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17 pages 34 minutes read

John Hollander

Swan and Shadow

John HollanderFiction | Poem | Adult | Published in 1966

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Further Reading & Resources

Related Poems

Easter Wings” by George Herbert (1633)

Herbert, a priest and a poet, wrote this famous shape-poem more than 300 years before Hollander’s “Swan and Shadow.” “Easter Wings” is a rhymed poem in iambic tetrameter, the lines arranged like two sets of soaring wings of a dove, reflecting the poet’s rise into God’s grace. Although the two poems are separated by time, theme, and more, Hollander counted Herbert as one of his literary inspirations. Herbert wrote “Easter Wings” in the tradition of ancient Greek shape-poetry.

Invective Against Swans” by Wallace Stevens (1923)

Beautiful and graceful, swans have traditionally been the subject of many myths, poems, and artworks, but American modernist poet Stevens presents a different take on the birds in his poem. Stevens describes swans in mundane terms, in contrast to the swan in Hollander’s poem. However, Stevens’s invective is not so much against swans but their flowery, cliched representation in 19th-century poetry.

Kitty: Black Domestic Shorthair” by John Hollander (1991)

This poem is shaped like the silhouette of a cat and was included in the updated version of Types of Shape, published in 1991. Witty, clever, and meditative, “Kitty” shows Hollander’s technical expertise. More playful in tone than “Swan and Shadow,” the poem also highlights Hollander’s poetic range.

Further Literary Resources

A Conversation with John Hollander: The Poem as Silhouette” by Gregory Fitz Gerald, Robert J. Gemmett, and Philip L. Gerber (1970)

Published in the Michigan Quarterly Review, this interview is an edited version of a conversation between Hollander and the academic Gregory Fitz Gerald, which took place at the SUNY campus at Brockport, in 1969. Hollander describes the writing of Types of Shape in this interview, elaborating on the constraints of the shape-poetry form. He also distinguishes his poetry from the more graphically oriented “concrete poetry” form.

A Conversation with John Hollander” by Paul Devlin (2003)

Journalist and writer Paul Devlin interviews Hollander for the St John’s University Humanities Review. Hollander describes how visual arts and music influence his poetry. The poet also offers valuable insights on why art and nature are inseparable concepts for him.

Writing for The New York Times, journalist William Grimes pays a posthumous tribute to Hollander’s life and work. The obituary takes the reader through Hollander’s prolific career and discusses his influence on American poetry and poets.

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