logo

53 pages 1 hour read

Esmé Weijun Wang

The Collected Schizophrenias

Esmé Weijun WangNonfiction | Essay Collection | Adult | Published in 2019

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

“Toward a Pathology of the Possessed” - “Yale Will Not Save You”Chapter Summaries & Analyses

“Toward a Pathology of the Possessed” Summary

Content Warning: This section contains discussions of suicide and involuntary hospitalization.

Wang’s second essay begins by recounting the murder of Malcoum Tate, a man with paranoid schizophrenia whose sister and mother were supposedly driven to murder him after years of living in fear and frustration at the hands of his illness. Wang does not comment on the case, instead moving into a discussion of schizophrenia’s general prognosis and how it is said to be a disorder that slowly destroys the brain, which she disagrees with.

In 2013, Wang experienced a psychotic episode that lasted seven months. None of the treatments were working, and her doctor told her that the episode was causing her brain to go through a process of “replacement and deletion” (28). Wang mentions the organization known as the National Alliance on Mental Health (NAMI), which focuses on prevention and helping families of people with mental illness. Ironically, the organization supports Bill AB 1421 in California, which permits forcing mental health patients into treatment whether they consent or not. One NAMI representative with whom Wang spoke claims that her family member was hospitalized 70 times, and his violence never ceased. For that reason, she believes he should be medicated against his will. Wang then describes the movie The Exorcist, which she compares to Malcoum’s case, noting how both “have a sense of familial desperation, of not knowing what to do” (33). Although the challenges faced by family members are real and valid, Wang notes that organizations like NAMI often blame the person with the disorder and single them out as a problem rather than identifying underlying family issues that can contribute to the disorder.

Julian Plumadore, who runs an anti-stigmatization group called Sharing Our Lives, Voices, and Experiences (SOLVE), is against Bill AB 1421 and NAMI’s prioritization of the family. Plumadore was a victim of forced hospitalization and believes in bodily autonomy and allowing people to make the choices they know are right for them. He adds that forcing hospitalization inevitably leads to trauma in patients. Wang points out that many people see a lack of insight as a key reason to force treatment on individuals, noting how people with schizophrenia are seen as burdens even by those they love.

Wang was involuntarily hospitalized three separate times and describes the horrific nature of being put in a place against her will, without anything or anyone she loves, and being othered as someone who cannot be trusted to know her own thoughts or desires. Wang closes her essay by returning to Malcoum Tate, reflecting on the lack of logic in the murder. Although it is an extreme case, Wang asserts that it represents what happens when “the burden of care becomes the burden that breaks people” (40-41).

“High-Functioning” Summary

When Wang was diagnosed with schizoaffective disorder, it meant that others would perceive her as virtually incapable of being “high-functioning.” “High-functioning” in this case means being able to live a self-sufficient life. In 2017, she went to a mental health clinic in Chinatown to tell her story on behalf of a bureau she belonged to. She describes her clothing and makeup, her wedding ring, and her small home business, all of which are mentioned to drive home the idea that she is not unlike anyone else. Wang was told she would be speaking to a “group of ‘high-functioning schizophrenics’” (45) and decided to tell her story differently than usual. She described her experiences in detail, including her mother’s denial of her illness and losing a job she loved. The talk moved the audience, and Wang drives home the importance of hope that one can change and improve.

In the conclusion of her essay, Wang recounts a second talk that day, which she gave to an audience of clinicians. She recalls feeling intimidated and being reminded of her time in the psychiatric hospital: “Rarely did I experience such a radical and visceral imbalance of power as I did as a psychiatric patient amid clinicians who knew me only as illness in human form” (57). During this second talk, Wang spoke more eloquently and emphasized her education, research, and career. Because of this, she managed to fool the audience into thinking she was “normal.”

Wang recounts her experiences in a psychiatric hospital at Yale. She observed two women with schizophrenia who were treated differently than other patients; they were isolated from group therapy, and their concerns were rarely taken seriously. Wang asserts that a sort of hierarchy forms in these settings, both among the patients and by the nurses and doctors, based on a patient’s level of functionality. Patients at the bottom of the rung are those with schizophrenia, and they are given only basic care, expected never to recover.

Wang describes her own disorder as “high-functioning” but unpredictable, and when the illness strikes, it leaves her “low-functioning.” Because she is able to work, she is seen this way by others as well. Wang admits that she feels unsettled around those with the same disorder but who cannot function at the same level, as she does not “want to be lumped in with the screaming man on the bus, or the woman who claims that she’s the reincarnation of God” (51). She feels a sense of shame over this, knowing she is more like them than she wants to admit, and that her feelings ultimately add to the stigma. She notes that her love of fashion and her previous career in the industry allows her to pass as “normal” more than many of her counterparts. Wang began her fashion blog, Fashion for Writers, in 2007 before passing it off to a friend. Wang has mixed feelings when people compliment her for this, knowing that there is a veiled insult somewhere underneath. She knows, too, that there are times she cannot hide her disorder, no matter how she dresses.

The overall prognosis (long-term outcome) of schizophrenia depends on a variety of factors, many of which require social support. NIMH created an initiative called “Recovery After an Initial Schizophrenia Episode (RAISE)” (52) to determine how early intervention for people first experiencing psychosis could improve their prognosis. This intervention includes employment and education support, family education and support, therapy, medication, and perhaps most importantly, the involvement of the patient in their own treatment plan.

“Yale Will Not Save You” Summary

Wang considers her acceptance into Yale University one of her proudest moments. She was born to Taiwanese immigrants who moved to California with very little. Her parents instilled the importance of education in her, and Wang excelled in writing from a young age. When she entered high school, she had thoughts of suicide, and her mother suggested they end their lives together; Wang did not see the disturbing nature of this answer until years later. Moving East for school was always her dream, particularly to escape her chaotic home.

Wang was diagnosed with bipolar disorder after displaying signs of mania and self-destructive behavior. At Yale, she started seeing a therapist-psychiatrist at the Yale Department of Mental Hygiene but did not seem to improve. Simultaneously, a world opened up to Wang during this time, and she learned about herself, other people, relationships, and more. She also met her future husband. When some friends warned her that the Yale Department of Mental Hygiene sent people to the psychiatric ward for small problems, Wang realized something was not quite right.

Wang shares an anecdote describing a woman known as the Shakespeare Lady, who panhandled on campus and whose mental health seemed to degrade over the years. Wang worried she would end up like her, and this fear follows her currently.

She talked to a student at another unnamed college who, after being diagnosed with bipolar disorder, felt as though her life was falling apart. She ended up attempting suicide, and when it was reported, a female officer came to investigate. The officer demanded that everyone reveal their wrists, and when this student refused, she was thrown down, pinned, and hospitalized.

Wang notes that this story does not surprise her. One spring, Wang went through a period of mania and then depression. She found out from a blood test that her doctor was prescribing a dosage of a drug called Depakote that was too low to be effective. Thinking about suicide, Wang went for help and was sent to the Yale Psychiatric Institute. The doctor ordered her to live with her mother on campus for the remainder of the year, and the time they spent together was better than Wang expected. Still, Wang recalls this time of her life as truly jarring. She wonders if there is a “true self” inside of her, or if her disorder is just who she is: “There may be no impeccable self to reach and if I continue to struggle toward one, I might go mad in the pursuit” (71).

After being hospitalized a second time, Wang was asked to leave Yale immediately, and her father flew in from China to help. After blogging about her experience, Wang found that it was a common one among students across the country, apparently due to liability concerns. Several advocacy groups have sprouted in recent years to address the neglect and rejection that students with mental illnesses face from these institutions. When Wang recovered and applied for readmission, she was coldly denied.

“Toward a Pathology of the Possessed” - “Yale Will Not Save You” Analysis

Wang’s writing in these three essays reflects a natural progression between them. “Toward a Pathology of the Possessed” discusses the demonization of psychotic disorders by the media and popular culture and the failures of organizations like NAMI to remedy the issues. Next, “High Functioning” addresses how Wang copes with this demonization: She does whatever is necessary to appear highly functional and as if she does not have schizoaffective disorder. While she is honest about disclosing her disorder, she does not want the general public to view her the way they view people with schizophrenia. In the third essay, “Yale Will Not Save You,” Wang is demonized by her dream university despite all her concerted efforts to demonstrate her intelligence, work ethic, and recovery from psychosis.

As Wang points out, those who are seen as “low-functioning,” especially people with schizophrenia, are expected never to recover and are told that their brains are slowly deteriorating into nothing: “Finally, the wicked thoughts and behavior that may ensue become inseparable from the person, who is now unrecognizable from what they once were” (30). Facing this stigma and bleak prognosis, Wang emphasizes The Importance of Hope in the Face of Great Challenges and that her resolve to not deteriorate—combined with a relatively strong support system—has set her apart and allowed her to become a successful writer and wife. When Wang speaks about her experiences with schizoaffective disorder at a mental health clinic in Chinatown, she admits that she changes her tone, vocabulary, and choice of stories based on the audience. Wang is often honest about not being a perfect person; she is more concerned with being relatable than with impressing the reader with her authority, evoking pathos. Wang knows that she is not unlike the patients in the clinic who have psychosis and tries her best to relate to them; when she speaks to clinicians, she changes tacks and puts on a “high functioning” façade. Wang notes the irony in her act, as she is fully aware that has many moments where she cannot function at all. With this, Wang highlights the contradictions in mental healthcare; one must present a certain image to receive respect and care, and this image is often incompatible with a disorder’s symptoms.

Wang questions how much of her identity is her disorder and whether she has a self apart from it, illustrating The Interweaving of Mental Illness With Identity. She often resists being defined by her disorder, and when she is accepted into Yale, she assumes her life will only improve. A dark irony sets in when she is hospitalized only a few months into her first semester and is eventually permanently discharged from the university. Wang notes how this fate is an alarmingly common problem among universities and colleges, who claim to have adequate support in place for their students but in many ways fail to deliver ethical and effective treatment (How Institutions Fail to Treat and Prevent Mental Illness). Wang describes a woman referred to as “Shakespeare Lady” who panhandles on the campus. She has some sort of mental disorder that is not being treated, and she becomes a symbol of what Wang fears most in herself. This woman’s circumstances represent the way disorders can progress not only without treatment but without a support system, emphasizing the importance of community care for people with mental illness.

By pointing to issues in popular culture and media such as depictions of schizophrenia as violent or demonic (The Exorcist, the murder of Malcoum Tate), Wang subtly connects the issues of stigmatization and stereotyping in media with her own personal shame and fear of being “like the others.” These allusions also create touchstones for the reader, familiarizing a topic that might otherwise be intimidating. Similar to issues that Wang explores regarding NAMI and the way it paints people with mental disorders as burdens for their families, families in movies and news stories are often shown to be “desperate” or “beyond any other hope”. Wang sees through this falsehood, noting: “When I think about the murder, I think about how excessive thirteen shots is” (41), referring to the number of times Malcoum Tate’s sister shot him. In other words, Wang asserts that Malcoum’s sister was acting out of more than just built-up desperation. In recounting stories like Malcoum Tate’s and exaggerated depictions of psychosis in films, Wang urges the reader to access their morality (ethos) and question these choices. Wang weaves stories of her own life throughout the essays, connecting her experiences with real and fictional accounts from other sources. In doing so, she resists characterizations of her life and experiences as “exceptional” and places her narrative in the broader context of mental illness and cultural stigma.

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 53 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools