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Michael GoldA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Mike Gold is the central figure in Jews Without Money. He is the protagonist, the narrator, and the entryway into the impoverished lives of the community of Jewish people on New York’s Lower East Side. Mike begins the story as a very young boy and charts his short, violence-filled childhood as his family struggles to get by. The reality of living in a dangerous world means that Mike is not able to enjoy his childhood. Each day, he is confronted with his own poverty, his vicinity to violence, and the harshness of the world around him. Family members are killed or injured, friends are sexually assaulted, and everyone he knows faces a perpetual struggle that forces young people to grow up quickly. Whether he is selling newspapers or disdaining his sister’s love of fairy tales, Mike knows that he has to grow up; otherwise he will be punished by the world in which he lives.
Mike relies on two forms of support to help navigate life in the tenement building: He has his family and his friends. The former is small group of loving, caring people. His father tells him bedtime stories, and his mother infuses him with a practical view of the world. However, Mike spends just as much time with his friends. The street gang he forms with the other young boys becomes a kind of surrogate family. They depend on one another for support in physical confrontations, and their unity demonstrates an early understanding of the kind of solidarity and togetherness that will form Mike’s political views later in life. By sticking together, the boys’ gang becomes an essential part of survival and as important to his development as his immediate family.
Mike’s political beliefs form at a young age. As a writer, Mike Gold was a socialist and an advocate for trade unions. The crushing poverty he witnessed at a young age in the tenement buildings of New York helped to form these political beliefs. Mike describes a world in which the poor are exploited and must stick together to survive. This outlook is the basis for his future beliefs and provides an insight into how radical politics developed in the minds of young men at the beginning of the 20th century.
Herman Gold is Mike’s father. He is a Jewish immigrant from Romania who came to America to pursue his dreams of becoming rich and successful. Unlike many of the people in the poor community, Herman is an optimist. He is something of a dreamer and constantly insists that he will one day become his own boss and the owner of a successful company. However, this perpetual optimism is slowly eroded by reality. Unfortunate events conspire against Herman, either through bad luck or through the active crimes of other people. He is injured in a job that exploits him, and he is tricked by a business partner. In both instances, he loses a great deal of money. More importantly, the constant misfortune grinds away his optimism. Without any institutional support or recompense, Herman’s reality shows how poverty becomes a trap for even the most ambitious, hard-working, and optimistic people.
Herman’s body is an importance metaphor for the ways in which poor people suffer. In a physical and psychological sense, Herman is beaten down by the world in which he lives. His physical well-being is destroyed by his low-paying job. As a house painter, he is well aware that the lead-based paint is slowly making him sick. Eventually, this sickness becomes too much, and he falls from a scaffolding, breaks his legs, and cannot work. His ruined body is a demonstration of the way in which capitalist society exploits and uses the bodies of the poor to perpetuate the wealth and good fortune of a limited number of people. The psychological scars left on Herman’s mind, forcing him to lose his optimism and develop fears of the world, show how the capitalist society breaks down even the happiest, most optimistic people into shadows of their former selves. As a result, Herman is left to live vicariously through his son. He wants Mike to become a doctor and to achieve what Herman never could. However, Mike is well aware that this dream is just as unrealistic as everything else in Herman’s life. At the end of the novel, even Herman’s last, most desperate hope—that Mike will become rich and successful—is shown to be hollow and impossible. Mike does not go to high school because he must work to help his family. Herman’s dreams are as broken down and withered as his physical and psychological well-being.
Katie functions as the practical counterpart to her more high-minded husband. Like him, she is a Jewish immigrant from a poor country. Unlike Herman, she never convinces herself that she will be anything other than poor. As a result, she focusing on the essential act of living. Katie’s ambition is to ensure that she and her family have food and to help the people around her as best she can. She is generous, proud, strong, and determined, providing Mike with the perfect role model for how to live in a society that treats his family as disposable and irrelevant. She makes herself relevant and essential by sheer force of will.
Katie’s generous side is visible in her willingness to help everyone. While many people in the tenement buildings take a reserved view of people from different ethnicities, Katie does not care. She may harbor prejudices and repeat stereotypes about Irish or Italian people, but she does not hesitate to help anyone who is in trouble. Even when she cannot speak someone’s language, she goes above and beyond what is expected of her to help people. She helps an Italian widow, an Irish victim of domestic abuse, and everyone who works in the multicultural cafeteria where she works. Though Katie lacks the ideological framework that her son will later develop to view the world, she understands class solidarity on a fundamental level. She recognizes that all the poor people are together, even if she lacks the technical words with which to express this solidarity.
Mike’s sister, Esther, is the representation of innocence in the book. Unlike him, she is able to escape into a dream world of fairy tales that allows her to get away from the crushing reality of poverty. She inherits her father’s optimism but combines it with her mother’s propensity for hard work. She takes on the burden of responsibility for the family after Herman’s accident. She cooks, cleans, and fetches firewood but never gives up on her fairy tales and her optimism. Mike resents his sister’s ability to escape. He struggles to recognize the hard work she does for the family and believes that she is weak. However, Esther is not weak. She works harder than anyone to keep the family alive, even though this desire to work hard eventually kills her.
Esther’s death is a turning point in the lives of the family members. Herman is forced to confront the reality that he will probably never succeed in America, Katie is forced to comprehend how her constant struggles are not rewarded by an uncaring universe, and Mike is forced to confront his own relationship with his family. Esther’s death solidifies his ascent into adulthood and means that he will never be able to look back on his childhood without recognizing the pain he experienced. Esther’s death is the final death of innocence in his life and a turning point toward a bleaker, more realistic perspective on the world.
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