logo

56 pages 1 hour read

John H. Ritter

The Boy Who Saved Baseball

John H. RitterFiction | Novel | Middle Grade | Published in 2003

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 23-30Chapter Summaries & Analyses

Chapter 23 Summary

The morning of the game, the team wakes to discover that Cruz, his horse, and all his equipment are gone. Tom starts to saddle his horse and ride after him until others remind him that Cruz has a several-hour head start and nobody knows what direction he rode. The team rallies and says they will proceed, just as if Cruz were there. When Dante does not immediately appear, the team fears he has also abandoned them. However, Dante soon shows up with a new haircut, looking sharp.

Tom realizes that, with only nine players, he must now be in the starting lineup. He sits on the end of the bench and wraps his arm around himself. He says he cannot do it. Dante excuses all the other players from the dugout and sits beside Tom. He reassures Tom, saying, “…you’re a special guy, Tom. You got heart. I saw that the first time you ran down the mountain” (173). Dante tells him he believes in him and has moved him from ninth to seventh in the batting order and is putting him at first base.

The stands are filled with around 1,000 people. The two teams march in, led by a mariachi band from center field. Once in the dugout, the team gets together in a circle. They take the field to a standing ovation and an incredible roar.

Chapter 24 Summary

As the game begins, María pitches underhanded. The Vikings mock her and also make fun of Rachel in the outfield. María chides them in return. The mariachi band plays so loudly that the kids cannot taunt one another.

When the game begins, María mows down the hitters on the opposite team. There is no score at the end of three innings. María gets a comebacker off her shin in the fourth inning, but she stays in the game despite the pain. The other team gets one run in. Tom ends the inning with an unassisted double play: “Catch, tag, double play! Tom could not believe it” (182).

The second time through the lineup, the wildcats can see the ball much better and begin to get hits. Wil hits a home run with two men on, putting the Wildcats up 3-1.

At the beginning of the sixth inning, María feels too much pain to continue pitching. Tom suggests to Dante that he can pitch and shows him the crossfire hurricane pitch he learned from Cruz. Tom warms up and gets three straight outs. Since Maria gave up three runs before Dante pulled her, the Wildcats trail 4-3.

Chapter 25 Summary

Needing one run in the bottom of the last inning to tie and two to win, Tom watches as his team comes to bat. A swirling wind picks up. Tom likens one’s thoughts to the wind of the mind and wonders if winds are the thoughts of the earth. He watches the first Wildcat batter get a long double, and Rachel moves him to third base. The team gets two outs. The next batter is Wil, who gets hit on the top of the helmet and goes to first base. Clifford strikes out on the fourth pitch, but the ball gets away from the catcher: “Sure, the pitch was virtually unhittable, but he didn’t count on it being uncatchable” (189). Clifford runs to first base, and Wil advances to third. The score is tied. With two outs, the Vikings walk Rachel to load the bases and pitch to Tom. Tom comes to bat with the bases loaded and two outs, and he must get a hit or a walk to score a run.

Chapter 26 Summary

Tom comes to home plate carrying the special bat Doc made for him using very light wood. Tom is ready but swings too fast for the first pitch. Tom knows he can see the ball clearly. On the second pitch, he hits a soaring pop up. The wind pushes the ball in different directions, and three Viking players collide while trying to catch it. As the ball drops to the ground, Tom runs to first, Wil runs home, and the Wildcats win the game.

Everybody in the stands goes wild. As the fans clap and cheer, Tom turns to see how Doc reacts. When he cannot see him, he senses something is wrong:  “‘Call 9-1-1-!’ someone yelled. ‘Doc’s in trouble. Doc’s in big trouble’” (195).

Chapter 27 Summary

The stress of everything that had been happening and the excitement of the game led to Doc’s death. After everyone leaves, Tom and some other players remain to pick up trash from the field. About an hour after the game, the mayor walks up to Graydog, Doc’s attorney. The mayor asks if Doc had a will. Graydog answers there was a will that left everything to Doc’s son, Ken, who had died four years before. After the mayor walks away, the baseball players ask what this means. Graydog explains that there will be a probate hearing since there is no heir, and all of Doc’s property will be auctioned to the highest bidder. This means that the developers will buy the property and take over. Upon hearing this, Tom turns and walks away.

Chapter 28 Summary

Gathered in the bunkhouse, waiting for their parents to show up for the ice cream send-off, the teammates discuss Cruz and how he abandoned them Tom insists that he led them and they would not have accomplished what they did if it hadn’t been for everything he taught them: “He showed us how to do the stuff we needed to do” (200).

Tom’s mother appears, saying the funeral for Doc will be Monday. She asks for someone from the team to speak on his behalf. Then she tells Tom and María to go to the henhouse and gather eggs for ice cream. Dante tells the players goodbye and walks away.

As they walk to the henhouse, María points out that Dante is waiting by his truck to talk to Tom. Dante explains to Tom how he had saved Tom’s mother’s life on the mountain years before. Dante said his grandmother, who had been deceased for many years, came to him when he was drunk and told him to follow her. He followed her across the mountain until he saw Tom’s mother lying in a creek bed covered with mud. She was freezing, and he fell across her and passed out. A couple of hours later, he woke. Her horse had returned, so he put Helen on top of the horse and took her to Doc.

After Dante leaves, Tom and María gather eggs. They have an emotionally intimate moment in which their hands touch. Tom stops her: “‘María,’ he said, ‘I think you are the most interesting girl I’ve ever met’” (206). She tells Tom he is the bravest boy she has ever known.

Chapter 29 Summary

Someone shakes Tom awake in the middle of the night. When he sits up, no one is in his bedroom. He cannot go back to sleep, so he gets up and goes down to the baseball field. He imagines he’s a broadcaster and talks about how he helped score the game’s last run. A red-tailed hawk screeches out of the sky and lands on the dugout, staring at him. He doesn’t know what to say, so he walks back home.

Tom sits at his kitchen table. He pulls out his Dreamsketcher and begins to write and draw images. Helen comes into the kitchen and starts some tea. They sit and talk about Doc. Tom tells her that Dante told him his grandmother came to him in the middle of the night and led him out to find her. He asked if that was real and if Doc might come back and save him in the future. Helen says, “Who knows, Tom? There’s so much we don’t understand or can’t explain. But I’ll say this. If we die and we don’t get to know exactly how the universe really works, I want you to know that I’ll feel really cheated” (212). She starts to go back to bed, and he says he’s going to sit at the table and draw. She says people leave behind memories and letters that keep them with us, reminding Tom to look at the words Doc wrote in the back of his Dreamsketcher. When he does, he calls to his mother and father and reads them Doc’s brief last will and testament in the back of his Dreamsketcher, in which Doc leaves everything to Tom.

Chapter 30 Summary

Tom, his parents, and Graydog show up in the mayor’s office to meet with the mayor and Alabaster. The attorney says, “This will is perfectly legal, and it does not need witnesses” (214).

Now a millionaire, Tom and his parents move into Doc’s house, which has a much better view. Tom realizes he has a gold mine with the HitSim baseball app. He climbs up in the hayloft with the barn with a brand new Dreamsketcher. He writes that the people in his town don’t agree on much, but they agree that if there had never been a boy named Cruz de La Cruz to come along, somebody would have had to invent him.

Chapters 23-30 Analysis

Much as the book’s second section is devoted to character development, the possibility of invoking serendipity by writing it down, and acquiring the gift of true vision, the third section is a study of several different types of emotional intimacy. First comes the contrast between Dante’s brief farewell to the home team compared to the “full disclosure” conversation Dante shares with Tom, where he describes the miracle that led him to save the unconscious Helen and, by extension, make Tom’s possible. Dante has revealed to Tom truths he has told no one else for two decades. This is a profound expression of the depth of intimacy two friends can share.

The second expression of intimacy is the delicate, romantic, and sweetly innocent time Tom shares with María when Helen wisely sends them to gather eggs for ice cream. Walking side by side in silence, sharing glances, touching hands, and finally paying the sincerest compliments to one another are the elements of a tender intimacy that is respectful, thrilling, and healthy. It reveals how far Tom has come from not being able to talk about María to standing with her bravely and speaking spontaneously.

A third type of intimate communication is between mother and son, when Tom and Helen, both awakened for unknown reasons, find themselves in the kitchen discussing the day’s events. For the first time, Tom speaks to someone else while he writes in his Dreamsketcher. He asks his mother intriguing questions that are so profound she has no answer for them. Trying to decide whether Dante’s grandmother came to him to lead him to Helen or if he only imagined she did, Tom asks, “…how could he dream up someone who had more knowledge than he did” (211). This question reflects on his summoning of Cruz—whose image he was drawing at that moment—with the Dreamsketcher.

There is a fourth element of intimacy present in all these encounters, one that harkens back to Tom’s walk down to the Lucky Strike ballfield when he first woke up in the middle of the night. Standing on the field, he watches a red-tailed hawk alight on the dugout, and Tom stares at him. The experience is so profound that Tom is awestruck. As the bird watches, Tom turns and walks away in the darkness. Ritter implies that Tom cannot speak because the moment is filled with sacred, spiritual intimacy.

This intimacy is also present in each of these encounters. Dante says that the presence of his deceased grandmother led him to Helen. Caught in the gravity of their time alone, María does not descend into her wit or outspoken cleverness; instead, she calmly says something unlike anything else in the book. Tom’s conversation with his mother delves deeper into spiritual topics: Is Doc permanently gone, or can he make himself known to Tom; did Dante’s grandmother really call him out into the night to find Helen; is there an existence after this life? The third section of the narrative features a catalog of the different types of intimacy a 12-year-old might experience.

Also displayed in the third section is a quality Ritter describes earlier in the narrative as a lack of true vision. In the final section, he posits the end result of a true lack of insight. The mayor shows up amid the grieving friends of Doc as they clean the ballpark after the game. As before, he feigns an appreciation of the team’s accomplishments and then asks about the only thing he is interested in: whether Doc had a will, the absence of which means the developers will prevail despite the Wildcat’s victory. Alabaster, who shows in the second section that he will threaten and physically assault a child, attempts to demean and disqualify Doc’s will, resorting to legalisms when Doc’s true wishes are quite clear. Thus, Ritter states that those motivated by greed ultimately lose touch with the values and humanity most humans share and that the abiding characteristic of people like Alabaster and the mayor is ruthlessness.

The third section is also a confluence of wide emotional swings. The ebb and flow of the Big Game and what came after are the clearest examples of this. Terrified before the start of the game, the Wildcats are heartened by Dante’s speech and then by the roar of the home crowd rooting for them—though the fear remains, as when Rachel trots to the side of the field and throws up before the game starts.

When the Vikings try to taunt the Wildcats, the team responds defiantly, with María brushing the first batter back from the plate with an awesome inside pitch and the catcher mockingly welcoming the hitter to Dillontown. Equal elements of joy, dread, triumph, and abject defeat roil the team as they outhit the Vikings, watch María lose her ability to pitch, rejoice in the two unlikely errors that brought home the winning run, and then quickly realize that Doc, a man all of them had known all their lives, had died. The resolution of the book, when Tom sits down with a new Dreamsketcher and asks himself what lessons he has learned, conveys a single emotion that appears to have superseded all others: serenity.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 56 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools

Related Titles

By John H. Ritter