logo

58 pages 1 hour read

Jean-Dominique Bauby

The Diving Bell and the Butterfly

Jean-Dominique BaubyNonfiction | Autobiography / Memoir | Adult | Published in 1997

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapter 17Chapter Summaries & Analyses

Chapter 17 Summary: “Paris”

In this chapter, Bauby reflects on his visits to Paris, ultimately concluding that he is fading away. “My old life still burns within me,” he says, “but more and more of it is reduced to the ashes of memory” (77).

He contrasts his two recent visits to Paris. On the first one, his heart jumped when his ambulance bore him past the high-rise in which he used to work as the editor-in-chief of Elle. He initially recognized the building next door: a 60’s antiquity which he observes is now scheduled for demolition. He thinks that he sees someone he knows on the street, musing that perhaps his former co-workers have glimpsed his ambulance down below. He sheds a few tears as the ambulance passes the café that he used to frequent, and intimates that he can cry quite surreptitiously, as people think that his eye is merely watering.

He then contrasts the acute emotions of his first visit with his stony feelings upon his second visit, in order to demonstrate his withdrawal and distance from his former life. He recalls that, on his second visit, Paris appeared to him as a simulacrum, like a rear-screen projection. “The streets were decked out in summer finery, but for me it was still winter”, he says (78). The city retains its standard beauty and bustle, and Bauby remarks that “Nothing was missing, except me. I was elsewhere” (79).

Chapter 17 Analysis

In this chapter, Bauby persists in a rather dark turn, although the darkness is not felt as acutely as in Chapter 16. He begins Chapter 17 with an intimation of resignation: despite the intact faculties of his mind, which he has put on wondrous display, his former life is slipping from him, and he is sinking into grief. He portrays the rapid progress of his grief by contrasting his two visits to Paris. In the earlier one, his removal from his former life is not felt as acutely, and he is thus able to feel a sense of anticipation, excitement, and hope upon sighting his old haunts. In the later visit, all sense of hope has been sucked from him, as he has spent a longer time with locked-in syndrome, and he can now tangibly feel his own absence from his former life. Thus, Paris becomes unreal to him, signaling he is much more emotionally withdrawn, and he baldly states that nothing is missing from the cityscape except himself—even though his body is, physically, there. This duality of being both present and absent mirrors not only the loss of his former life, but also the ongoing and unending loss that living inside of a broken body entails. 

blurred text
blurred text
blurred text
blurred text
Unlock IconUnlock all 58 pages of this Study Guide

Plus, gain access to 8,800+ more expert-written Study Guides.

Including features:

+ Mobile App
+ Printable PDF
+ Literary AI Tools