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52 pages 1 hour read

A. R. Torre

The Good Lie

A. R. TorreFiction | Novel | Adult | Published in 2021

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Symbols & Motifs

Puzzles

Because The Good Lie is a commercial crime thriller, mystery is its primary focus, and a common symbol of a mystery is the puzzle. Mysteries are often referred to as puzzles with missing pieces. In The Good Lie, puzzles appear as a frequent motif, both literally and figuratively. In Chapter 10, Gwen is solving a puzzle in her home; she studies it while contemplating John’s death and musing on her failure to perceive the signs that John would likely kill his wife. Gwen makes frequent metaphorical references to puzzles, and the Bloody Heart Killer case is repeatedly portrayed as a puzzle with missing pieces, something that Gwen is struggling to solve. Robert’s ability to solve the mystery quickly symbolizes his relationship to the case; he is constantly one step ahead of Gwen and understands more of the case’s “puzzle” than she does. When Gwen finds out that John was the Blood Heart Killer and realizes her indirect culpability in Gabe’s death, she describes this moment in puzzle-related terms as well, saying that “dread suddenly settled in as a half dozen pieces clicked into place” (214). Gwen realizes that much like a jigsaw puzzle, the pieces have been present all along; she simply fails to put them together.

Alcohol

Throughout The Good Lie, characters make frequent references to alcohol, and Gwen and Robert indulge in a drink together at several points. After John’s funeral, Gwen and Robert have their first meeting in a dive bar nearby, drinking beers and connecting over their shared feelings. During this scene, Gwen cites something that her father used to say: “With this glass, rich and deep, we cradle all our sorrows to sleep” (25). Thus, alcohol plays into the theme of Coping With Guilt and Grief, and both Gwen and Rob are open about their use of alcohol as a distraction from their negative or painful feelings. Beyond the professional boundaries of their offices, Gwen and Rob often meet over drinks; their first and last meetings in the novel are in bars, and this repeated setting lends a sense of symmetry to the story and shows that they are dealing with their respective sorrows in similar ways. For Gwen, drinking away her sorrows is a form of intentional self-punishment, for when Rob offers her a B6 vitamin to combat the inevitable hangover, she refuses it and deals with the pain instead.

For Gwen and Rob, the presence of alcohol also signals a transition from the realm of the professional to the realm of the personal. When they meet in their offices, their interactions are largely platonic, but when they meet in their homes, wine or beer is nearly always present, signaling a more relaxed atmosphere that leads to greater intimacies. As they share a toast at the end of the novel, this moment hints at their future; Gwen is taking on Robert as a client, but it is clear that the professional boundaries between them are fragile at best and nonexistent at worst. Before this meeting, Gwen downplays Robert’s request as “[a] drink. It sounded so simple, so innocent” (240). The statement is ironic because drinks have been anything but simple or innocent throughout the novel, and the presence of alcohol always symbolizes a dissolution of professional boundaries and inflames the romantic chemistry between them.

Lying

The Good Lie centers around one lie in particular—that is, Scott and Brooke’s endeavor to frame Randall Thompson as the Bloody Heart Killer despite his innocence. This is the trigger for the story’s conflict as well as for Gwen and Robert’s involvement in the case. As a mystery/crime thriller novel, The Good Lie features characters who conceal their true thoughts and intentions, and these lies are justified for several different reasons: self-preservation, maintaining privacy, and the pursuit of justice. Additionally, the very title of the book is designed to imply a sense of moral ambiguity, for just as Brooke and Scott’s lie about Randall’s involvement in the killings is meant to serve as revenge for Randall’s long-ago rape of Brooke, Gwen’s lie that John died by suicide is meant to protect Robert, who killed John in retribution for the fact that John killed Robert’s son, Gabe. Thus, the narrative implies that some lies are “good” lies because in addition to being told skillfully, they are told for morally complex reasons.

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By A. R. Torre