounter between Linda and Patra. By revealing Paul’s death early in the novel, the text has been building up to a confrontation or revelation, which appears through the unraveling of events in Patra’s testimony. Here, Patra’s early concerns about Paul highlight her irresponsibility in ignoring them and ultimate culpability in his death. She looks to Leo often, whose calmness is unsettling, suggesting his lack of concern over his son’s death. Patra’s hostility toward Linda is misplaced anger. The chapter centers around the theme of guilt and complicity through Patra’s blaming of Paul’s death on Linda and through Linda’s own admission of guilt: “I should have gone earlier […] I should have gotten help for us” (234). This admission—the only time Linda ever expresses it—is incredibly significant; she is recognizing her own role, however small, in Paul’s death and acknowledges the help they all needed, not just Paul. With “us,” Linda expresses that Patra, too, needed to saving. Patra’s accusation hurts Linda, but it is Patra’s rejection of her that provokes Linda to lash out in the only way she can—by assuring Patra looks guilty by clarifying that she’d done nothing for her sick son.
Chapter 19 explores the power of thought, first through Linda’s gradual sense that her mom is not her biological mother and then through the question of Mr. Grierson’s guilt. A lifetime her mother misunderstanding her leads to an unpassable gulf between the two, with Linda becoming outright hostile. The thought that her mother does not care for her properly because she is not her mother is Linda’s motivation throughout her adolescence, and she’d sought love and approval from Patra because she couldn’t find it at home. Whether it’s true or not, this belief determined Linda’s reality, much in the same way that Patra and Leo’s beliefs determined theirs. As Linda wonders, “what’s the difference between what you think and what you end up doing,” she meditates upon a major theme of the novel, whether bad thoughts are the same as wrongdoing. This chapter unpacks the very different examples of the power of thought. On the one hand, Mr. Grierson’s thoughts—though not punishable by law—are indicative of major predatory deviancy which should be understood as some measure of guilt. However, Linda’s thoughts, in Paul’s case, are meaningless unless she does something to help him.
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