47 pages • 1 hour read
Emma ClineA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes references to sexual abuse and coercion.
The Girls explores the perils teenage girls face. The novel is told through the point of view of Evie, a middle-aged woman who looks back on her adolescence to analyze the crises of teenage infatuation, impulsivity, and identity.
As a teenager, Evie is typical in her lack of self-awareness. She is old enough to analyze and emulate adult behavior, but she is inexperienced and lacks autonomy. Like most teenagers, Evie is bored of her suburban life and feels ashamed of her averageness. She has internalized society’s messages that she needs to be pretty and pleasant for boys, that she isn’t anyone until a boy notices her. She says, “All that time I had spent readying myself, the articles that taught me life was really just a waiting room until someone noticed you—the boys had spent that time becoming themselves” (28). Being taught, either directly or indirectly, that identity is formed by attention from other people is a peril many teenage girls still face; Evie notes that boys don’t have to be secretive or manipulative; they can be themselves, and society accepts certain behaviors from them. Evie doesn’t know what kind of girl or woman she wants to become, so her adolescence is heralded by an identity crisis.
Because of this vacuum of identity, Evie attaches herself to women she finds invigorating, sexy, interesting, and different. Despite the obvious signs that all is not well with Suzanne and her lifestyle, Suzanne’s eccentric and wild aesthetic attracts Evie. Suzanne exudes confidence, which Evie lacks. Evie becomes entranced by Suzanne because she desires the quality of easy confidence and a lack of concern for societal norms. In Suzanne, Evie sees personality and identity. What’s more, Evie is lonely because she is struggling with her parents’ divorce and a boredom with her school friends. Suzanne’s lifestyle, in which all types of people live and work together on a ranch, impresses Evie. Suzanne lives in radical ways, and through this lifestyle, Evie finds a way to be.
But because Evie is a teenage girl, she is vulnerable to danger because others can see how lost she is. Without a strong sense of self, she is susceptible to falling into damaging relationships. Suzanne immediately places Evie in danger by bringing her to the ranch. Suzanne can sense Evie’s desire to be a part of her world, and she takes advantage of Evie’s loneliness. Russell also preys on young girls who don’t have a structured sense of self. He uses sexuality to coerce Evie and other young girls into being a part of his following. He has a charm and ability to sense what a young and broken girl wants or needs, and he gives it to them through the appearance of focused attention and manipulates Evie into sexual acts. That Evie steals from her mother, breaks into other people’s homes, and commits herself to the lifestyle of the ranch demonstrates how much she wants to be accepted. But Evie wants to be accepted for someone she isn’t; she isn’t authentically like Suzanne even though she can see parallels between them. The perils teenage girls face drive Evie to Suzanne and to Russell because she believes her life of stability is boring and that attention from others defines her. She doesn’t yet realize that her life of stability is a gift and that it will take years for her to figure out who she truly is.
Identity is at the core of The Girls; nearly everyone is testing identities to discover what fits. Suzanne, Tamar, and Evie literally try on identities through wearing other people’s clothes or makeup. The process of establishing an identity within themselves that isn’t shaped by others’ perception or attention is a common thread for the young women of The Girls.
This experience of establishing identity is also reflected in Sasha, whom Evie meets when Evie is an adult and Sasha is a teenager. Sasha, like Evie once was, is self-conscious, lost, and looking for purpose. Sasha finds her purpose in Julian just as Evie once found her purpose in Suzanne. Like Suzanne, Julian is unkind and abusive. Sasha refuses to acknowledge Julian’s behavior because, like Evie, she substitutes sex for love and craves his attention. Teenagers have a heightened sense of emotion because of their brain development; they experience emotions in extreme ways. There is an irrationality to the teenage experience that is exacerbated in some teenage girls because of the social pressures they experience, and Sasha demonstrates this irrationality by accepting Julian’s behavior and rejecting Evie’s help.
The Girls explores how manipulation and power dynamics are used and abused. Russell is a cult leader whose followers worship him. This worship makes him appear God-like, and this hubris, while the downfall of the cult, is nonetheless the thing that keeps the cult together.
Russell is a master manipulator. He craves fame and adoration and knows how to build a following that centers him as god-like. Russell’s talent is that he can read people to understand what their anxieties are and then take advantage of that insecurity. Russell preys on young girls who are vulnerable due to identity crises and social pressures; Russell can make them feel special and seen. He uses sexuality and idealistic narratives to sell his vision of the world to young girls, thus enrapturing them with another way of being. But Russell doesn’t really live the way he preaches because his ultimate motivation is his own narcissism. Because he specifically preys on young girls with little life experience, they don’t know how to see Russell for who he truly is. Evie is a good example; while she is less entranced by Russell than she is with Suzanne, she sees Russell as inherently good. She engages in sexual acts with him because she believes it is an honor to be chosen by Russell. She doesn’t recognize, or willfully ignores, that Russell is a sexual predator and a liar. A pivotal moment in which Evie discovers his manipulation of power dynamics is when she finally notices that his aesthetic of hippie wildness is a façade; he draws his scruff on his face with makeup, a small betrayal that is symbolic of Russell’s external mask.
Russell has such profound control over his followers that he is able to make them do immoral and illegal things on his behalf. When he wants Mitch’s friendship, he sends Evie and Suzanne to have sex with Mitch. When he needs money, Guy and the other girls go out to steal credit cards and money. Russell doesn’t get his hands too dirty; in court for the murders at Mitch’s house, he laughs out loud because he didn’t commit the murders himself. Ultimately, Russell is held accountable for the murders because his cruelty and his cult leadership directly motivates the crimes of his followers. Russell is disingenuous, dishonest, and inauthentic. But his manipulative tactics and his understanding of power dynamics keep him in a position of power and influence.
Suzanne adapts Russell’s strategies of power manipulation. Suzanne, like Russell, can sense in Evie a lost sense of self. Suzanne brings Evie into the group because she knows that Evie’s adoration of her can be useful to Russell. Suzanne uses Evie to grow closer to Russell; in bringing in Evie and Evie’s access to money, Suzanne provides Russell with another follower. Suzanne doesn’t care for Evie in the ways Evie cares for her. Evie adores Suzanne and feels sexual desire for her that is confused by Evie’s desire to be her. Suzanne knows this, and though she doesn’t reciprocate Evie’s feelings, she convinces Evie that she does. Suzanne cares about nothing and no one other than Russell Because Evie is just a means to an end for Suzanne, Suzanne puts Evie in dangerous and vulnerable situations. At Mitch’s house, Suzanne has sex with Evie, which means a lot to Evie, but Suzanne sees it as a show of foreplay for Mitch. Evie has sex with Mitch even though she doesn’t want to because that’s what Suzanne is doing. Evie takes her cues from Suzanne and therefore does things she doesn’t want to do. Suzanne doesn’t really care that Evie is disgusted by what happened sexually with Mitch. Suzanne doesn’t care about Evie’s feelings or safety. She uses her sexual power and confidence to enrapture and use Evie.
Social disillusionment is a term that captures America in the 1960s. External conflicts such as the Vietnam War, capitalism, and social norms made young Americans weary of tidy American culture. The 1960s were a time of counterculture in which young Americans created new ways of being and thinking that were antithetical to the neatness of their parents’ lifestyles.
Cline explores the counterculture in The Girls. Evie is disillusioned by her life not only because she is a teenager but also because she is disillusioned by the promises her parents have made her in the context of a society in flux. Evie is bored by the neatness of her suburban life. She doesn’t see the security of this life as valuable, especially because her parents’ divorce upended her sense of normalcy. Her parents’ divorce alters how Evie sees marriage and family. Her age and lack of autonomy exacerbate her belief that her mother is trying to control her. Therefore, when Evie arrives at the ranch, she is immediately attracted by its free-love philosophy. Russell preaches that people only belong to themselves. Nico, a child who lives on the ranch, is barely supervised because, according to Russell’s radical narratives, Nico doesn’t belong to his mother. Evie likes the idea of not being under the control of a parent; this way of life is different and antithetical to the way she has been raised.
Drugs also play a role in escaping social norms. To escape the pressures of being a part of the world, Evie joins the others on the ranch in consuming drugs to ease into sex and altered states of mind. She willingly plays with her psyche because exploring new parts of herself is a way of escaping societal boundaries. Another way of expressing social disillusionment is the way Russell’s followers dress. They have a wild, untamed, and unwashed aesthetic. This look is one of the first things Evie notices about Suzanne. When she first sees Suzanne, Suzanne is bearing her breast in public and looks messy and wild, yet Suzanne exudes a confidence that no one else around Evie has. This leads Evie to believe that following social norms leads to anxiety whereas rejecting social norms leads to freedom of expression, thought, and feeling.
Those who don’t experience social disillusionment are able to see Russell and his followers for what they are. For example, Tim recognizes that the ranch is a sight of extreme poverty, and that Suzanne and other girls are unkind. Evie’s mother warns her against the ranch because Russell and his followers stick out in public and exude danger and rebellion. For Evie, these interpretations of the ranch are even more reason to lean into the ranch. She likes the ranch because the people it homes don’t care about the things that Evie’s parents or schoolmates care about. But Evie’s social disillusionment gets her into trouble. She takes her social disillusionment too far because, without being aware she’s doing it, she exchanges one system of oppression for another.
The murders of Christopher, Linda, Gwen, and Scotty shock the nation. The murders become front-page news and captivate the nation’s attention because home invasions and mass murders were antithetical to the suburban lifestyle and sense of safety it allowed. After the murders, Californians in the suburbs started locking their doors, which is a normal practice now but back then was seen as unnecessary. Because of Russell’s followers’ aesthetic, their hippie appearance makes Americans lean even more into the conflict between culture and counterculture. Russell and his followers detract from other hippie movements at the time. Their ritualistic murders look demonic, which threatens American’s strict sense of piety. Everything Russell stands threatens how Americans saw themselves and their neighbors. Thus, social disillusionment becomes both a motivation for change and a fear of change.
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