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Bethany WigginsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The Shadow Man and a helper lead Fo to a room lined with cages like an animal shelter. They toss her into a cage; Fo hits the cement surface hard, injuring her hand inside one of the cuffs; she feels “pain burning from [her] pinky finger to [her] elbow” (231). The men discuss how the Governor wants her to fight in the pits the next morning. Fo sees a raging, drooling female beast about her age on one side of her cage and Jonah on the other side. When Fo sees Jonah, she has a flashback in which she recalls the moments just before a doctor placed her in a medically-induced coma. Jonah is there as well. Fo begs him for help in escaping, and Jonah breaks his table restraints and injures the doctor to try to help her. Unable to think rationally, he scratches her back while trying to claw her from the table. Numb from the spinal medicine and unable to break free, Fo tells Jonah to run, and he does.
Now, in the cage adjacent to Fo’s, Jonah’s intentions are not clear. He stares at Fo instead of eating, and he manages to bend apart the bars that separate them a fraction of an inch. Arrin, in a cage across from Fo, makes her intentions very clear; she tells Fo, “I’m going to kill you” (238).
The female beast reaches Fo as Fo sleeps and begins choking her through the bars. Jonah rages and tries to get to Fo, bending the bars more. Guards taser both Jonah and the female. It is morning of the day that Fo will fight in the pits. An unsympathetic guard named Lance takes Fo to be scrubbed clean and fully dressed. Then Lance takes Fo past the community swimming pool enclosure; Fo sees crowds of people sitting in bleachers all around it. Lance says he plans to bet on the female Five, as he expects Fo to go “down first” (244). Lance leaves her in a small room alone.
Time passes and Fo hears a commentator announce the start of a double-header match. He indicates that the Governor has arrived and will be watching as well. Through a crack at the side of the door in front of her, Fo sees two young male beasts on the floor of the empty swimming pool. They fight each other—“Scratching. Biting. Clawing” (247)—while spectators cheer and make bets. When one lies dead, guards collect the other in restraints.
Fo’s door opens automatically and the wall behind her shoves her out on to the fighting floor. A giant sheet of plexiglass separates the pit from the spectators, who watch from above. Fo sees Governor Soneschen in the front row. The commentator tries to convince the crowd that Fo is beastly and deadly. The female Five, Jonah, and Arrin are all released into the pit as well. Fo realizes that Arrin is male after all—Arris. Fo sees the Governor signal to Arris to kill Fo for Arris’s own freedom, and Arris nods. Fo recalls street fighting advice from her father and determines that she will try to survive.
Arris attacks Fo first. Fo fights him off and asks why he is trying so hard to kill her. The people in the stands gasp at Fo’s ability to speak and reason, believing her to be an unintelligent beast; the Governor steps in and forces the commentator to cut the sound to the spectators. Arris attacks Fo with his knife, telling her that no one ever helped him the way others help Fo, and that it is not fair that Fo is cured. Fo thinks Arris is about to turn. Jonah drags Arris away, then attacks the female Five as she goes after Fo. Once it is obvious that Jonah protects Fo, the crowd boos, and the Governor calls for Jonah to be restrained. Jonah’s wrist cuffs snap together, then his leg cuffs.
Fo realizes the crowd wants her to die. She loses hope under a fierce beating from the female Five and wonders if life is worth surviving in this world of violence. Suddenly she sees Bowen above her on the plexiglass surface, yelling down at her to fight. He is dragged off. The commentator announces that the militia arrived and will be stopping the fight, but Governor Soneschen intervenes and allows the fight to continue. Bowen shoots at the plexiglass over the pit but it does not break. Fo is losing the fight with the Level Five; she cannot stay conscious much longer. Jonah uses his superhuman strength to pull his wrist cuffs apart, then lets them come together on the neck of the female Five, killing her. Bowen pulls a pin on a grenade as Jonah uses his body to shield and cradle Fo. The plexiglass explodes.
Bowen helps Fo sit up; her body and lungs burn. She touches Jonah; his heartbeat is faint. The commentator is still going; he says in amazement that Fo is protecting the male Ten as if she has feelings. Bowen reaches toward the commentator as if asking to be pulled up and out of the pool, but instead Bowen grips the commentator’s hand and pulls him down into the pit. Bowen takes the microphone chip from the commentator’s mouth and uses it to reveal to the remaining spectators that Fo is cured and that the crowd was cheering for their only hope of survival to be killed at the hands of her own brother. Crowd members leave in guilt and shame. Bowen apologizes to Fo; medical staff are coming because he called the militia to help, and he fears this will surely lead to Fo’s demise. Fo cares only that Bowen is feeling better. They kiss. A doctor with pale blue eyes arrives and Fo remembers him.
Fo remembers waking in the care of this doctor years before. In her flashback, he tries to help her from her bed though she can hardly stand on her weak legs. He carries her. He calls for help on a radio as Fo looks out large windows at the stars. A helicopter arrives. The doctor carries Fo to a laundry room where he hides her in a pile of linens. Fo hears a female voice tell the doctor that she will have to be hidden outside the wall in her “old home from before” (273). In the present, Fo tells Dr. Grayson that she recognizes and remembers him. Dr. Grayson calls for medical help for Jonah and tells Bowen that he is the one who had Dreyden promoted to guardian, in the hope that he would run into and recognize Fo and treat her humanely. Bowen grows faint and Dr. Grayson discovers his wound. He tells Fo to kiss Bowen, as her leftover traces of vaccine can transfer healing properties through her saliva. She kisses him. Duncan Bowen arrives, surprised that Fo is not dead; he indicates that “the Fec” should have killed her. Suddenly Fo realizes that a slash on her arm from Arris’s knife is numb. Dr. Grayson sees that she was poisoned and calls for more help.
Governor Soneschen arrives, threatening Dr. Grayson. Grayson says the militia is taking over. The governor says there is no proof of a cure, then tells Duncan to dispose of the bodies “starting with the girl” (278). Bowen threatens to shoot his brother, reminding Duncan that he abandoned him and their mother. The Governor leaps at Fo, and Bowen turns the gun on him, shooting him. The militia arrives and Micklemoore instructs Tommy to cuff the governor. Another militia man cuffs Duncan. Fo kisses Bowen, exhausted.
Fo wakes in a hospital bed. A nurse cries over her; Fo recognizes her from the treble clef necklace she wears that used to be Fo’s. It is Lissa, her sister, now a nurse and married to Dr. Grayson. They reunite joyfully. Lissa tells her Bowen is doing well but Jonah is barely alive. Fo is in tremendous pain from her injuries and the effects of the poison. Bowen comes in and gently hugs Fo. Dr. Grayson arrives and explains that he discovered the cure to the vaccine a year prior but that every child tested with the cure died. After three months, Grayson discovered that Governor Soneschen murdered the cured children because he did not want a cure to threaten the power he had accumulated. Soneschen also learned that the blood of beasts is “a fountain of youth, increasing health and strength” (285), which he consequently acquired from raiders to drink himself and to give to the Inner Guard. Grayson explains that “health benefits” remain even after a beast is cured.
Fiona asks if she will play piano again with her broken little finger and other injuries. Lissa says they aren’t sure. Bowen asks for a moment alone with Fo. He apologizes for Duncan’s behavior and says he is in prison. They kiss and tell each other that they love one another. Before he goes, Bowen reveals that he still has the commentator’s announcement chip in his mouth, and that Fo should turn on the TV in 15 minutes.
On a small TV screen that Lissa brings, Fo watches Bowen stand on the wall and shout to all those outside that a cure will help the beasts and Fecs. A helicopter films him, then cuts away to show the myriads of people slipping hesitantly from buildings, sewers, and other hiding places. Bowen repeats his message until the people hug and dance.
A flyer announces the escape of former Governor Soneschen and a reward for information.
Once Arrin betrays Fo, Fo’s given circumstances shift yet again as the novel builds to the climactic showdown in the pit. A notable difference from Fo’s previous trials is that she is now without nearby allies. She leaves Bowen and Tommy behind; Arrin is a proven enemy. This dynamic alludes to Joseph Campbell’s narrative model of the Hero’s Journey, in which the protagonist is frequently robbed of their helpers at the crucial, near-climactic hour and must struggle on alone. Even the sight of Jonah does not calm Fo; his devolvement into beast-hood seems complete. He cannot communicate with Fo, and his attempts to bend the cage bars to get to her are open to interpretation: Does he want to protect her, or does he want Fo dead? The narrative strategy of isolating the protagonist highlights the protagonist’s character development. By separating Fo from her friends, Wiggins creates the opportunity for Fo to confront how she has changed due to her experiences and forces Fo to finally decide whether survival is important to her in this changed world.
Jonah proves to be an unexpected ally in the pit, only after Fo has resolved to survive for her own reasons. Paradoxically, he is the strongest beast with the greatest potential for violence, but he clearly shows a desire to help his sister and keep her safe. The great and horrific irony of Jonah’s role in the pit scene comes at the reaction of the spectators: As residents behind the wall, they are supposed to represent humanity, civility, and the future’s best hope for peace and a return to prosperity and normalcy. Instead, the crowd boos as Jonah shows love for Fiona, and she realizes how badly they want to see pain and death. The crowd shows how easily human nature can turn toward violence and bloodthirstiness, encouraged by corrupt government figures who seek to keep the masses distracted and hateful toward outsiders. Jonah displays more humanity than the crowd in this moment, and Governor Soneschen quickly punishes his humanity with restraints, effectively dehumanizing him again and eliciting cheers from the people above. Soon after, Bowen shames the crowd into a more humane and empathetic perspective; Bowen’s revelation that Fo and Jonah are family and the resultant penitence of the crowd foreshadows his later announcement of the cure that inspires the “Fecs” to take their first hesitant steps back to safety and civilization.
The climactic moments of the novel arrive as Fo fights for her life in the pits—with the final high point of suspense coming not from the fury of any beast but from the cruelty of the Governor. As Fo struggles to understand the cascade of memories brought on by the arrival of Dr. Grayson, Governor Soneschen attempts a final effort to murder Fo himself. It is Bowen who shoots the Governor, but Bowen has the strength to defeat the Governor only because Fo’s kisses have kept Bowen alive; Fo’s love has metaphorically saved her own life. She kisses Bowen fervently again after he shoots the Governor—not simply as a result of passion and emotion, but because her kiss will save his life as well. Their actions in saving one another at the climax show how survival is not easily accomplished alone, and symbolize society’s need for shared care, concern, and helpfulness.
In the closing chapters of Stung, Fiona watches hope surface in her altered environment as Bowen spreads the fulfilling message from the wall. Fiona contributed to bringing that hope to life by fighting for her own survival and the survival of others. Wiggins maintains narrative momentum with Governor Soneschen’s escape, setting up continuing conflict for the next novel in the series.
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