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46 pages 1 hour read

Edward P. Jones

The Known World

Edward P. JonesFiction | Novel | Adult | Published in 2003

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Chapters 1-3Chapter Summaries & Analyses

Chapter 1 Summary: “Liaison. The Warmth of Family. Stormy Weather.”

On a July night in 1855, Henry Townsend, an African American slaveowner, dies at the age of 31. At the time of his death he owned 33 slaves and over 55 acres of land. In Manchester County, Virginia, he was not the only African American to own slaves; there are 34 free black families, and eight of those families own slaves. Although the book begins on the night of Henry’s death, the chapter moves backward and forward in time to both provide background and reveal the future of the many characters, white and black, free and enslaved. 

Henry’s wife, Caldonia, is African American and was born free. She received an education from Fern Elston, who had a small academy for free black children whose parents could afford to employ a teacher. Caldonia and Fern have remained friends, and Fern is with Caldonia at Henry’s deathbed. 

After recounting Henry’s death, the book provides background on his childhood. Henry’s father, Augustus, was born a slave and bought his own freedom at age 22 from money he earned as a carpenter since his master, William Robbins, allowed him to keep some of the profits from his sales. Three years later, Augustus bought the freedom of his wife, Mildred. 

It took Augustus longer to buy the freedom of his son, Henry, who was only nine when Augustus bought Mildred’s freedom. Augustus and Mildred visit their son on Sundays, Henry’s day off, bringing him food, but Henry sometimes fails to show up to see his parents. Henry finds a way to get a job working as a groom for William Robbins. He proves himself to be a loyal and dependable worker, especially when William suffers seizures after visiting his black mistress and their children. William’s black family lives in a two-story home not far from the plantation where his white wife and daughter live. “There was no one else in the county who could have gotten away with putting a Negro and her two children in a house on the same block with white people” (23).

The reader also learns about some of the slaves on the plantation. Moses is the overseer and he has a wife, Priscilla, and a son. He lives next door to Elias, who has a crippled wife, Celeste, and three children. Elias loves his children and takes great pleasure in carving a doll for his daughter. Moses chastises him for working on the doll and not going to bed early so he will be well-rested for the next day’s work.

Chapter 2 Summary: “The Wedding Present. Dinner First, Then Breakfast. Prayers Before an Offering.”

Chapter 2 focuses on John Skiffington and how he became sheriff of Manchester, Virginia. John used to live in North Carolina on a plantation where his father was the overseer. But when John’s mother died, his father had a dream: “God told him he did not want him and his son having dominion over slaves, and two days later the man and his son left North Carolina, carrying the dead woman in a pine box in a wagon the cousin bestowed on them” (30). They move to Virginia, where John eventually gets a job as the sheriff’s deputy. The sheriff at the time is Gilly Patterson. John meets Patterson’s niece, Winifred Patterson, who is visiting from Philadelphia, and they eventually get married. 

At John and Winifred’s wedding, John’s cousin from North Carolina, Counsel Skiffington, and his wife, Belle, give John and Winifred a nine-year-old slave girl as a wedding present. As they present their “gift,” there are different reactions from the wedding guests. “All the people from Philadelphia were quiet, along with John Skiffington and his father, and the people from Virginia, especially those who knew the cost of good slave flesh, smiled” (31-32). In the morning, Winifred and John discuss what to do about the slave girl, Minerva. They do not want to own a slave, but they see no other option. They fear selling Minerva could put her life in greater danger, depending on what kind of person the new owner is. When John leaves for work, Winifred weeps, and Minerva comes to her room and comforts her. 

Manchester landowners, led by William Robbins, begin to complain to Sheriff Patterson about slaves who have been escaping, accusing the sheriff of doing little to deal with the problem. The sheriff promises them that he and John can control the situation. “My job is to protect everybody, to make sure everybody can sleep right every night in a peaceful way, and if that ain’t happenin, then I’ll make it happen” (39). But by 1843, the number of escaping slaves has increased. The slave Rita is among them. Rita cared for Henry as a second mother while Henry was still enslaved and his parents were free. She begs for help from Augustus and Mildred, who reluctantly help. They know how dangerous it is to help a slave escape, and they put their freedom and lives in danger to help her. They box her up in a crate with the walking sticks that Augustus is shipping to New York, and 41 hours later, she is in New York.

Following Rita’s disappearance from William’s plantation, the landowners have little confidence in Sheriff Patterson’s ability to handle the runaway slave situation, and he resigns. John becomes sheriff. He immediately sets up 12 slave patrollers to reassure the slaveowners. The slave patrollers are poor whites except for one, who is Cherokee. Because of his job as sheriff, John realizes he must uphold the institution of slavery, but he does not feel that he has compromised his values because “even God himself had sanctioned [the institution of slavery] throughout the Bible” (43).  

Chapter 3 Summary: “A Death in the Family. Where God Stands. Ten Thousand Combs.”

The story returns to the present with the consequences of Henry’s death. Loretta, one of Henry’s house slaves, tells Moses, the overseer, that Henry has died. As word spreads to the rest of the slaves, there is fear and anxiety over what will happen to the slaves in the wake of Henry’s death. When the master od a nearby plantation died, the master’s wife, who had promised the slaves that nothing would change, ended up selling all of them; none of the slaves, even family members, were able to stay together. Loretta tells Moses to make sure there is no trouble with the slaves before Henry’s funeral. They worry about the slave Stamford, who might cause trouble. He was once told that he would “die a horrible death in slavery” if he didn’t have a young woman with him (57). Stamford is determined to pursue a young woman named Gloria, even though she no longer wants to be with him. 

Moses gathers all the slaves, and Caldonia comes out to speak to them. She tells the slaves not to worry because everything will stay as it was when Henry was alive. When Henry’s father, Augustus, hears Caldonia’s words, he realizes she will not free the slaves as he had hoped she might. 

William Robbins arrives with his black son, Louis, and his black daughter, Dora, to pay his respects. As he enters the house, he suffers a seizure and becomes confused, but then he remembers why he is at Henry’s house: because “a man he had cared about was dead. Henry, good Henry, was dead” (65). Calvin, Caldonia’s twin brother, and Maude, Caldonia’s mother, also arrive. Calvin believes that his mother poisoned his father because the father had considered freeing their slaves and she wanted to prevent him from doing so. Maude urges Caldonia to preserve her “legacy,” meaning her slaves and her land (74). Calvin, Louis, Augustus, Moses, Elias, and Stamford all help to dig Henry’s grave in the cemetery, which is next to the slave cemetery. Few are buried in the slave cemetery since Henry did not own slaves for very long. One of those buried there was 12-year-old Luke, “a gangly boy of a sweet nature, dead of hard work on a farm to which he had been rented for $2 a week” (71).

The second half of the chapter focuses on Elias. When Elias first arrived at Henry’s plantation in 1847, he immediately wanted to escape. He finally did escape but, because of a previous illness, he was unable to get far. William Robbins was able to capture him, bringing him back to Henry. Henry is angry, repeatedly asking Elias, “What I’m gonna do with you? What in the hell I’m gonna do with you? If you want a hard life, I will oblige” (84). Henry has Elias chained in the barn, where Luke, the slave boy mentioned earlier, brings him water and food. Henry hires Oden Peoples to cut off part of Elias’s ear in punishment. 

Elias gradually takes an interest in Celeste, a crippled woman who saw him staring at her once. She becomes resentful, assuming Elias was staring at her in mockery, and begins to treat him with scorn. He finally confronts her about her harsh treatment of him: “Why you all the time treatin me bad when all I wanna do is treat you good?” (99). His admission shocks her, and she soon becomes receptive when he brings her a gift he made, a poorly carved comb, which causes her to cry. Elias loses his desire to escape the plantation and instead asks Henry for permission to marry Celeste. Henry realizes “what was happening was better than chains. He had them together, bound one strong man to a woman with a twisted leg, and there was not a chain in sight. He could not wait to tell William Robbins” (102). After Elias and Celeste marry, they bring Luke to live with them. However, Luke dies when he is rented out to another field during harvest and worked to death.

Chapters 1-3 Analysis

Irony and understatement abound in this novel, which explores the master-slave relationship in the antebellum South from the point of view of an African American master and his slaves. This viewpoint is disorienting for Moses at first. “It took Moses more than two weeks to come to understand that someone wasn’t fiddling with him and that indeed a black man, two shades darker than himself, owned him and any shadow he made” (8-9). The narrator’s use of understatement when discussing Henry’s transition from being a slave, ripped from the arms of his mother, to becoming a slaveowner with the power to do the same to others shows the insidious power of slavery. While Augustus and Mildred leave the plantation as far behind them as possible (their last name, “Townsend,” derives from where they live at the “town’s end”), even this distance is not enough to keep their family safe from slavery. Henry’s close relationship with his master, William Robbins, becomes like a father-son relationship. This is deeply ironic because, as Henry’s value as a trusted worker grows in William’s eyes, so does the cost of purchasing Henry; Henry thus remains separated from his actual father until Augustus is able to raise even more money to buy his son’s freedom.

While it might be easy to use the idea of black slaveowners to suggest that blacks were just as worthy of blame as whites when it came to owning slaves, Jones’s rich characterization for each of his characters prevents the reader from making too easy a generalization. While Henry and Caldonia seem to have internalized many of the values of the antebellum slaveholding society, their unique position as both black and powerful provides a very different perspective on slavery. While Caldonia has been free all her life, Henry was born a slave. When he eventually becomes a slaveowner, he at first expresses a desire to be a different kind of master, a benevolent master: 

Henry had always said that he wanted to be a better master than any white man he had ever known. He did not understand that the kind of world he wanted to create was doomed before he had even spoke the first syllable of the word master (64). 

This announcement of Henry’s doom is a rare commentary on the unusual but central contradiction of Henry’s life. 

The understated ease with which the narrator describes brutal events demonstrates the irony that, although Henry hopes to be a more benevolent master than the white slaveowners, in the end he must learn to enforce the line between slave and master, strictly defending his role as master. Henry hires someone to cut off Elias’s ear when Elias runs away, and he hires out his 12-year-old slave Luke to a neighbor, resulting in Luke’s death from overwork. The narrator’s understated description of these events highlights their very normalcy in Henry’s eyes. There is nothing surprising about the severed ear or the dead 12-year-old on a slave plantation, even if the plantation is run by a former slave.

The disorienting fact of black slaveowners, and their seeming similarity to white slaveowners, points to the theme the system of slavery was both powerful and toxic, able to transform Henry the slave into Henry the slaveowner, unable to stop amassing more until he dies at the young age of 31 with 33 slaves and 50 acres. Once Henry dies, his spirit is led into the “tiniest of houses,” which leaves him disappointed (10-11). None of his great wealth accompanies him as death takes him. 

Similarly, the white sheriff John Skiffington is always mindful of following God’s law and doing the right thing. He knows it is wrong to own slaves, but he does not see the irony of his job, in which he must hunt slaves and return them to bondage. Despite the deep anti-slavery views he shares with his father and his wife, John accepts a nine-year-old slave as a wedding gift. Ironically, the narrator refers to the slave girl simply as “the wedding gift,” showing how quickly the narrative has absorbed the fact of owning a nine-year-old girl. “Three rooms away, the wedding present, Minerva, heard her master leave and she came silently out of her room and studied the bare window nearest her and the hall and all the doors along the hall” (35). John’s job creates a constant contradiction for him as he must enforce slavery despite his supposed dislike for the institution. In fact, he relies on the Bible to support his beliefs. He trusts that God approves of his work since the Bible sanctions slavery; as such, he feels safe that he is following the letter of both man’s law and God’s law, while at the same time he knows there is something wrong about owning another person.

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