58 pages • 1 hour read
Christopher MooreA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of violence, miscarriage, homicide, and suicide.
The angel Raziel is tasked with assisting in the writing of a new Gospel by Levi (who is nicknamed Biff). Raziel objects because he believes that the foul-mouthed, ill-tempered Biff was excluded from the four previous Gospels for good reason. His superior, the archangel Stephan, informs him that these orders come directly from the Son, who “feels it’s time the whole story is told” (2).
Raziel goes to a hill outside Jerusalem, gathers the dust of Biff’s remains, and restores the man to life. He also bestows the gift of tongues upon the new evangelist, allowing him to speak any language. When Raziel reveals that 2,000 years have passed since his death, Biff punches the angel and swears at him for being late. The angel remarks, “[n]ice talk to a messenger of the Lord” (4), and Biff quips that he has a gift.
Raziel takes Levi bar Alphaeus (Biff), to a hotel room in St. Louis and instructs him to write his Gospel. However, the newly resurrected apostle is distracted and frightened by the unfamiliar technology that he witnesses in the modern world. He wishes that his friend were with him: “Joshua always told me not to be afraid, for he would always be with me. Where are you, my friend? Why have you forsaken me?” (9).
The narrative shifts 2,000 years into the past. The day that Biff meets Joshua of Nazareth, both boys are six, and Biff sees Joshua bring a lizard back to life. The two become best friends. Israel is under Roman occupation, and Biff is drawn to Joshua’s fearlessness. The two often reenact stories from the Torah with Joshua playing the parts of heroes like David and Moses. Although Joshua does not yet know that he is destined to save the world, he tells Biff that he is the Son of God. This frightens Biff because such blasphemy is punishable by death. One day, Joshua casually tells his stepfather, Joseph, that Joseph will not live much longer. Shaken by his stepson’s words, Joseph asks Biff to stay with Joshua and “teach him to be human” (17).
As a child, Joshua performs miracles that are “small and quiet, as miracles tend to be, once you get used to them” (18). However, supernatural events sometimes occur around him without him deliberately causing them. One Passover, Joshua’s face appears on all the unleavened bread in Nazareth. Biff and Joshua’s family tell the other villagers that the image is of Moses, but Joshua dislikes the lie and declares that he is unafraid of whatever punishment the Pharisees would give him.
At age nine, Joshua befriends a snake, fulfilling a prophecy from Isaiah. Jakan, the son of a Pharisee, accuses Joshua of consorting with demons. Mary of Magdala, who goes by Maggie and is about the boys’ age, comes to Joshua’s defense and persuades Jakan to drop his accusations. Biff falls in love with Maggie, but she has feelings for Joshua. Soon the boys will be old enough to begin training for a career. Biff wants Joshua to join him as an apprentice stonemason, but Joshua replies that he’s “thinking about saving mankind” when he grows up (28).
The narrative briefly jumps forward to Biff’s time with Raziel. The angel refuses to tell Biff anything about Joshua, Maggie, or the rest of his friends. Biff finds a Bible in the hotel room and realizes that the book may hold the answers that he seeks.
The narrative returns to Biff’s childhood in Nazareth. The mother of a Temple priest dies, and a crowd of Nazarenes, including Joshua, Biff, and Maggie, attend the funeral. At least 20 Roman soldiers are present to deter any dissidence from the assembled Israelites. The priest whose mother died belongs to the Sadducees, a sect of Judaism that does not believe in an afterlife. With great effort and despite Biff’s urgent warnings, Joshua briefly brings the woman back to life. As the terrified priest and mourners flee, Joshua collapses, and Biff and Maggie drag him away. A Roman centurion named Gaius Justus Gallicus sees the children. Joshua revives and defiantly addresses the centurion: “Will you slay my people if we follow our God?” (35). Justus answers that Joshua will live as long as he pays his taxes and doesn’t rebel.
The next night, the angel Raziel appears to Joshua and Biff and confirms that Joshua is the Messiah. Dispirited, Biff consoles himself by spending the next day with Bartholomew, “the village idiot” (39). Bartholomew reveals to Biff that he is a Greek Cynic who has renounced worldly desires as a way of liberating himself from suffering. Although he isn’t Jewish, the philosopher believes that Joshua is the Messiah. Biff finds Joshua and tells him that he’s jealous of Joshua and Maggie. Joshua soothes his friend’s emotional pain by touching his forehead and musing that jealousy must be a good thing because the “Lord said, ‘I am a jealous God’” (41).
Joshua and Biff begin training as stonemasons. On their walk from Nazareth to the Roman fortress of Sepphoris, Joshua wonders why he was unable to bring the old woman back to life for more than a few moments. Although he asks for divine guidance, his prayers receive no answer.
Biff’s father oversees a group of enslaved people constructing a house for a Greek man. Justus, the centurion, observes Joshua’s sympathy for the enslaved people and alludes to Spartacus’s rebellion and subsequent crucifixion as a warning. However, Justus comes to Joshua and Biff’s defense when the Greek homeowner tries to force the boys to move a statue of the god Apollo, which would go against their religious beliefs. Joshua decides “to circumcise Apollo” as an act of resistance (56).
The narrative briefly jumps ahead 2,000 years. Raziel develops an interest in soap operas, and Biff manages to hide the Bible in the bathroom when the angel leaves the hotel to purchase a copy of Soap Opera Digest.
The narrative returns to Biff’s childhood. Maggie joins the boys on their nighttime expedition to Sepphoris. A Roman soldier spots the children near the statue of Apollo. Maggie’s uncle, a member of a Jewish resistance group called the Sicarii, appears and murders the soldier. The boys accompany Maggie home to Nazareth before hurrying back to Sepphoris. Roman soldiers won’t allow anyone in or out of the fortress city while the soldier’s murder is under investigation, and Joseph is arrested as a suspect.
If Joshua tells the Romans the murderer’s identity, they might free his stepfather, but Maggie’s family and many other Jewish people would likely be killed. Joshua goes to an olive grove to pray in vain for guidance, and he feels lost and alone when he returns to Biff. Biff punches him in the arm to prove that he isn’t alone and then goes off to pray, too. In Biff’s prayer, he berates God for the dilemma in which Joshua finds himself and entreats, “could you, much as you did with Samson when he was backed into a corner weaponless against the Philistines, throw the kid a bone here?” (68). In answer, God sends a lizard to Joshua. The reptile reminds the young Messiah that he has the power to bring the dead back to life, and he resolves to resurrect the murdered soldier.
The villagers of Nazareth gather at Sepphoris and ask for Joseph’s release. Biff distracts the Roman soldiers, allowing Joshua to bring the dead man back to life long enough to identify his killer. Maggie’s uncle draws a knife, but Justus kills him before he can strike again. With the culprit identified, the Romans free Joseph. On the way back to Nazareth, Maggie and Biff discuss the young Messiah and his growing power. Maggie prays for Joshua “all of the time” and is deeply moved by the knowledge that he is the savior (77). Biff sees things differently, explaining that he couldn’t protect his friend if he spent all his time “basking in the light of his holiness” (77).
The Romans arrest the men of Maggie’s family, thinking that they may also be conspiring with the Sicarii. The Pharisees negotiate the men’s release. In exchange, Maggie’s mother betroths her daughter to Jakan, Iban the Pharisee’s son. When Maggie tells her friends the dreadful news, Joshua vomits and Biff assures Maggie that Jakan “could be killed in a thousand heinous ways [before the marriage], and that’s just the ones [he] can think of right now” (81). Maggie tells the boys that she can’t spend time with them anymore and asks Biff to take care of Joshua.
Biff wants Joshua to use his divine power to smite Jakan, but the young Messiah refuses. The angel Raziel appears to the boys once more, informing them that Joshua may not do anything about Maggie’s betrothal, that he may not lie with women, and that it is time for him to find his destiny.
When they are 13, Joshua, Biff, and Maggie and their families journey to Jerusalem to celebrate the Passover. During the journey, Joshua’s cousin, John, nearly drowns one of Biff’s brothers while trying to wash him of his sins. The young John the Baptist believes himself to be the Messiah and nearly cries with relief when Biff informs him that Joshua is the prophesied savior. In Jerusalem, Joshua, Biff, and their fathers carry lambs to the Temple for sacrifice. Distressed by the sight of thousands of animals gathered for slaughter, Biff tries to flee from the Temple. Joshua stops him with a smile, saying: “It’s all right, Biff. God’s will” (93). From that day on, Biff never eats lamb again.
At the Temple, Joshua and Biff ask a wise old Rabbi named Hillel what Joshua should do. Citing the centuries that the Israelites have suffered under slavery and oppression, the rabbi explains that he isn’t sure that he believes in the Messiah. Still, he encourages Joshua to seek out the three Magi who visited him as an infant and bestows on the boy the sum of all his wisdom: “[T]reat others as you would like to be treated” (98). Mary tells Joshua the Magi’s names and suggests that he begin his search in Antioch. Biff insists on accompanying his friend because the guileless Joshua would be as defenseless as a lamb by himself.
Neither of the boys can bear to see Maggie marry the odious Jakan. When Biff tells her that they’re leaving Nazareth, she asks him to tell Joshua to meet her behind the synagogue on the night before her wedding. Joshua sends Biff in his place. On a dark night, Biff and Maggie indulge “desires [they] had carried for years, [his] for her, and hers for Joshua” (104). Thinking that Biff is Joshua, Maggie says that she loves him. Biff voices his love for her, revealing his identity. Maggie thanks Biff for being with her. The next morning, Joshua and Biff begin their search for the Magi and Joshua’s destiny.
Part 1 presents Biff and Joshua’s miraculous, dangerous childhood in Nazareth. The bond between the two characters forms the heart of the novel and develops the theme of Friendship and Loyalty. As a young boy, Joshua has the power to restore life and see the future, but he has much to learn. This connects to Biff’s diegetic function, which Joseph explains in Chapter 1: Joshua “needs a friend to teach him to be human” (17). In addition to bringing out Joshua’s humanity, Biff protects his divine friend. For example, Biff shields him when Joshua’s face appears on the unleavened bread even though Joshua is unafraid of the Pharisees. This pattern continues for the rest of their earthly lives. Indeed, Biff is willing to stand up to God himself for his friend’s sake, which he demonstrates by giving God a stern talking-to in Chapter 5.
Maggie also protects Joshua and becomes his loyal friend. During her first appearance, she demonstrates great courage and spirit by approaching a cobra and defending Joshua from Jakan’s bullying. Both Biff and Joshua fall in love with their new friend. While Maggie eventually develops feelings for Biff, Joshua is always first in her heart. No matter how painful and complicated their tangled feelings become, the three friends remain steadfastly loyal to one another. Chapter 6 develops Biff and Maggie’s characterization by exploring their contrasting perspectives on Joshua. Maggie constantly prays for the young Messiah and reveres him while Biff believes that awe and reverence would limit his ability to “take care of” his friend (77), who is too honest and brave for his own good. Their contrasting perspectives highlight their narrative functions: Maggie voices Christian reverence while Biff’s satirical antagonism sets the tone of the book.
Biff’s concern for his best friend is warranted. Danger and oppression loom over the children’s day-to-day lives because of the Roman occupation of Israel. Their community faces injustice from both external and internal sources: Roman soldiers stationed throughout Israel are poised to suppress any hint of revolt with bloodshed. In addition, the Roman occupation leads to corruption within the hierarchy of the characters’ society. According to Biff, the Pharisees serve as “mouthpieces” for the Roman overlords and are corrupted by their power (23). From a young age, Joshua presents Resistance to Injustice. At age 10, he fearlessly defies the Sadducee and the Roman soldiers by briefly bringing a woman back from the dead. In Chapter 4, Joshua plans to circumcise a statue of Apollo as an act of resistance against the cruel Greek homeowner who disregarded his and Biff’s right to religious freedom. While Joshua is committed to resistance, he rejects violence. When Maggie’s uncle, a Sicarii, tries to resist Roman rule by murdering a soldier, Joshua rebukes him: “The Messiah didn’t call for the blood of this Roman” (61). Joshua’s words foreshadow his adult ministry, in which he becomes a Messiah who preaches peace instead of the revolutionary military leader whom his people expect to liberate them from the Romans.
Resistance to Roman rule and the established order carries severe consequences as illustrated by the motif of Crosses. In Chapter 4, Justus, the centurion, explains that crucifixion awaits anyone who dares to challenge Rome’s might. Justus’s warning offers dramatic irony because the reader knows that Joshua will eventually suffer this cruel punishment because of his Resistance to Injustice; Christopher Moore uses dramatic irony to drive the satire of the novel, since he prompts the reader to compare the story of Christ to the narrative in Lamb. Justus also connects to the novel’s third major theme, Commingling of Religious Beliefs. The Roman centurion protects the boys’ right to religious freedom when the Greek homeowner tries to attack them. Biff’s friend Bartholomew offers another spiritual perspective. Although he is a Greek Cynic, he still acknowledges Joshua as the Messiah. Biff and Joshua are Jewish, but they’re exposed to other worldviews from a young age due to Nazareth’s proximity to Sepphoris.
Part 1 introduces one of the novel’s most important symbols: Lambs. Within Christianity and in this story, lambs symbolize the Messiah because he was sacrificed for the sake of all people, just as priests offered animal sacrifices on behalf of the Jewish people. Chapter 7 explores this symbolism while offering poignant foreshadowing and character development. Biff’s panicked efforts to save the lamb from slaughter foreshadow his desperation to save Joshua’s life at the novel’s end. Likewise, Joshua’s smiling assurances foreshadow his certainty that his own sacrifice is right and necessary. Moore reinforces this symbolism in Chapter 8 when Biff says that Joshua would be “like a lamb among wolves” if he went out into the world without his trusty friend (100).
Although Moore’s work engages with serious themes and topics, the satirical novel is filled with humor thanks to the author’s use of bathos: The prologue juxtaposes the celestial power that Raziel uses to restore the dead man to life with Biff’s crude language and actions, and Chapter 1 parodies the formal, graceful style of Scripture with Biff’s pugnacious invocation, “Come, Joshua, the angel says you are yet with us, you can hold him down while I pound him, then we will rejoice in pizza” (9). Over the course of the novel, Biff’s friendship with the Messiah leads Joshua to develop a tendency toward witticisms as well. For example, Moore employs an understatement when Joshua and Biff discuss their future careers in Chapter 2, and Joshua says, “Actually, I was thinking about saving mankind” (28).
At the end of Part 1, Joshua and Biff must leave behind their childhood home and Maggie. This leave-taking signals the end of the exposition and anticipates rising action since it brings important developments for the plot and characters. For all of his divine power, Joshua is not without weakness. Biff observes that he “saw Joshua face down fears in himself that would have broken other men, but taking bad news to Maggie was one he couldn’t overcome” (102). Maggie wants to spend the night before her wedding with Joshua, but his role as the Messiah requires celibacy, and he sends Biff in his stead. This develops the theme of Friendship and Loyalty because Joshua needs Biff to do the things that he cannot, and this entails more than lying and creating diversions; sometimes it means going where the Messiah cannot and offering comfort in ways that he can’t. Part 1 ends with the boys leaving Nazareth to search for the three wise men and Joshua’s destiny.
Plus, gain access to 8,800+ more expert-written Study Guides.
Including features: