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Jane takes advantage of Edward going away to work on the new “eco-town” in Cornwall (175), to continue her investigation into Emma’s death. Before Edward leaves, he cautions her that “Housekeeper is showing that you’ve been looking for information about Emma Matthews” (176). He asks Jane to promise to stop looking into it, and Jane agrees. Jane tries to “resist” the “mystery” (179) but decides instead to find Simon, who is the one person who can tell her more about Emma.
As Jane continues to try to get in touch with Simon, she speaks with the real estate agent, Mark, who leased One Folgate Street to Emma and Simon. Mark informs Jane that “the police asked [Mark] if [he’d] ever seen any evidence [Simon] could be violent toward” Emma (189). Later that day, Jane meets with Simon for coffee, and he talks about his relationship with Emma, including that he “worshipped the ground [she] walked on” (190). Then Simon explains that “a week before she died, she told me she’d made a terrible mistake […] [Edward] couldn’t stand her having any thoughts or independence of her own” (191). While Jane feels conflicted about this new information that seems to go against her impressions of Edward, she also feels “a wave of sympathy for Simon” (192) and understands how difficult it would have been for Simon to move on. At the end of the chapter, Jane realizes that she has a few symptoms that were present “the last time [she] was pregnant” (194).
In Chapter 8, Emma looks up Edward’s wife, Elizabeth. She notices that “his wife looked a bit like [her]” (177) and describes her own realization that “the kind of men [she’s] really drawn to are men like Edward. Alpha men” (177). Emma starts thinking about cutting her hair in the same style as Elizabeth, a short “French, boyish look” (177) and imagines provoking an angry reaction in Edward. As Emma looks at her neck and hair in the mirror, her coworker, Amanda, comes in. Amanda’s husband, Saul, has been cheating on her, and has “been going to clubs with Simon” (178).
After Edward leaves for a trip, Emma continues digging into his marriage. Emma finds the fourth original partner in Edward’s architecture firm, Tom Ellis, and interviews him about Edward. Tom Ellis tells her about the suspicious circumstances of the deaths of Edward’s wife and son, and says that after, Edward “turned into a monster” (185). Emma defends Edward, and at the end of the conversation, Tom says to her, “Even when I tell you he killed his own wife and child, you aren’t disgusted. It’s almost like it excites you” (188).
In the opening of Chapter 9, Emma tells Carol about “thinking about being overpowered” (198) and talks about the positive feelings about her new relationship with Edward. Carol asks “whether these are healthy choices” (198). Emma leaves after asking Carol, “if I told you [about a crime] would you have to tell the police?” (199).
After two weeks of waiting for Edward to return to One Folgate Street, Emma sends him “a selfie” (202) of her new tattoo, which she knows Edward will hate. He immediately responds that he’s “coming back to London. Angry” (202). When he returns, he says, “you deserve every bit of what you’re about to get” (203) and they have rough sex. That night, Emma gives him a letter “to explain [herself]” (203) and tells him to read it later.
Later that week, DI Clarke calls Emma back to the station. A Specialist Prosecutor, Patricia Shapton, and the Chief Superintendent, Peter Robertson, sit in the meeting with her. The prosecutor explains that they have received evidence that proves that Deon Nelson did not commit any act of sexual violence against Emma. In fact, the recording on Emma’s phone is of “a recent sexual relationship” (208) with Saul Aksoy, who is Emma’s coworker and Simon’s friend. Emma feels like her “whole world implodes” (208).
Emma cries to her lawyer as she tries to work through the implications of what has happened, including Deon Nelson’s release and the new charges against her for “attempting to pervert the course of justice and wasting police time” (210). The lawyer explains that she could possibly “reduce the sentence” (212) if she was “frightened of telling Simon” (212). She makes a statement that Simon has been violent towards her. Emma explains how she is able to make men think she is “fragile when actually [she’s] a person of iron determination” (219).
Emma doesn’t know what to do next; as she cleans the house, she finds a kitten, and walks around the neighborhood to return it. She meets a neighbor named Maggie Evans. Later that day, Emma files a complaint with the HR department against Saul Aksoy. At the closing of the chapter, Emma watches a teenager throw paint on One Folgate Street, damaging the stone exterior.
Jane gets a blood test and confirms that she is pregnant. She questions whether or not she should keep the baby, and decides that she will, but isn’t sure how to tell Edward. Jane goes to her first maternity appointment with Dr. Gifford and gets medical advice. When she gets home, she keeps thinking about “what really happened to Emma” and feels that it is now “more urgent” (206) because of her pregnancy.
Jane meets with DI Clarke at a bar and interviews him about Emma. He explains the difficulties of Emma’s case: “Young woman alleges rape, then admits lying but claims her boyfriend’s a Jekyll and Hyde character who’s violent toward her. Soon after, she’s found dead” (215). When Jane asks DI Clarke how he thinks Emma died, he says it might have been Deon Nelson. Towards the end of the conversation, he also brings up Saul Aksoy, who made the statement about Emma having a sexual relationship with him. DI Clarke also tells Jane that all of the data had been wiped from One Folgate Street from the night of Emma’s murder.
At the end of Chapter 9, Jane meets with Saul Aksoy, who is “pushy and brash and loud” (224). Saul talks about his relationship with Emma, and says “we had sex a couple of times, that’s all” and that Emma “definitely liked the fact that we were doing it behind Simon’s back” (225). During the conversation, Jane feels her “skin crawl” (225) and leaves shortly after.
Emma’s web of lies finally catches up to her in this section of the novel. Up until this point, Emma can be seen as a victim, but now it’s clear she is an impulsive, manipulative person who has been hiding her true self from those around her. The two chapter titles in this section seem to be connected to this shift in perception; where before Emma is positioned to be the kind of person who would rank positively on these scales—the kind of person who “tries to do things well even when others are not around”—it is now clear that she is precisely the opposite. Emma has successfully misled all of the people in her life, including her therapist, and uses peoples’ impression that she is “fragile” (219) to get out of conflicts. Emma’s hypersexual behavior, originally proposed by Carol as connected to her trauma, is now revealed as a core part of who she is and how she operates.
Early on in the novel, Jane references One Folgate Street as a potential site of a “rebirth” (36), which now seems to have foreshadowed her actual second pregnancy. One of the central underlying currents of The Girl Before is Jane’s traumatic stillbirth and subsequent experience of grief. Jane’s narrative departs sharply from Emma’s in this section as it is revealed that somehow Jane is different from the other women who have had relationships with Edward. Rather than provoking him, Jane is “careful” (190) and sets her own boundaries. Her ability to set her own rules around her relationship with Edward poise her to get the most out of the experience of living at One Folgate Street. If Emma is the person who will fail the Housekeeper assessments, Jane seems to be the person who will pass, earning her the rebirth she originally hoped for.
The various male characters in the novel have different ways of expressing masculinity. This emerges most clearly through Jane and Emma’s interviews with different men. Edward is controlling but easily provoked into sexually violent (though respectful) behavior. Simon is emotional, obsessive, and “feeble” (78), according to Emma. When Jane meets Saul Aksoy, she describes him as “an aging lothario” (226). The different ways masculinity is enacted can be seen as a commentary on the ways that a patriarchal society confines men to rigid gender roles. None of the men in the novel have a completely healthy relationship to their own self-image or to other people and seem to struggle with expressing their emotions appropriately. This also leads to all of the violent encounters that women have in the book, from Jane’s stillbirth at the hands of her doctor to Emma’s attack during the robbery to Emma’s death at One Folgate Street.
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