52 pages • 1 hour read
Iris MurdochA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Dora comes from a London lower-middle-class family, having lost her father when she was nine. At 18, Dora started studying painting but soon met Paul, who was 13 years her senior, and married him. Well before the novel opens, Dora has begun to feel trapped in a marriage to a man who is domineering and a bully, and she decides to leave him. Murdoch describes Dora as lazy not just physically but also emotionally; she is apathetic. Her character arc involves her exploration of herself, of her abilities and desires, and of how she wants to continue with her life.
Dora is very young but feels almost matronly. However, there is an essential immaturity to her character at the novel’s outset that the events at Imber Court begin to change. While still sharing an apartment with Paul, she has begun an affair with a debonair journalist Noel Spens, who seems to be everything Paul is not: carefree, unconcerned, and tolerant. However, Dora learns throughout the novel that she does not need any man to support or define her. She learns this primarily through the events surrounding her idea to exchange the old bell for the new one. This plan, as careless and immature as it appears, allows Dora to exercise her own will, her sense of planning and organization, and her imagination. In addition, she briefly flirts with young Toby Gashe, which bolsters her confidence, as she plays the role of the older, worldly woman; this makes her see herself in a different light.
Dora’s nonreligious personality clashes with those members of the Imber Court community who wish to lead a semi-religious life. At first, she sees them as complacent in their belief and sense of security as to their place in the world; however, she soon begins to sense the secrets and insecurities that plague the members of the community. When the community dissolves, Dora remains alone at Imber with the former leader, Michael, to help him sort out the last remaining tasks, and she finds in herself new proactivity and purpose. This allows her to leave Paul forever and start a new life as an art student and teacher in Bath, sharing an apartment with a female friend.
As a young man, Michael Meade felt destined to become a priest, and he has lived most of his adult life with this ideal in mind, striving to be good in the strictly religious sense of the word. However, he has fallen short in a profound way: Michael is gay. What is more, Michael has acted on his feelings. At age 25, while working at a high school, he became infatuated with a then 15-year-old Nick Fawley—an event that shapes the rest of both of their lives. Michael allows a platonic yet passionate relationship to develop, and this causes young Nick so much anguish that he confesses everything to the headmaster, causing Michael’s dismissal and a delay in his ordination.
In the intervening years, Michael has been working hard to find a higher sense of purpose in order to atone for his sins. He finds this through conversations with Mother Clare, the Abbess of Imber Abbey, which borders the estate Michael owns. Thus, he decides to form a lay community, of which he becomes the default leader against his own instincts; when he meets James Tayper Pace, he strikes Michael as much more suitable for the job, being both very religious and pragmatic—in some ways Michael’s opposite.
Since Michael has not come to terms with his inner emotions and fears, the past comes back to haunt him in the form of the now adult Nick Crawley, whose twin sister is a postulant at the Abbey and living at Imber Court. Nick has led a dissolute life, and he is nervous and often sarcastic with Michael, both painfully aware of the past they share. The arrival of young Toby Gashe awakens similar emotions in Michael as it has in Dora—except that Michael projects his feelings for Nick onto Toby because he does not have the strength to confess them to Nick himself. He again succumbs to his impulses, and this leads him to realize that he is not suited for the life of a priest. When Nick kills himself, Michael feels deeply responsible and understands that he will have to carry the burden of his actions and nonactions throughout his worldly life. He leaves the estate to the convent and finds another job as a teacher.
Toby is 18 years old and just finishing high school. He comes to visit Imber Court after James gives a speech at his school, sparking his interest in religion and communal living. Toby is slim and has a “wide-eyed insolent look of the happy person” (19). He is excited to be going on an adventure and does not grasp at the outset the seriousness of events that take place around him.
Toby’s arrival signals many changes in those around him. James sees him as a young protégé who can be a good and healthy influence on Nick Fawley. Michael immediately recognizes a spark of interest and attraction, especially in Toby’s naïve wonder and easygoing disposition. Dora at first sees him as a child, even though she is only a few years older, but after their plan to substitute the bells begins, they develop an attraction that reinforces Toby’s belief in his heterosexuality in the wake of his kiss with Michael.
Toby experiences a profound process of maturation as he questions his sexuality and his faith. Unlike Nick Fawley, whose temperament is nervous, Toby is stronger, healthier in disposition, and not prone to overthinking, which ultimately saves him. Once he has established Dora as a suitable object of desire, Toby can put his feelings for Michael into context, and he leaves Imber Court without lasting repercussions. In a letter he writes to Michael once he has begun university, Toby shows that he has put the episode firmly behind him as something formative yet not defining, which speaks to the strength and simplicity of his character.
Nick Fawley features in the novel before we meet him in person: James and Michael comment on his unstable nature and how Toby could help ground him. This creates a sense of foreboding that only intensifies as the novel progresses. Nick is a young man described as having a “long slightly heavy face […] The curling fringe of dark hair over the high forehead […] [a]nd [a] secretive expression” (54). The description depicts Nick as guarded, with an almost Byronic air of tragedy and gloom. His behavior reinforces this: He is abrupt and sarcastic—verging on rude—as if actively discouraging everyone from spending time with him.
Nick has come to Imber Court at the desire of his twin sister Catherine, a postulant at the convent who hopes to save him from a life of debauchery in London. Why Nick accepts this invitation remains unclear; since there is clear tension between Michael and Nick, it may be that Nick feels that their story is not over yet. However, he sends mixed signals, and it is not obvious whether he wants revenge for what Michael did to him as a teenager or wants their affair to continue. Throughout the novel, Nick exudes an atmosphere of mixed anger and desire—one that influences mostly Michael and Toby, who spend the most time with him.
Whatever his motives, Nick sinks deeper into negativity and depression as well as alcoholism, and he sabotages the ceremony of the new bell by sawing off the causeway, which topples the bell into the lake. Arguably, he does this to prevent his sister from entering the convent, but his actions might also have to do with sabotaging Michael’s efforts to build a lay religious community, or simply seeking Michael’s attention in a desperate way. At the end of the novel, Nick commits suicide, which Michael solipsistically experiences as revenge against him, but Nick’s motivation again remains a secret. Ultimately, Murdoch portrays Nick as a character who has lost his sense of belonging anywhere, if he ever had one in the first place—something he might see as Michael’s fault. Despite his intelligence, he has not managed to lead a productive or happy life, instead choosing to end it in solitude, his suicide the only message he leaves for Michael and his sister.
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By Iris Murdoch