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39 pages 1 hour read

Irmgard Keun

The Artificial Silk Girl

Irmgard KeunFiction | Novel | Adult | Published in 1932

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Chapter 2Chapter Summaries & Analyses

Chapter 2 Summary: “Late Fall and the Big City”

Doris rides the train all night and arrives in Berlin at Friedrichstrasse Station with only 90 Marks to her name. She is awestruck by the size and brilliance of the vast metropolis. When she arrives, two French politicians are giving speeches, and a crowd amasses. Doris feels swept up in the excitement but doesn’t understand what’s going on. She talks to a man in a blue suit, hoping that he will inform her about politics. They go to a café. The man is married and is clearly flirting with her. Doris sees right through him. She has some coffee and three pieces of cake. The man is not interested in discussing politics, so she tells the man she’s going to the restroom, but she really goes out the back door, leaving him waiting for her in the café.

She then makes her way to Margrete Weissbach, a friend of Therese’s, with whom she will room. Margrete is pregnant and goes into labor soon after she’s there. Her husband is unemployed and angry. Doris doesn’t feel comfortable staying with them. Margrete gives her the address of an old colleague of hers: Tilli Scherer. Doris rooms with Tilli, who also wants to be a star. Tilli is married, but her husband is away a lot. She doesn’t accept money from Doris in return for staying. Doris quickly finds a date with a man she calls “the white-slave trader type” (44). She is uninterested in him but feels he can introduce her to opportunities. 

Doris writes that things are getting better for her. She has acquired some extra clothes. She was able to get a pair of lizard-toe shoes by wearing her ermine coat into a shoe store, purposely breaking her old shoe’s heel, and flirting with the salesman, all of which gets her both the shoes on credit and a date with the salesman. 

Doris meets a man she calls the Red Moon at the Jockey Bar. He is a writer. His wife is out of town on vacation. He treats her to Danziger Goldwasser (a type of liqueur with gold flakes in it). The Red Moon is really into her, but she isn’t into him. She laments how difficult it is to find someone who finds her attractive and whom she finds attractive as well. She ponders about the type of elegant life she wants. She feels unhappy but tells herself it’s a good thing because “only if you’re unhappy do you get ahead. That’s why I’m glad that I’m unhappy” (54). She goes home with the Red Moon. He wants to sleep with her, but Doris parries his advances. She gets him to read from one of his books for her, in order to distract him. While he is reading, Doris notices some nice Bemberg silk shirts that belong to the Red Moon’s wife. She stuffs several of them into her clothes and leaves shortly thereafter.

Doris goes to work for a wealthy family, for the daughter of a former general, as a nanny. She refers to them as the onyx family and the husband as the Onyx. Doris resents the family’s wealth and status and bemoans her own social station. She notices that the husband is attracted to her. She is planning on sleeping with him so that he will give her rich things. The Onyx, however, introduces her to one of his friends, a younger man who is very attractive. Doris sleeps with the Onyx’s friend, and then the friend tells the Onyx. Doris is promptly fired by both the Onyx and his wife, who calls Doris a whore.

Doris worries about having to leave Tilli when her husband returns. She meets a pimp, Rannowsky, who lives in the same building. Doris fears ever having to prostitute herself as his girls do. She reiterates how much she wants to become a star. She’s looking forward to going to the Resi with Franz that evening.

Doris loves the Resi. It’s full of glitz and glam. Her favorite song is being played: Die Liebe der Matrosen. Doris begins to narrate more about her past. Her father is not her biological father. She was bullied when she was younger because she wore clothes that her mother fashioned from drapes. She is ecstatic about being in Berlin and wearing a fur coat, and she recounts all the wonderful sights and sounds and how very interesting and exciting it all is. She remembers her relatives, the Ruhrbeins, especially her cousin Paul, who committed suicide.

Beneath Tilli’s apartment lives a man Doris refers to simply as Herr Brenner. He was blinded in combat during World War I. His wife complains a lot about what a burden he has become and how much work she has to do to support the two of them. Doris befriends Brenner and pities him. She doesn’t like his wife at all. Because of the situation, Doris “can understand why men are unfaithful” (61).

Doris enjoys being Brenner’s eyes and “showing” him Berlin by telling him of her adventures in the city, describing in detail what she does and sees. She quickly develops feelings for him, and they have a brief affair. Brenner’s wife, however, feels she can no longer take care of him and decides to place him in a home for invalids. Doris fights with Brenner’s wife. Doris wants to take Brenner out in the city for one last hurrah before he goes away. Brenner’s wife eventually concedes, and Doris tries to show him a good time, but as the night progresses, Brenner grows increasingly depressed. Toward the end he says, “The city isn’t good and the city isn’t happy and the city is sick […] but you are good and I thank you for that” (79). This statement brings Doris down. The night ends with Brenner walking off on his own. Doris feels she shouldn’t let him, but she feels too tired to stop him.

Doris meets a wealthy old man, an “industrialist,” who gives her everything she wants: “I’ve made it […] I’ve gone on a shopping spree […] I’m powerful. I’m bursting with excitement” (81). The man’s name is Alexander. He is much older than she, and she likens him to a rubber ball.

Doris is living the high life and loving every minute of it. She spends extravagantly. She buys Tilli a kayak; however, she begins to be overwhelmed by the situation. She can relate to something Hulla, the prostitute, once said: “What’s the use of having all that money just for yourself? And when all you get are men that aren’t any—just automatons” (83). Alexander’s wife returns and Doris has to leave. Eventually, Alexander is arrested. Doris now has nothing and returns to Tilli. 

Doris has difficulties being around Tilli’s husband, Albert. Doris resents the difficulty she has in finding a man. Tilli and Albert fight a lot. Hulla needs Doris’s help because one of the fish died. Rannowsky returns. Hulla kills herself by jumping out of a window. Doris finds herself increasingly attracted to Albert. She decides to leave and finds a furnished apartment for the time being, but when that doesn’t work out, she stays with a man named Lippi Wiesel. She’s not all attracted to him. She wonders, though, if she even deserves better than him.

Christmas comes around, and Doris spends it alone in Lippi’s apartment because he is with friends. Lippi comes back late and wants to sleep with her. Doris is angry, frustrated, and down in the dumps. She leaves Lippi and spends the night on a park bench in the Tiergarten.

Chapter 2 Analysis

During the opening scenes of Chapter 2, Doris unabashedly uses her sexuality to obtain her wants and needs from men around her. Physical attraction is unimportant so long as the man has money. She is determined to find a man who can provide her with wealth and luxury. Despite exploring many partners, Doris never seems to be able to have any positive experiences with men. She and Hubert had a sexual relationship, but because Doris couldn’t benefit him socioeconomically, he chose not to marry her.

Doris attempts to have a simple conversation with a married man upon her arrival in Berlin, to discuss politics, so she will no longer remain in the dark concerning current events, but the man only wants sex. Doris sometimes feels forced to use sex to take what she needs since there doesn’t appear to be any other way for her to get ahead, to even just survive day to day. Despite her lack of education, Doris displays emotional intelligence and street smarts. Men may see her as young and ditsy, but Doris is smarter than she appears.

The scene between Doris and Red Moon exhibits how, social mores aside, Doris finds ways to get what she wants and needs from men. In addition to relying on her ability to look beyond the superficial and interpret body language, she knows how to lie and when to execute her deception. Furthermore, she knows just what to say to deflect a man’s sexual advances when sex is the furthest thing from her mind: “The best thing to do in cases like that is to start talking about their profession because that’s as important to them as sex” (55). She distracts Red Moon when they return to his apartment, asking him to read from one of his novels while she pilfers a few of his wife’s high-quality shirts.

Chapter 2 reveals more about Doris’s childhood, offering insight into the events that formed her strong opinions about men, fashion, and social standing. The man Doris calls “father” is not her biological father; furthermore, Doris does not get along with her “father,” whom she views as an unambitious drunkard who can’t provide for his family. Her relationship to men as a child influenced her perceptions of men as she matured; Doris has never had good relationships with a male figure. Doris was also bullied by neighborhood kids because she wore clothes her mother fashioned from old drapes. She uses men—for whom she has little regard beyond flirtation and casual trysts—and their resources to enhance her appearance and social stature, compensating for the things she didn’t have as a child.

When Doris goes to work for the Onyx family as a sort of nanny, she focuses on manipulating the father’s attraction to her so he will buy her things. In short order, she finds that she enjoys the company and intimacy of a younger male whom she finds attractive. Despite her calculating use of sex on many occasions, Doris enjoys casual encounters for which she expects no quid pro quo from time to time, and she feels anger at society’s hypocrisy regarding sexual relations. She comes face to face with real prostitution when she meets the pimp Rannowsky in the stairwell. She begins her descent from being a mistress who trades sex for favors to the desperation that forced many women in the Weimar era to sell themselves just to survive.

Beginning with the scene in the Resi and carrying over to the end of Doris’s and Herr Brenner’s date, the narrative style changes, as shown by two techniques. The first is parataxis, highlighted by the usage of hyphens to separate sentences and ideas. The second is polysyndeton, which uses conjunctions in succession instead of separating a series of ideas with commas. The latter in particular gives the text both an abruptness and an unending flow: The entire scene beginning at the Resi and ending with Doris’s and Herr Brenner’s last night in Berlin together appears as one continuous event, blurring the transition between past and present events.

After Doris’s last date with Brenner, she finally sees the other side of Berlin. Until that point, Berlin is a modern paradise for Doris; the lights and buildings and people feel like backdrops and characters in a film. Reality hits hard when the city is shown to her by the blind Brenner. All of a sudden the once vibrant and vivacious city is replaced with death metaphors and similes, “flowing into each other like a river full of dead bodies” (79). This negativity is quickly dismissed when Doris meets Alexander, who provides Doris with the life of luxury she feels that she, as a young and attractive woman, deserves.

Doris’s happiness, however, is hollow: She is not attracted to Alexander, and when she gazes at her reflection in the mirror, musing about her beauty, she feels a sense of emptiness and futility. She is finally as beautiful as she has ever wanted and hoped to be, but she wonders to what end. Her beauty is wasted on Alexander, yet if she use her beauty to lure someone else, she would risk losing the man who makes her shine like a star. When Alexander is arrested, her stardom is extinguished just as quickly as it was ignited, showing how fleeting wealth and beauty can be.

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