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Alfred, Lord TennysonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The authorial, ideological, and historical context entwine; an expanded understanding of the poem ties together Tennyson’s life, beliefs, and the events he witnessed. According to the Poetry Foundation's overview of Tennyson, he and Arthur Hallam met the Spanish revolutionaries in the Pyrenees, and the numerous eagles around the mountains inspired the fragment. The poem relates to a moment in Tennyson’s life, and that moment connects to his ideology; he was helping Jose Maria Torrijos y Uriarte and his fighters battle King Ferdinand VII.
Tennyson’s poems about the oppression in Poland—they were battling Russian rule—suggest Tennyson’s ideological position for this historic occasion was on the side of the underdog or the oppressed. The eagle represents tyranny, and his hands are “crooked” (Line 1) because he’s corrupt. The eagle thinks of himself as high and mighty, but he lacks popular support, so he’s “in lonely lands” (Line 2). Like a tyrannical power, the eagle preys on his subjects or “wrinkled sea” (Line 4), and the eagle attacks like a vengeful god with a “thunderbolt” (Line 6). Conversely, the thunderbolt, the power of the people or a higher power, defeats the eagle.
At the same time, Tennyson’s bond with Queen Victoria and the English government put him on the side of the oppressor. John Batchelor writes, “Britain in the 1850s was the most powerful civilisation in the world” (395). England was the world’s foremost superpower. It was a global empire that ruled India, Jamaica, Australia, and large parts of Africa. The English played the role of the eagle, and the wrinkled sea was the world that England preyed on and dominated. England was like a god or “thunderbolt” (Line 6)—it could strike wherever it wanted. Michael Millgate identifies “too-strident patriotism and exaltation of war” (19) in Tennyson's poetry, and perhaps “The Eagle” exemplifies his pride in English hegemony.
The poem also relates to Tennyson’s proximity to death and demise. Arthur Hallam’s sudden passing keenly impacted Tennyson. Like the eagle, Hallam—or any person who feels like the world is at their fingertips—has lofty powers and aspirations. Yet people—like the eagle—are fallible. A miraculous “thunderbolt” (Line 6) can knock them from their perch and bring them down when least expected.
“The Eagle” demonstrates the influence that the Romantics had on Tennyson’s work. The Romantic movement started around the 1800s as a counter to the Enlightenment and its stress on human rationality and logic. The Romantics aimed to bring some mystery and awe back to humanity and life. They depicted humans as fundamentally mysterious and under the sway of untold influences. Like nature, people were unstable and undomesticated. Percy Bysshe Shelley’s lyric “Mutability” (1816) and Lord Byron’s epic Don Juan (1819) reflect the Romantic belief in tumult. Tennyson promotes the vulnerability of life through the eagle and its sudden plunge. The emphasis on nature further bonds the poem to Romanticism, as Tennyson's depiction of the eagle and his landscape is spellbinding.
The clear picture of the eagle also connects the poem to the Imagist movement in the early 1900s. The relationship is ironic, as Ezra Pound, the American poet behind the movement, mocked Tennyson’s sometimes formal and officious style in a series of “Alfred Venison” poems written in 1934. Yet “The Eagle” anticipates the Imagist’s belief that a poem's goal was to create a vivid picture through concise wording. Like Pound's “In a Station at the Metro” (1913) or Amy Lowell’s “Fenway Park” (1915), “The Eagle” is succinct and sharp; Tennyson produces a lucid illustration of the bird, his landscape, and his movements.
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By Alfred, Lord Tennyson