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Freida McFaddenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The narrative continues from Tricia’s point of view, in the present day. After falling asleep, Tricia wakes up at three in the morning. Ethan is asleep. Tricia explores the house and ends up in the secret room where Adrienne’s old tapes are. Tricia notices that Adrienne’s tapes are color-coded: The first session is labeled with blue ink, subsequent sessions with black, and the final session with red. There is one discrepancy to this order: Patient EJ has a regular series of tapes—blue, black, red—but then the tapes resume a week after the red tape (what should have been the last session). Further, Tricia notes that Adrienne was still seeing EJ when she disappeared. Tricia takes the red EJ tape to listen to.
EJ’s mother, Susan, wrote Adrienne a message in Chapter 6 to discontinue EJ’s sessions. Adrienne was relieved, thinking, “I will never have to see him again” (55). However, according to what Tricia has found, Adrienne did end up continuing sessions with EJ. The question, unanswered for now, is: Why?
The narrative provides a transcript of the recording of EJ that Tricia is listening to in the present day, allowing the reader to “listen” along with Tricia. EJ, age 29, greets Adrienne casually. He tells her he brought her a gift—a bottle of cabernet sauvignon from South Africa (91). However, when Adrienne tells EJ that she can no longer keep treating him because his mother refuses to pay for his sessions, EJ threatens her: “You’re going to be really sorry you kicked me out of here” (95). Adrienne asks EJ to leave her house.
Tricia finishes listening to the recording of EJ, feeling uneasy. She notes that EJ was threatening Adrienne, and wonders if the police investigated EJ as a suspect after Adrienne’s disappearance. Tricia also notes, “There was something creepy about his voice. I can’t put my finger on it. Something creepy and also familiar” (96). Tricia also wonders if the South African bottle of cabernet sauvignon that EJ referenced in the recording was the same bottle Ethan found and opened earlier. Tricia wonders why Adrienne would have taken EJ back as a patient after this uncomfortable session. She goes to get the next EJ tape, wanting to listen and find out—but is interrupted by a crashing sound. Going into the living room, Tricia is horrified to realize the source of the sound: “The painting of Dr. Adrienne Hale. The one that Ethan took down and placed facing away from us. It’s back on the wall. And Dr. Hale’s green eyes are boring into me” (99).
Afraid, Tricia goes to wake up Ethan, telling him there is someone in the living room. Tricia tells Ethan that somebody moved the painting of Adrienne. Ethan replies that he moved it. Tricia is reassured. She convinces herself that the pregnancy hormones are making her anxious. She goes back to sleep.
The narrative flashes back to the past, to Adrienne’s point of view. Adrienne is on her way to a public health clinic where she volunteers, providing free mental health services. She is about to park her car when a man cuts in front of her vehicle with his and steals her parking spot. As the man walks in front of Adrienne’s car, she muses, “[A]ll I would have to do is switch my foot from the brake to the gas, and it would change his entire world. It would wipe that smirk off his face, that’s for sure. But I’m a civilized person. I will not mow down a pedestrian in the middle of a crowded parking lot” (107). Instead, Adrienne parks her car and goes into the clinic.
Inside the clinic, Adrienne speaks with Luke. Luke is a tech guy who works for the electronic-medical-records company that serves the clinic, and he clearly has a crush on Adrienne. Gloria, a receptionist at the clinic, tries to play matchmaker: Gloria says Adrienne is not safe living alone in her remote home and suggests that Luke help Adrienne by installing a home-security system for her. Luke agrees that he would be happy to help. Adrienne politely declines, saying she will “think about it” but, internally, she thinks: “I won’t think about it. I am perfectly fine the way I am” (111).
The narrative returns to Tricia in the present day. Tricia wakes up and discovers that the snowstorm has worsened overnight; she and Ethan will be stuck in the house longer. Tricia finds Ethan in the kitchen, where he is making eggs. Tricia vomits at the smell of the eggs. Tricia realizes that it is time to tell Ethan her secret—although she still hesitates, thinking, “Tell him. Just tell him, you wuss. What’s he going to do—fly into a furious rage, murder you, and bury your body in the snow?” (115). Tricia tells Ethan she is pregnant. His reaction is unexpected, as he is absolutely thrilled. Tricia is relieved and happy.
However, Tricia’s good mood evaporates when she learns that Ethan did not re-hang the portrait of Adrienne the previous night. They had a miscommunication: When Ethan told Tricia he had moved the painting, he had been referring to the initial instance earlier in the evening when he took it down from the wall. Ethan suggests that she is mistaken and did not really know what she was seeing, given that it was three in the morning and she was sleepy. Tricia starts to wonder if Ethan is right: “The more times he asks me about it, the more I wonder. It was the middle of the night. And the house is very dark. It is possible that I could have thought I saw it, like a mirage?” (118).
The book continues in the present day, from Tricia’s point of view. Ethan and Tricia are stranded, with no cell service, no landline phone, and no way to get off the property due to the snow. Ethan goes to the car to get his laptop. While he is gone, Tricia goes to the secret room and takes some more EJ tapes—the ones that were recorded after the red “final session” tape that was not a final session. She also takes the tape labeled “LUKE,” wondering if there might be some evidence on it. The police theorized that Luke killed Adrienne, although they never proved it. Tricia also takes a tape from a patient labeled GW.
The narrative provides a transcript of the recording of GW that Tricia is listening to in the present day, allowing the reader to “listen” along with Tricia. GW is Gail, “a 68-year-old widow who suffers from paranoid delusions” (123). Gail is worried that various people are trying to kill her—including the mail carrier, her pharmacist, and her son. Gail notes that her son will get a big insurance payout if she dies. Adrienne does not give Gail’s worries any credence, dismissing them as delusions. Midway through Adrienne’s session with Gail, Adrienne gets a text message and cuts the session short.
The book flashes to the past, to Adrienne’s point of view. Adrienne has just told Gail to leave because of the mysterious text message she received. The text message was from EJ. EJ has video footage of Adrienne slashing the tires of the guy who stole her spot in the public-health-clinic parking lot. Adrienne realizes that if EJ shows the police the video, her career is over; EJ is extorting Adrienne. Adrienne asks him what he wants from her. He replies, “I’m outside your front door” (128). Reluctantly, Adrienne opens the door. EJ tells Adrienne he wants to resume their therapy sessions, telling her he wants just one hour of her time every week. He says, “I won’t ask for anything else. I promise” (131). However, as he says the words, Adrienne notices a telltale sign that he’s lying—the muscle under his right eye twitches. As an aside, Adrienne describes EJ thusly: “EJ is handsome—that is undeniable, although he's on the shorter side, which gives him a bit of a Napoleon complex” (130).
The narrative provides a transcript of the recording of EJ that Tricia is listening to in the present day, allowing the reader to “listen” along with Tricia. This is EJ’s first session back with Adrienne after she tried to stop seeing him. In the conversation between EJ and Adrienne, it is revealed that EJ’s parents are rich and he is living off their money. Adrienne suggests that EJ would like to earn his own money and become independent, but he is simply waiting for his parents to die so he can inherit their wealth. The following exchange occurs:
‘My mother is a terrible driver. One of these days, she’ll probably be driving with my father in the car, and she’ll just drive right into a Mack truck and they’ll both be killed.’
‘You think your mother would drive into a truck? She’s that poor of a driver?’
‘Well, maybe she wouldn’t. Maybe the brakes would fail’ (134).
During this session with Adrienne, EJ also reveals a fantasy he has: One day, while he’s playing craps at a casino, a pretty girl comes up to him, slides a drink in his direction, and then goes up to a hotel room with him to have sex, without ever even telling him her name.
The EJ recording stops. From the recording, Tricia knows that Adrienne did not want to treat EJ; Tricia suspects that EJ was using something to extort Adrienne, but she does not know what. Ethan interrupts Tricia as he returns from his trek to the car. When Ethan asks what Tricia was doing, she lies and says she was working on her résumé—she is between jobs. Ethan points out that if Tricia is about to have a baby, it may not be the best time to job-hunt—and offers to support her financially if she wants to stay home during the pregnancy. Again, Tricia thinks how lucky she is to have such a loving husband and wonders why her friends do not like Ethan: “Whenever we talk about him, they always say, this is a red flag, or that’s a red flag. But Ethan is a genuinely good guy” (140). Tricia knows that even Ethan’s offer to support Tricia financially will be met with skepticism by Tricia’s friends, who will suggest Ethan is trying to control Tricia financially.
After Ethan leaves, Tricia is eager to continue listening to Adrienne’s tapes. Next, she picks the tape labeled “LUKE.” Tricia wonders, “Will the contents of these tapes reveal the secret of what really happened to Dr. Adrienne Hale?” (142).
These chapters demonstrate the utility of switching back and forth between the past and present-day narratives of Adrienne and Tricia. Chapters 18 through 22 exemplify how interweaving the two points of view can still create a linear narrative, although one is past and the other is present. In Chapter 18, the narrative is from Tricia’s point of view, concluding with Tricia preparing to listen to the GW tape. Chapter 19 then picks up the plot, providing the transcript of the recording of the GW session; the chapter ends with Adrienne cutting the GW session short. Chapter 20 picks up where the transcript recording left off, switching seamlessly to Adrienne’s point of view as Adrienne reveals why she cut the session short—EJ is at her door. Chapter 21 then continues from this moment, featuring a transcript of Adrienne’s session with EJ. Chapter 22 then returns to the present and Tricia’s point of view, showing Tricia as having just listened to both the GW recordings and the EJ recordings. In this way, the reader can know things the characters do not, creating dramatic irony.
The past and present also seem to overlap as these chapters emphasize the red herring that Ethan and EJ could be the same person—and further suggest that Ethan/EJ could be the consistent threat of then and now, possibly having killed Adrienne in the past and possibly being capable of hurting Tricia in the present. The narrative highlights distinct similarities between Ethan and EJ. For example, in Chapter 8, Ethan found a bottle of South African cabernet sauvignon in the house—and in Chapter 13, Tricia listens to the recording of EJ telling Adrienne he got her a gift, a bottle of South African cabernet sauvignon. Tricia also notes that EJ’s voice sounds familiar: “There was something creepy about his voice. I can’t put my finger on it. Something creepy and also familiar” (96). Another false lead is given about EJ’s and Ethan’s heights. Previously, Tricia reflected on how Ethan is almost perfect, except that “he’s a bit on the short side for a man” (71). Later, Adrienne describes EJ as “on the shorter side” (130). The reader may notice these details and fall into the trap of assuming that EJ and Ethan are the same. The assumption is validated through the lens of Tricia and her fear of Ethan—like when she is about to tell him about her pregnancy: “Tell him. Just tell him, you wuss. What’s he going to do—fly into a furious rage, murder you, and bury your body in the snow?” (115).
Tricia’s reluctance to reveal her pregnancy to Ethan raises one of the book’s big thematic arguments: Truth Hurts but Lies Can Kill. It is risky for Tricia to conceal her pregnancy from Ethan, as exemplified when he encourages her to drink wine with him. Tricia’s lie about the pregnancy requires her to lie yet again, as she waits for Ethan to leave the room so she can dump the wine down the drain. However, it also seems like it might be risky for Tricia to tell Ethan the truth about the pregnancy, since it is implied that Ethan could get angry at the revelation—and even hurt her.
The theme of the risk of truth versus lies is intricately linked to the theme of the prevalence of deception and The Burden of Keeping Up Appearances. The need to keep up appearances is crystallized most clearly in Adrienne’s character. Adrienne is convinced that if EJ leaks the videotape of her slashing someone’s tires, her career will be over. Adrienne does not come forward with the truth—she could have turned herself in to the police. Instead, she strives to hide the truth. This proves to be the riskier move, as Adrienne’s desire to keep up appearances is what allows EJ to extort her.
The tire-slashing incident also provides insight into Adrienne’s need to keep up appearances through this quote: “I muse to myself that all I would have to do is switch my foot from the brake to the gas, and it would change his entire world. It would wipe that smirk off his face, that’s for sure. But I’m a civilized person. I will not mow down a pedestrian in the middle of a crowded parking lot” (107). The fact that Adrienne entertains the thought of running over a man for stealing her parking space hints at her violent tendencies—which will lead to her murdering a man. Considering this, Adrienne’s assertion that “[she’s] a civilized person” will prove almost laughable. The word “civilized” itself relates to belonging to civilization, and civilization depends on rules of law and order—like not killing people. Adrienne’s self-image that she is a “civilized person” speaks to the great paradox of her character—she certainly wants to appear civilized, but at her core she is not. She is only civilized on the surface of her appearance.
These chapters also introduce a critical detail—a real clue that will only gain relevance later—in the transcript of GW/Gail. This is the only GW transcript that Tricia listens to, and its significance seems minimal when compared to the transcripts of PL and EJ. However, the book will later reveal that GW is Ethan’s mother and that her “delusions” that her son was trying to kill her were correct. In the last chapter, Ethan will confess her murder to Tricia. At this point in the book, however, the GW transcript bears little relevance to the plot. Nonetheless, its inclusion here speaks to the author’s intricate plotting, exemplifying the literary technique espoused by Anton Chekhov sometimes called Chekhov’s gun: If a gun appears in the beginning of the story, it should be fired at some point. Every detail matters and has been included in the narrative for a reason.
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By Freida McFadden