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68 pages 2 hours read

Kelly Yang

Room to Dream

Kelly YangFiction | Novel | Middle Grade | Published in 2021

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Themes

Perseverance in the Face of Adversity

One of the most important themes in Room to Dream is perseverance in the face of adversity. Mia must learn exhibit perseverance not only to achieve her dream of being a published again but also to restore the friendships that change along the way. There are many roadblocks to Mia reaching her goals, including discrimination; her youth, which causes people to underestimate her; and the looming potential loss of her home in the process of it all. However, with determination and encouragement from her friends, Mia overcomes these roadblocks and becomes a better person for it.

Mia gets by with the help of her friends. She has an amazing community who is invested in her and her dreams. The first person she shows her rejection letters to is Hank. When she confesses what has been weighing on her, namely a year’s worth of rejections, Hank praises her hard work rather than centering her failure:

Listen, you are doing something amazing. Just be keeping at it, continuing to send your work out there. That’s incredible, you know that? Most kids your age would have quit by the third letter but you—you persevered (22).

Mia never thought about it like that before, and that advice gives her the strength to keep going. When she talks to Jason about it, he tells her something similar. “‘I’m sorry,’ Jason said. […] ‘But you can’t give up. The first time I tried to make crème brûlée, I overdid it with the blowtorch and nearly set the kitchen on fire!’” (29). Jason uses a different encouragement tactic, drawing a parallel to a time that he persevered and it worked. He has seen personally what happens when you don’t give up on a dream, and he wants the same for his friend.

The theme of perseverance goes beyond Mia and her dreams. Other characters in the book face hardships, but the theme of perseverance allows them to reframe their circumstances. When Mia tells her parents she’s worried about the steelworkers she and Hank met who lost their jobs, Dad focuses on possibility rather than hopelessness: “Sometimes a loss isn’t really a loss, […] [i]t’s an opportunity. You just can’t see it yet” (91). This quote proves true several times in the book. Each time the Calivista faces a new threat, the workers and owners demonstrate the big heart of the motel, which in the end is what makes it stand out and worth saving.

Finally, Mia must also persevere with her friendships. When her fans start to write that she should end her friendship with Lupe, she knows she can’t give up on her best friend. Even Jason, who makes several mistakes in Room to Dream, redeems himself. In one of her columns, Mia writes, “We’ve come a long way, me and Jason, which is why I don’t want to give up on him or our friendship. Even after what he did” (110). Relationships, dreams, and life in general all require hard work and perseverance.

The Effects of Gentrification on Small Businesses

The largest conflict in Room to Dream is the battle between corporations and small businesses. This process of bigger, flashier, profit-minded companies buying out the locally owned businesses is called gentrification. This process is rampant in historically Black, Indigenous, People of Color (BIPOC) communities, where (mostly) white organizations move into neighborhoods that have been occupied by smaller businesses for years. The tactics of monopolizing an industry in an area so that big business can drive up the cost is real, as are the discriminatory ways in which businesses are acquired and re-branded to appeal to a white demographic.

Mia starts to notice the effects of gentrification on her neighborhood early on in the book. The closing shops leave her with a sense of loss, familiar sites with familiar faces becoming depersonalized and generic:

There was Mr. Abayan’s convenience store, which was now a 7-Eleven; the hair salon with the giant scissors in the window by the high school, which was now a Supercuts; and my favorite stationary store, where I got my sparkly green pencil. It closed because it couldn’t compete with the Office Depot (17).

Throughout the course of the story, more and more small businesses are run out of their prime real estate locations by seemingly generous offers from corporations. These business owners, who need money in the moment, sacrifice their great business location in the long term.

Gentrification thus not only affects people from a demographic standpoint but also means most communities take a hit economically. The smaller businesses in Room to Dream are intentionally affordable. When big businesses are trying to drive the small businesses away, they compete with affordability, only to raise the prices once they own everything. One prime example is when the congee shop is bought out by Jade Zen. Mia points out this aspect of gentrification on arriving at the site of her old congee shop: “[T]he wall that used to separate the two establishments—it was gone. Now Jade Zen customers sat eating pricey lettuce wraps on toothpicks where my parents and I used to slurp our congee” (27). In turn, gentrification drives away customers who don’t meet several certain requirements, including class, which often intersects with race. Ultimately, though, the big businesses that replace locally owned shops care exclusively about how much money they can earn.

What these big businesses don’t understand is that small businesses often build a community over time. This lack of understanding is demonstrated by Mr. Cooper’s outburst, in which he asserts that the Calivista workers were not supposed to bond. Mr. Cooper fails to grasp the nature of locally owned businesses, which are often hubs of social interaction. They offer a safe place for the same group of friends and family to go to regularly, often because they can actually afford to go regularly. One such example is Lao Lao’s favorite dofunao shops. When Mia visits, she “gaze[s] down at the silky dofunao, which clearly meant so much more than a breakfast to this community” (86). In Mia’s reporting process on how gentrification is changing Anaheim, she discovers just how important authenticity, affordability, and community are for the businesses and their customers.

The Pressure to Overperform in Oppressed Communities

A huge struggle for many characters in the book, due to their position in oppressed communities, is the pressure to overperform. The first explicit incident of a microaggression occurs with the school photographer. Mia is frustrated with being ushered to the back: “After all the stuff we’d achieved […] I felt like we’d earned the right to be front and center. But the photographer was still trying to hide us” (8). This moment is referenced several times throughout the book, often when a similar event occurs. It serves as a metaphor for how, time and time again, society and its institutions force Mia and her friends to endure special challenges or indignities, despite their impressive accomplishments, because they aren’t white enough, American enough, or rich enough.

The experience with the photographer highlights early in the text just how difficult it is for certain people in society to gain acknowledgement. From the episode, Mia draws an important lesson that applies throughout the novel: “[I]f I wanted to be in the front row in this country, I’d have to work ten times harder […] But how was I supposed to ever get there if I kept getting rejected?” (21). Mia knows that as a writer, she will have to work even harder than her white peers to make her voice heard. Lupe similarly acknowledges that she will have to keep skipping ahead in school to achieve her higher education goals.

This phenomenon is not limited to the United States, with the identity of Mia’s family as immigrants compounding the pressure on them to overperform no matter where they are. Mia finds that she has changed a lot since she was in China last, and her extended family isn’t shy about pointing it out. Mia feels bad, thinking, “At school I wasn’t white enough. Here I wasn’t Chinese enough” (47). This feeling of not fitting in even in China compounds Mia’s sense that gaining acknowledgement will take a staggering amount of success. Her parents, similarly, strive to prove that they made the right decision to move to the United States while also trying to prove they are still Chinese; this juggling act demands overperformance from them as well in both countries.

Sometimes, this pressure leads the characters to make mistakes. When Mia’s parents feel especially threatened and embarrassed, they resort to bending or hiding the truth. Mia explicitly remarks on her parents tendency to do so: She doesn’t know why her “parents [are] always trying to decorate the truth like a Christmas tree” (112). Their misdirection and obfuscation only seems to dig them in a deeper hole, but her parents had it engrained in them that they must succeed in a certain way or they aren’t doing enough. The threat of appearing lazy or inept is a profound one. This pressure on all the characters, when indulged, only leads to heartache, stress, and misunderstandings. They must learn to take a step back and do what’s best for them, which includes focusing instead on their personal goals and dreams.

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