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53 pages 1 hour read

Germaine Greer

The Female Eunuch

Germaine GreerNonfiction | Book | Adult | Published in 1970

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Foreword-Part 1Chapter Summaries & Analyses

Part 1 Summary

Foreword Summary

Written in 1991, this Foreword to the 21st-anniversary edition is a short re-visitation of the work by Greer. She acknowledges that there are more opportunities for women to learn and determine their own identities in 1991 than there were in 1970, but she maintains the crux of her original argument: Women are not truly free because the systems of oppression that regulate them are largely still intact. Expansion of rights does not guarantee freedom if the system that grants the rights is based on inequality. Greer laments the falling of the Soviet Union and failure of communism because it indicates a triumph for capitalism—one of the primary systems of oppression that limits women through the exclusionary practices of privatization.

Introduction Summary

Greer begins the book by summarizing her main points and outlining its organization. She situates this book as a work of second-wave feminism, both to distance her beliefs from those of first-wave feminists and to highlight her radical feminist stance.

There are five main parts in this book: “Body,” “Soul,” “Love,” “Hate,” and “Revolution.” The work begins with “Body” to illuminate the depth of oppression that women face. The second part, “Soul,” defines “the dominant image of femininity which rules our culture and to which all women aspire” (18), a concept Greer calls the “Eternal Feminine.” “Love” illustrates how the false dichotomy of men versus women has led to the reduction of “heterosexual contact” into “sadomasochism.” “Hate” furthers the arguments of “Love” and illustrates the ramifications of a society that hates women and teaches women to hate themselves. Finally, “Revolution” ends the book as a call to action, elaborating on what it would take to reach and proliferate a revolution.

Part 1 Introduction

This section discusses the imposed regulation of women’s bodies through prescribed beauty standards and lack of or false education about the female body and its natural functions. Regulation of the female body reflects society’s hatred of women—both the hatred internalized by women and the externally imposed hatred to which they are subjected.

By employing various elements of female anatomy as examples, Greer argues that “the dogmatism of science expresses the status quo as the ineluctable result of law” and is, therefore, used to justify prejudices against women through official channels (16-17). This section explores reclamation of the female body through questioning the norms associated with femininity, and it examines the appropriation and exploitation of the female body as a sex object.

Part 1, Chapter 1 Summary: “Gender”

Sexism discriminates against women because of their gender, and such oppression is unsupported by scientific findings about the differences between the sexes. Though she does not defined them explicitly, Greer presents gender and sex as different aspects of the same notion: Gender is a performative, learned, socially mediated construct, and sex is a biological identification developed before birth. The dichotomization of men and women as the only two sexes that are necessarily in opposition is false; there is no scientific basis for this division, and the genetic difference between men and women is minute. The overarching argument is that society’s imposition and presupposition of heterosexuality as the only or “right” mode of sexual expression is unscientific and damaging.

Part 1, Chapter 2 Summary: “Bones”

Beauty standards (such as corsets or high heels) and the regulation of physical activity can permanently affect the shape and posture of bones. For example, beginning corseting at a young age can lead to the permanent reshaping of a woman’s ribcage if the practice continues throughout her life. Such modification of the skeleton illustrates that sexism permeates all aspects of a woman’s existence. There are many assumptions made regarding the skeleton that illustrate the pervasive nature of sexism and misogyny; for example, it is most often assumed that a skeleton of smaller stature is a woman’s, even though there are men and women of all statures. There are also falsehoods that persist regarding bone structure, such as the “extra rib” myth that stems from the story of Adam and Eve in the Bible (37).

Part 1, Chapter 3 Summary: “Curves”

An “attractive” female figure must have the curves deemed acceptable according to current societal standards. Beauty standards change over time and are contradictory, which indicates that they arbitrarily control women’s bodies rather than reflect ideas of morality. For example, bigger breasts are more beautiful than smaller ones, but only if “they show no signs of their function” or a woman’s age (39). Most women struggle to accept their natural shapes, and some go to great lengths to embody beauty standards or impose them on other women. Imposing arbitrary, conflicting beauty standards fundamentally limits the potential of women who feel they must alter their natural appearance to be beautiful because they expend energy on achieving beauty instead of other goals.

Part 1, Chapter 4 Summary: “Hair”

Another method of control exercised on the female body relates to hair, particularly the common practice of women removing nearly all their body hair except the hair on their head, eyebrows, and eyelashes. Not only is hairiness not linked to sex (men and women can both be naturally more or less hairy), but bodily hygiene—which should be the primary criterion that determines what makes a body desirable according to Greer—is unrelated to hair removal standards. She encourages women to ask themselves why they shave certain parts of their bodies and what this depilation might afford them. Expecting a hairless woman is one component of infantilization, especially the beauty standard of adult women shaving all or most of their pubic hair.

Part 1, Chapter 5 Summary: “Sex”

Greer makes two primary arguments concerning female sex organs and sexual intercourse: (1) Accurate knowledge of the female sex organs and sexual pleasure is inaccessible to women, and (2) Women are the objects of sexual pleasure, not the agents. Girls are taught not to explore their anatomy or sexuality because of the shame they are taught to feel about their bodies. This shame extends to medicine, wherein women often avoid seeking help for problems relating to their reproductive organs, and doctors are less likely to take such claims seriously when women make them. Discussions about sex most often portray women as the objects of male sexual pleasure, even when framed around a woman’s pleasure. Such discussions either hyper-focus on the clitoris as the sole source of sexual stimulation for a woman, acting as a “substitution of genitality for sexuality” (49), or they avoid mention of genitalia altogether, offering an unrealistic image of sex. Greer argues that even though women can enjoy sexual experiences in which they are the object of male desire, women cannot fulfill or understand their own desires if they have no agency.

Part 1, Chapter 6 Summary: “The Wicked Womb”

Girls are taught about the functions of their anatomy as they relate to reproduction, not in terms of their relation to sexual intercourse. Because this focus concerns the negative aspects of female sex organs, such as menstruation and the difficulties of childbirth, girls suppress sexual urges and are unaware of the pleasure that positive sexual experiences can offer. The uterus receives too much emphasis in discussions about female anatomy, and as a result women remain undereducated about other normal functions of their sex organs. This situation renders many women unable to identify problems with these parts of their body when they occur. Throughout history, diagnoses of “hysteria,” a pseudo-medical umbrella term that does not refer to any real illness or condition, have curtailed women’s access to appropriate physical and mental health resources. Reclaiming knowledge of all sex organs and gynecology would allow women to regain the necessary autonomy over their bodies to achieve sexual liberation.

Foreword-Part 1 Analysis

The first part of the novel, “Body,” provides readers with physical evidence to support Greer’s claim that girls are taught to hate their bodies from birth. Focusing on physical links to sexist practices renders the larger issue of women’s oppression more tangible: The suburban women who are Greer’s target audience can look at their own bodies to gain insight into the means and effects of the policing of the female body. A primary function of this book is to overtly raise undiscussed and taboo issues, so to begin the book with discussions about intimate bodily functions is to flout the social norms that radical second-wave feminism aims to question. This section grounds Greer’s feminist ideology in examples of the deficiencies of sociopolitical systems that oppress women, and because she explores some of the most prominent institutions that uphold oppression, she justifies her radical notions of dismantling these systems from the beginning of the text.

“Body” begins with “Gender,” a discussion of biological sex, which Greer understands to be different than gender. In modern feminist views, biological sex refers to the physiological components and processes that differentiate males and females (including chromosomes, reproductive organs, and secondary sexual characteristics), whereas gender refers to the performative notions of what it means to act and be interpreted by others as male or female according to social norms (including accepted ways of dress and grooming, conformity to gender roles, and typical types of relationships). Although Greer does not make the distinction between biological sex and gender explicit in her linguistic choices and often uses the word “sex” to refer to sexual intercourse and “gender” to refer to both biological sex and gender, the main argument is that gender is performative and sexist practices are not based on logical, scientific differences between men and women. To begin with this distinction is significant because this view subverts traditional concepts of gender and sex that conflate the two terms.

Greer argues that there is no empirical evidence that the cognitive functions of men and women are different. She emphasizes that the biological differences between the genetic makeup of men and women are minute, and as such, claims that women are physiologically inferior to men are unfounded. These arguments are important in illustrating that much of the justification for sexist practices that oppress women is based on unfounded claims. These types of claims have far-reaching effects for women and dictate a wide range of social norms that women are expected to follow. These unfounded differences between men and women are weaponized by consumerist society to further ensnare women in cyclical self-hatred: Social norms dictate that a woman should feel ashamed by menstruating, and consumerism advertises many products to women as a solution to shame when there is no intrinsic problem with menstruating from a scientific perspective. Women feel ashamed of their bodies’ natural processes because society teaches that these processes are substantiations of their inferiority to men.

A primary topic of discussion in “Body” is that sexist society polices women’s bodies—a form of control exercised to further instill the (self-)hatred of the female body. In “Bones,” Greer utilizes the skeleton’s rigidity as a metaphor for the extent to which female bodies are policed: Without the flesh, muscle, and organs, the bones beneath are unmarked by biological sex. Judgments on how a woman should look extend to the bones, and the many ways these components are regulated (through corsets, other shapewear, and high heels, for example) indicate that sexism penetrates even the most invisible physiological structures.

In “Curves” and “Hair,” the progression of this argument continues to examine how policing of the female body affects self-perception and beauty standards. To control every aspect of a woman’s body, beauty standards have become so unattainable that most women cannot feel satisfied with their natural appearance. These chapters question why societal norms consider certain appearances to be beautiful, and further, they illustrate that the distinctions between which features are beautiful are entirely arbitrary. To focus on specific manifestations of beauty standards—like which breast size or shape is the most desirable in an era, for example—is to neglect the larger issue: Beauty standards make women feel inferior over arbitrary physical attributes that indicate neither an intrinsic level of femininity nor overall health. Part of liberating women from the control of beauty standards is for women to stop upholding these standards.

The final two chapters of “Body” argue that because women are sexual objects in Euro-American societies, they are stripped of their agency. Sexual liberation can allow for the reclamation of agency because to reclaim sex as a positive experience for women is to subvert the current norms that uphold sexual repression. Women repress their own access to sexual pleasure because inadequate education and the forbidden nature of discussing female sex organs obscures all aspects of female sexuality. Part of this obscurity is overt: Girls are not taught about their anatomy in the way that boys are, and what they are taught is conducted through a lens of shame and secrecy. Another part of this obscurity is covert: Keeping knowledge of the female anatomy from women establishes a subconscious sense of shame toward these parts of their body.

Greer uses menstruation and masturbation as examples to begin the process of reclaiming the female body by educating readers and demystifying these processes. By openly discussing these aspects of the female experience, the work becomes subversive and is relatable to women readers because they experience these functions firsthand. In engaging with readers to encourage them to use their own experiences as further evidence to the arguments made by Greer, she builds a sense of community. This tactic of uniting women is indicative of radical second-wave feminism because the end goal of dismantling sociopolitical structures necessitates a widespread uptake of efforts made to accomplish this goal.

The female body is an object upon which outside forces—men, capitalist consumerism, sociopolitical structures—can act. This dynamic leads to social acceptance of regulating the female body, which is a primary way that women become what Greer terms “eunuchs” or “castrates.” Women are not physically castrated, but rather psychologically castrated because they cannot access their own sexualities. The many forms of policing of women’s bodies are indicative of this objectification, and women can only overcome such objectification if they reject these social norms and beauty standards with the intention of subverting the larger systems that proliferate discrimination.

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By Germaine Greer