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46 pages 1 hour read

Patti Smith

M Train

Patti SmithNonfiction | Autobiography / Memoir | Adult | Published in 2015

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Key Figures

Patti Smith (Author)

Patti Smith is the author and narrator of M Train. The memoir focuses primarily on Smith’s life between 2011 and 2013, with many flashbacks to earlier times. Smith is an accomplished writer, photographer, musician, and artist, but the scope of her career is not the focus of this memoir. She refers only occasionally to going on tour. She is sometimes invited to photograph the belongings of historical figures or give talks and interviews, and she mentions her friendships with the Beat poets. Despite these references, Smith avoids discussing her fame in her memoir, instead describing a solitary and often quiet life. She navigates moments of Solitude and Connection as a fiercely private person negotiating her interactions with other people. She lives alone in an apartment in Greenwich Village, writing in cafés and remembering her marriage to her husband, who died in 1994. Smith has two children, though she only mentions them a few times, and they do not appear in the present-day narrative. She spends many holidays in solitude and seems to prefer her own company.

Smith is a very introspective figure. She develops strong connections to books, television shows, and inanimate objects, but she mostly keeps those connections to herself. Despite this solitude, Smith makes many deep connections with people as she travels, even if they seem to be fleeting or impermanent. When she remembers her past travel experiences, she imbues them with great meaning, even when she describes thwarted plans or objectively unpleasant experiences. She claims to be Writing About Nothing, and that is true, but she finds great significance in ordinary events, essentially creating something out of nothing. Smith is often prone to melancholia, and she sometimes finds her creative work frustrating, though she always manages to draw herself back into the world and find something to connect to and write about.

Smith has a unique way of dealing with Grief and Loss: Though she accepts that what is lost is gone forever, she also remains open to the possibility that the things she has lost can come back to her in unexpected ways. She has lost many people over the years: her parents; her husband, Fred; her brother, Todd; and many friends, including William Burroughs. The pain of these losses has haunted her for years, but at the end of the narrative, Smith commits to keeping things and people alive by remembering them and writing them down. Through writing, even if she is only writing about “nothing,” she is able to pull at all the things she has lost over the years—coats, cafés, people—and bring them out of the darkness. Through this act of writing and remembering, Smith finally faces her grief head on. She no longer feels as though Fred and Todd are gone for good; they come back to her through words, experiences, and all the little moments of nothing that make up a full life.

Fred “Sonic” Smith

Fred Smith, more commonly known as Fred “Sonic” Smith, was a guitarist for the band MC5. He and Patti Smith met through the music world: Fred’s band opened for Smith, and then the two fell in love and began an affair. Fred was still married to his first wife at the time. Fred and Smith were married in 1980, had two children together, and remained together until Fred’s death from heart failure in 1994. Fred is a major figure in Smith’s memoir even though he has been dead for nearly 20 years in the present-day narrative. Smith remembers her travels and her life with her husband fondly. She feels that his death left a profound emptiness in her life: He disappeared completely, leaving an unbearable void. When she is Writing About Nothing, she is writing about the nothingness that Fred left behind when he died. In a particularly poignant scene, she begs him to come back to life because it is so painful for her to miss him.

Of course, Fred cannot come back from the dead. However, he does eventually become more than an emptiness in Smith’s current life. She finds echoes of him in unexpected places, which helps her heal from her Grief and Loss. Watching Master and Commander makes her feel briefly close to him, and telling stories about their time together keeps his memory alive. Smith is similar to the wife of Alfred Wegener; though her husband is dead, she and others who care about him can still remember him and create great things to honor his legacy. At the very end of the book, Smith starts to dream about Fred. This gives her the opportunity to connect with him and pull him out of the nothingness that she has felt in his absence. Though he is gone and, like all lost things, will never return completely, Smith is able to keep him alive in her memory, stories, and dreams.

The Cowpoke

The cowpoke is a mysterious figure whom Smith frequently meets in her dreams. She describes him as “[v]aguely handsome, intensely laconic” (13), and very cryptic. It is from the cowpoke that Smith first hears the phrase “It’s not so easy writing about nothing” (13). Over the course of the book, Smith dreams repeatedly about the cowpoke or hears him speak to her in her waking life. She meditates on his quote about Writing About Nothing and begins to explore what it could mean. Eventually, she starts to wonder who the cowpoke is. Clues to his identity are revealed in Chapter 18, “Valley of the Lost,” where Smith describes a toy cowboy figurine that Fred lost and then found again as a child. Smith connects that cowboy with the cowpoke in her description of both of them as “bowlegged.” In doing so, Smith also connects the cowpoke with Fred.

When Fred died, Smith felt that he left behind a void in her life. She could not feel his spirit; her loss was permanent and all-encompassing. However, through the cowpoke, Fred, in a way, returns to Smith. In their first meeting, the cowpoke says that people write about nothing to “redeem the lost” (13). After spending a lot of time contemplating what this means, Smith has a penultimate dream about the cowpoke, where he leads her to a high mountain cliff and then abandons her. Fred rescues her. She later sees Fred in the same dream. She has, after all these years of missing him, been reunited with his spirit in the dream world. He has come back to her, no longer a “nothing” but a being that exists in “a place with no beginning or end” (250). The cowpoke, the toy cowboy, and Fred all represent things that are lost and later found. In Smith’s final dream of the cowpoke, he shows her an ouroboros, which symbolizes the ultimate recurrence of all things.

Zak

Zak is a young man whom Smith befriends at Café ’Ino. He makes excellent coffee, and Smith is excited for him when he announces that he is leaving Café ’Ino to open a café of his own in Rockaway Beach. He promises to give her free coffee for life in exchange for her investment in the enterprise. Smith has always dreamed of having her own café and so presents Zak as an heir to this dream.

When Smith visits his café, she falls in love with Rockaway Beach and buys her bungalow there. When Zak’s café is destroyed in Hurricane Sandy, Smith feels this loss keenly, almost as if it were her own. She returns to Rockaway Beach and finds that the boardwalk has been completely wrecked and all traces of the café have been wiped away. However, Zak does not fade entirely from the story. Smith purchases a cup of coffee from a taco stand and asks if anyone has seen Zak. She is told that he is the one who made the coffee. Although his coffee shop is gone and his dream is shattered, he is still making coffee, so there is still hope for the future.

Smith’s Friends

Smith encounters several friends in New York and on her travels. Besides Zak, she is friends with Jem and Klaus in New York City; Klaus buys a house in Rockaway Beach, convincing Smith to do the same. She sometimes mentions her past friendship with William Burroughs, though he does not appear in the narrative. Some of Smith’s closest friends live in Japan. Ace and Dice bring her to the graves of famous writers and filmmakers. They share her understanding of the world and art. Her other friend is Yuki, who is trying to help children who were orphaned after the earthquake and tsunami. Smith is generally sparing in her descriptions of these people, but her love for them is clear. She maintains threads of correspondence and connection all over the world, even though she is a predominantly solitary individual.

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