65 pages • 2 hours read
Xóchitl GonzálezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Olga Dies Dreaming, Olga and Prieto have to contend with the expectations that others, especially their mother, have placed upon them. Ultimately, both leave these expectations in the past and forge a life surrounded by those who love and accept them.
Olga and Prieto’s mother Blanca has always had a clear vision of who she wanted her children to become: revolutionaries fighting for the liberation of Puerto Rico. Her letters to Olga, Prieto, and even their father used whatever tactics necessary to encourage them to follow in her path. Whenever a family member refuses to succumb to her manipulations or goes against her demands, Blanca cuts them off, as she did when Olga became a wedding planner or when Prieto voted for PROMESA.
The siblings also feel the pressures of society. By all accounts, she has achieved success. She went to an Ivy League university, forged a career as an in-demand wedding planner catering to the wealthiest in society, and has a regular gig on daytime TV. Still wrestles with the expectations she has internalized, always worried about being stereotyped as a subservient Latin woman. Nevertheless, she finds herself in situations like the pandering TV show pilot that wanted to capitalize on viewers’ biased assumptions. After filming it, she “realize[s] that she’d allowed herself to become distracted from the true American dream—accumulating money—by its phantom cousin, accumulating fame. She would never make that mistake again” (47). Likewise, Prieto, a man whose values and commitment to the community are his highest priorities, so fears discovery of his homosexuality and what he assumes will be the condemnation of his community that he allows himself to be blackmailed into betraying his ideals.
However, Olga has grown disillusioned with this wealth-driven existence. By the time the novel begins, Olga is embezzling her clients’ money by reselling surplus wedding items for her own profit—a kind of revenge for their privilege. This comes to a climax when Hurricane Maria hits Puerto Rico, devastating her ancestral homeland. Olga’s rant about American apathy toward the island nation on Good Morning, Later—an outburst that torpedoes her career—illustrates that she is no longer willing to fight against her mother’s expectations. This capitulation eventually leads Olga to try to get Dick to supply solar panels to the Puerto Rico—a meeting that ends with Dick raping her. The horror of this is finally enough to get Olga to flush her mother’s demands from her system. Similarly, Prieto confronts the harm that Blanca’s pressure has put on his when he meets her face to face, only to see firsthand just how unfeeling she is towards him as a son and how little she cares about how her manipulative approach has damaged her children.
At the end of the novel, Olga focuses on her happiness, finally committing to be with Matteo by revealing to him everything she typically hides about her life. Matteo has been managing his own version of other’s expectations—he is a landlord who refuses to run his properties the way that owners like the Selby’s do. Disillusioned with their greedy version of American dream, he confesses, “I frankly don’t get these other cats. How much money does one person need? But I guess that’s the quintessential American question, right?” (360). He invests in properties that ensure their survival rather than his own, and Olga sees this as a different kind of revolution than her mother’s—one beneficial for the community.
Both Olga and Prieto Acevedo were raised by revolutionaries, and they are well-versed in the effects of the United States’ decision to annex Puerto Rico. Olga Dies Dreaming draws attention to both Americans’ ignorance of political policy on the island and the injustices perpetrated against Puerto Ricans by politicians and businessmen. Ultimately, the novel imagines a future in which Puerto Rico is free from American oversight, though its main characters are unsure about this result.
Blanca’s letters reveal that she and Johnny taught their children the history of Puerto Rico and raised them to be revolutionaries. Yet, Olga and Prieto make choices that Blanca disapproves of, leading her to believe that they have bought into the corporate, individualist system of the US. At the beginning of the novel, Olga sees herself as having achieved success within the system. She doesn’t necessarily understand her connection to her heritage, as she “felt about her mother much as she felt about Puerto Rico itself: mysterious and unknown entities” (251). She associates the nation of her parents with her cold and distant mother. As a result, she too perpetuates colonialist perspectives, ignoring or downplaying the island’s troubles.
The hurricanes that hit Puerto Rico demonstrate just how differently the US treats this commonwealth. When Irma hits the island, Matteo wonders, “How long do you think they’d let Rhode Island or Virginia sit in the dark?” (205). Matteo’s question is rhetorical: A state would of course receive emergency attention immediately, whereas Puerto Rico, which is a territory, not a state, has been forced to wait. By comparing Puerto Rico to recognized states with voting citizens, Gonzalez forces us to reckon with the question of why Puerto Rico is treated so differently.
The looming presence of the Selbys complicates this theme. At first, they seem to be greedy in a recognizable corporate way—wishing to protect their own interests even through blackmail. Their initial demands that Prieto vote a specific way on zoning or tax issues seems like run of the mill corruption. However, we soon learn that the Selbys have large sinister plans for Puerto Rico. When the Selbys ask Prieto to block the PROMESA oversight hearing, “he sadly knew that this many white men so laser focused on Puerto Rico could mean nothing good” (99). In the aftermath of the hurricane, the Selbys scheme to withhold aid as long as possible, delaying bringing electricity back to the island or deploying the solar panels that Dick has ready to go because they want as many Puerto Ricans to leave the island as possible—that way, the Selbys can acquire more property on the cheap, property they can develop into high-end hotels.
This theme comes to a climax during Olga’s segment on Good Morning, Later. Once a means for her to attract more clients and build her profile, the show now becomes an outlet for Olga’s frustration with the rhetoric around the tragedy of the hurricane. US inaction seemingly fulfills her mother’s prophecy: “The Yanqui has counted on us being asleep for years, but their neglect and exploitation is slowly waking up all of Borikén” (222). Olga uses her TV platform to ask why the United States is willing to let Puerto Rico suffer, positing that “What we are witnessing is the systemic destruction of the Puerto Rican people at the hands of the government, to benefit the ultra-rich and private corporate interests” (279). Olga is no longer willing to be silently complicit in what the United States is doing.
Meanwhile, Blanca physically manifests her plans for revolution, taking advantage of the silence and inaction to gain support among Puerto Ricans for Pañuelos Negros. In the novel’s flash to the future, this revolution comes to pass, as bombs kill innocents and guilty alike in the bid to free Puerto Rico from US control.
Both Olga and Prieto are haunted by their mother, feeling like she is a ghost in their pasts. They ultimately learn to move on from her criticisms, “to bury her, like [they] should have long ago” (348).
Blanca’s letters interrupt the novel’s present like ghosts from the past, constantly reminding the reader of her manipulative and abusive presence in the siblings’ lives. Like apparitions, Blanca’s words are intangible, but have the power to harm and wound through relentless critique and an insistence on secret-keeping. Blanca makes it clear that she is at all times keeping tabs on their lives. Olga finds it oppressive to know that whatever she does, her mother likely knows about it. Despite her absence, Blanca has a strong presence in the lives of her children.
Prieto remains closeted because of his upbringing. In her indiscriminate inculcating of Puerto Rican identity, Blanca knowingly makes Prieto internalize the idea that “a description of the perfect Latino man did not include the word ‘gay’” (112). His susceptibility to blackmail and corrupt influence is the result of Blanca’s homophobia, and the decisions he makes to keep his secret, like his pro-PROMESA vote “haunted him” (39). When Prieto finally sees Blanca face to face after 20 years, he is “shocked by the power of such a tiny wight” (320). The choice of word is important—a wight is a malevolent spirit or ghost. Prieto’s mother has literally been haunting him all his life, but like all monsters that rely on the secrecy, actually seeing what she is like in person—cold, distant, manipulative—dispels her power.
Olga is haunted by a past that has been imposed on her. Not only does Blanca have a strong hold on her, “her mother’s voice rewinding time, and pain, and hurt, and bitterness” (315), but also Olga feels the weight of her namesakes’ achievements. Blanca named Olga for the activist Olga Garriga, thus hoping to instill in her the same ideals—and to then constantly register her disappointment that her daughter isn’t living up to her name. Moreover, Olga feels shame for wanting to succeed within the capitalist system—a desire her mother equates to the pointless ambition of another Olga, a character from Pedro Pietri’s poem “Puerto Rican Obituary.” That Olga “died dreaming of money and being anything other than herself” (276). Until Olga can escape feeling caught between these influences, she will never be free of the past.
Prieto, Olga, Tía Lola, and Mabel hold a kind of exorcism by reading through each of Blanca’s letters and thus getting rid of the family culture of secrecy Blanca perpetuated. Instead of her manipulative haunting presence, they create a loving and accepting community for each other. Then, Olga’s willingness to leave her mother behind is cemented in her decision not to report her revolutionary activities to the FBI, as she knows that doing so would only martyr Blanca. Instead, she goes home to the person that loves her, leaving her mother firmly in the past.
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