53 pages • 1 hour read
David GogginsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Never Finished belongs in the hybrid genre of the self-help memoir. Goggins relates life events, which share the common topic of overcoming hardships, and pairs these stories with improvement exercises for the reader. He also toggles between first-person past tense and the imperative mood as he blends memory and instruction.
However, Never Finished also subverts characteristic features of traditional memoirs and self-help books. Autobiographical works by big achievers appeal to readers seeking a glimpse into an extraordinary, unfamiliar life, and Goggins’s accounts of running ultramarathons offer that. At the same time, by focusing on his biggest setbacks—and comparing them to everyday difficulties—Goggins seeks to make his story relatable in a way many celebrities’ memoirs do not. Likewise, he did not undertake his exceptional feats, such as running 240-mile races, to fill the pages of a book, as when memoirists adopt eccentric projects to publish results—a practice and genre often called “stunt nonfiction.” Never Finished repeatedly asserts that Goggins pursues athletic achievements for internal rewards, not attention, and that he is sharing them to help others find such benefits for themselves.
Survivor memoirs, such as stories of overcoming abuse or health problems—as Goggins did—can serve as catharsis for the author, and Goggins admits that the process of writing about his life helped him process past traumas “one last time” (52). He argues, however, that he only achieved his successes because he had already dealt with his difficulties. As facing demons and embracing Personal Accountability and Fault are central to Goggins’s philosophy, the benefits of writing about his life serve not as the book’s motivation but rather as proof that Goggins’s methods are effective.
Like traditional self-help books, Never Finished includes exercises and calls for action, as well as motivational and persuasive rhetoric. However, unlike staples of the genre, Goggins’s book does not promise the reader ease or the alleviation of pain. In fact, it repeatedly guarantees the reader that hard times are waiting around the corner, ready to strike at any moment. As he is relaying stories of grueling, agonizing endurance feats, the advice Goggins offers involves “embracing the suck” to realize one’s full potential (93).
Furthermore, while Goggins’s extraordinary physical feats make him an unsurprising author of a how-to book—many works in this genre are written by high achievers who share expertise in their chosen pursuits—the advice in Never Finished does not focus on a specific topic like running or fitness. Goggins details his training and performance but also speaks of overcoming abuse and racism. The result, Goggins implies, is a universal method of developing resistance that the reader can apply to any adversity.
Never Finished is a follow-up to Goggins’s bestselling first memoir, Can’t Hurt Me: Master Your Mind and Defy the Odds, which he self-published in 2018. The two books share a similar structure: Chapters relaying life events precede exercises for the reader. Moreover, both memoirs focus on Goggins’s method of overcoming traumas, setbacks, and ailments to achieve extraordinary feats. Can’t Hurt Me relays Goggins’s life story from his abusive childhood and school struggles through his US military career and entrée into endurance racing. During that time, he spends four years in the Air Force, becomes a Navy SEAL, and completes Army Ranger school. He also runs numerous ultramarathons, such as the Badwater 135 and HURT 100, often finishing in the top five.
The second book picks up in 2018, when Goggins is retired from the Navy and redirecting his inner drive to new challenges. Never Finished progresses chronologically to the beginning of his career as a smokejumper in 2022, but events that are detailed in Can’t Hurt Me also appear in flashbacks and anecdotes, with enough context to indicate their significance. Similarly, as Goggins advocates for mental exercises he developed earlier in life, many assignments in Never Finished build off those from Can’t Hurt Me. For example, Never Finished recommends using audio recordings, instead of the journals proposed in Can’t Hurt Me, as an advanced way of documenting painful thoughts.
The title of Never Finished implies the book’s relationship to Can’t Hurt Me. The achievements described in Can’t Hurt Me and the surprising success of the book itself are potential excuses for Goggins to rest on prior feats and stop pushing forward. Never Finished documents Goggins’s fight to preserve and expand the mindset he advocates in his first memoir—and to never stop.
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