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41 pages 1 hour read

Ken Kesey

Sometimes a Great Notion

Ken KeseyFiction | Novel | Adult | Published in 1964

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Pages 113-166Chapter Summaries & Analyses

Pages 113-166 Summary

The narrative flashes back to an incident in Hank’s childhood when Hank found three bobcat kittens in a briar patch and took them home. Henry helped build an elaborate cage for the kittens, but then the riverbanks flooded and the kittens drowned. When Hank discovered the tragedy the next morning, he acted as though the loss did not bother him, but later wondered if his hatred of the Wakonda stemmed from it.

Back in the present, as soon as Lee arrives at the Stamper home, he asks himself why he has come back. In the house, the family is eating, but Viv is upstairs. Henry is excited to see Lee, but Hank tells Henry to leave Lee alone because he is tired from the journey. Lee meets Jan, wife of Stamper cousin Joe Ben. The family fixes a plate of food for Lee, who takes it upstairs to his old room and lies down. Hank goes to Viv’s room. She is thinking of going to a church event, hoping to socialize with other women. Viv feels isolated and longs for friendship.

The omniscient narrator shifts focus to describe other people in town. One is a woman named Simone. Years before, Simone’s husband abandoned her and their children. Now, Simone sleeps with men in return for gifts and favors, as a way to survive. Simone is pious, and convinces herself her actions are virtuous because of her good intentions. The narrator notes that the townspeople do not shun Simone, but accept her and even show her kindness.

Later that night in his room, Lee thinks about his past in the Stamper home. He sees a beam of light coming through a small hole in the wall between his room and Viv’s. Peering through that hole as a child led him to discover the affair between Myra and Hank. Lee now listens through the wall as Viv and Hank argue softly about the way Viv was treated at the church event. She feels caught in the crossfire between the striking union and the Stampers, and believes she will not be able to make friends while the conflict is ongoing. 

Pages 113-166 Analysis

Given Viv’s description of the Stamper family as difficult and conflict-ridden, Lee’s arrival back in Oregon should be a tense moment. However, Hank dotes on his half-brother and even crotchety patriarch Henry enthusiastically greets Lee when they reunite. It would see that the tension is largely in Lee’s head. While Hank’s tenderness surprises Lee, the narrative sheds light on Hank’s sensitive inner life by telling the story of him tenderly taking home three bobcat kittens when he was a boy. Moreover, Henry’s kind willingness to build a pen for the kittens also suggests a different side of his character, one that prefigures the moment Lee will learn that Henry has taken out a life insurance policy payable to his younger son. The richer insights into the Stampers suggest that the agitation Lee feels about being back home in Oregon might be misplaced. Lee is motivated by revenge, but Hank’s welcoming affection rattles Lee’s expectations about his brother. Stamper men can be vulnerable and caring, in contrast to their public reputation for being rough-edged and obstinate.

The theme of the unforgivable nature of the wilderness recurs when the Wakonda River washes away and drowns the kittens. Even Hank himself realizes that his hatred of the Wakonda and some of his cantankerousness stems from this loss. It is telling that the environment almost immediately punishes the Stamper men when they display emotional vulnerability. One of the novel’s great themes is traditional masculinity, which stresses physical and sexual prowess as markers of power and feelings as signs of weakness. This incident early in Hank’s life is one of the ways he learns to hide his warmer, softer side.

The novel’s main female character, Viv, has yet to make an appearance, though Lee does overhear her and Hank talking about how out of place she feels now that the Stampers are town pariahs. Her admission echoes Myra’s earlier inability to fit in while living in Oregon. Viv’s desire to make a place for herself in town also draws a comparison between her and Simone, the townswoman who relies on what amounts to sex work to survive. Though her lifestyle ostensibly contradicts her piety, Simone’s willingness to be sexually submissive allows her to fit into a version of traditional femininity. While individualism and bullheadedness may grant the male Stampers a measure of respect along with resentment, Viv’s association with these qualities only makes the townspeople shun her.

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