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48 pages 1 hour read

Terry McMillan

It's Not All Downhill From Here

Terry McMillanFiction | Novel | Adult | Published in 2020

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Symbols & Motifs

The House of Beauty and Glamour

Content Warning: This section of the guide discusses addiction, depression, and suicide.

The House of Beauty and Glamour is Loretha’s beauty store. She has two storefronts—one in Pasadena and the other in Los Angeles. By the end of the novel, she sells the LA storefront and moves the Pasadena storefront to a new, more prominent location. When asked to describe what she does, Loretha says, “I tell them ‘I sell beauty’ (I leave off ‘products,’ since it’s the truth)” (8). However, Loretha’s view of beauty shifts throughout the narrative and has markedly changed since her younger days. As Loretha owns the storefront and decides what to sell and what makes “beauty,” her shop reflects her views about herself and beauty. Because of this connection, the House of Beauty and Glamour becomes a symbol of Loretha’s self-opinion.

Loretha struggles with the decision to sell her LA storefront because she believes she must maintain her past decision—symbolically, a past identity that describes who she is. Her decision to sell symbolizes a willingness to let go of who she used to be and who she believes she must be to adapt to her new life. Her Pasadena storefront’s grand reopening, which everyone important in her life attends, reflects her acceptance of a new self-image. She no longer holds herself to the standards of her younger days and no longer believes her wrinkles and age marks define her. Instead, she embodies her present beauty and works to maintain it just as she chooses to preserve and enhance the Pasadena storefront rather than trying to manage multiple locations.

Drugs

Drugs appear regularly throughout It’s Not All Downhill From Here. Poochie uses drugs to die by suicide, and Lucky uses drugs to avoid the reality of her situation. Each character experiences a loss that they struggle to face. Jalecia lost her connection to her family, Poochie’s mother passed away, and Lucky risks losing her husband in a divorce. The frequent appearance of drugs when characters face losses creates an overarching motif that ties drugs to the theme of Resilience in the Face of Personal Loss.

When Loretha asks questions about Lucky’s addiction, Lucky admits:

I just felt so overwhelmed that I wanted you here. I’m also ashamed and bored with my life, and I feel old and I don’t know what to do with so much free time on my hands. I even stopped shopping because I have too much of everything and not enough of something (143-44).

Lucky uses drugs as her mechanism for facing personal loss, and it takes Loretha’s reprimands to return Lucky to a healthier path with more efficient coping mechanisms.

Conversely, Poochie attempts to fight her own battles and chooses how to leave them behind. She writes, “When I learned I was going to have both knees replaced, and then my hip went out, too, I knew I wasn’t going to be able to withstand it all. And I couldn’t” (238). Loretha’s assertion that they would have helped Poochie had they known about her illness underscores that though drugs are one way to cope with loss, they are not the most effective method.

New Year’s Eve

Loretha spends New Year’s Eve alone, reflecting on the past year without Carl. This moment also connects Loretha with the younger generation when she sees them “partying like they had everything to live for” and realizes she does, too (187). Until now, she has believed that her best years are behind her and that she must accept her inevitable decline. New Year’s Eve is a turning point in the narrative and a motif that challenges the theme of Perceptions of Age and Health

Loretha’s New Year’s celebration shows the progression of time: “Later I [...] turned on the Spotify playlist of some of my favorite songs from the seventies through the nineties, which Jonas had made for me. I put on my new pj’s and poured myself a glass of medium-priced champagne” (187). By listening to old music while wearing new pajamas and toasting to the future, Loretha illustrates how the past, present, and future can coexist: She can now appreciate her memories and past experiences while still looking forward to the days ahead of her, revealing a shift in her mentality. Thus far, she has viewed her health as directly correlated to her age. After New Year’s and her getaway to Las Vegas with her best friends, Loretha takes her health more seriously. She no longer imagines that she is “old” and must accept the illnesses and pains of age. Instead, she allows herself to transform and grow, disconnecting herself from her age to live her best possible life.

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By Terry McMillan