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55 pages 1 hour read

Fiona Davis

The Magnolia Palace

Fiona DavisFiction | Novel | Adult | Published in 2022

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Chapters 14-18Chapter Summaries & Analyses

Chapter 14 Summary

Veronica wants to tell Joshua about the diamond in her pocket, but she resists. He shows her the sculpture above the mansion’s door and tells her about Angelica. No one knows what became of her—Joshua reports that she disappeared after she became involved in a murder but that she had posed for sculptures that are still all over the city. Joshua then talks about Mr. Frick’s darker history that has been glossed over by the art world. He was known as a union-buster and was responsible for the incidents surrounding the Homestead Steel Strike when he hired 300 Pinkerton officers to attack the strikers, resulting in a riot. During the strike, worker Alexander Berkman broke into Frick’s office and shot and stabbed him to support the workers’ cause. Frick survived.

Frick also bears responsibility, along with his fellow South Fork Fishing and Hunting Club members, for the Johnstown Flood in 1889. As a result of the club’s neglect of a dam north of Johnstown, the town was flooded, and over 2,200 people died.

After they eat, Joshua says Veronica can sleep in Mrs. Frick’s bedroom while he stays downstairs. Veronica, however, is not ready to be alone. She tells Joshua about her twin, Polly, and how losing the modeling job will affect her plans. He tells her in return about his dream of discovering untrained artists, like Joshua Johnson, his namesake.

The next morning, the snowstorm is over. In a few hours, the security guard will come. Veronica decides to tell Joshua about the diamond, thinking that they can split the proceeds and he can go to graduate school. Just as she is about to tell him, however, they hear noises downstairs and go to investigate. A woman in black appears and runs at them, screaming.

Chapter 15 Summary

Lillian returns to the Frick mansion from her meeting with the producer. She has now lost both a potential acting career and a potential husband. She sees Mr. Graham and begins to cry. He pulls her into the organ room so that she can calm down. They talk about Helen’s art library, and it is here in the organ room that Lillian begins to think about a new career as a librarian.

Helen is with Mr. Frick and refuses to believe that he is dying. Richard arrives to speak to Helen, but she sends a reluctant Lillian downstairs with a message. Upon seeing Lillian, Richard demands to know why she broke off their relationship. When he presses her, she shows him the sculpture above the entrance to the house and reveals that she is Angelica. She tells him that she posed for the statue he noticed that day he walked her partway home from his place (in Chapter 9).

Mr. Graham appears before Richard has time to respond, saying that Helen is asking for her. Richard is awkward, and when he leaves, Lillian realizes that their relationship is over. Although she is upset, she knows that she did the right thing.

Helen is angry. She has discovered that Lillian was paid to facilitate her engagement. Lillian asks her to reconsider whether marriage is what she wants, reminding her of the life she has made for herself with the collection. Helen becomes excited, thinking of the two of them working together on the library, and Lillian agrees.

Chapter 16 Summary

Early the next morning, Lillian is summoned by Helen to Mr. Frick’s bedroom. He asks for water, and Lillian hands Helen a half-full glass from the bathroom. As Lillian watches them together, she decides that she will be there for Helen in her grief, as no one was there for her when Kitty died. Soon after he drinks the water, Mr. Frick dies.

Lillian arranges the viewing and funeral. Helen plans to bury the cameo and the diamond with her father. Lillian suggests that they sell the diamond and donate the money to charity, but Helen refuses. She also tells Lillian that she plans to marry Richard because her father wanted it. Lillian realizes that if Richard comes back to the family, she will have to leave.

That afternoon, while the family is at its private viewing, Helen puts the cameo into her father’s hands. Lillian is the only person to see. Later that evening, when the family gathers again for the public viewing, Helen discovers that the cameo is gone; it is no longer in her father’s hands.

The family travels to Pittsburgh, where Mr. Frick will be buried. Lillian stays at the mansion, where the staff is still searching for the cameo. Lillian busies herself with work. One day, Mr. Graham comes to get his paycheck and to ask if the family will be firing him now that Mr. Frick is dead. He warns her to be careful, but when he tries to explain, she thinks he is threatening her. Lillian worries that Mr. Graham, like Richard, knows that she is Angelica; therefore, both men are a threat to her.

Childs objects to the contents of the will, which give Helen the bulk of the estate and leave small sums to Childs and Mrs. Frick. Childs is angry and reveals that a sedative was found in the water Helen gave her father. Lillian remembers handing it to Helen from where it had been sitting on the sink. Helen remembers as well and looks at Lillian accusingly.

Chapter 17 Summary

Veronica and Joshua are shocked by the woman who runs at them. She demands to know why they are in her house, and Joshua explains. The woman, Helen Frick, stayed the previous night in the library next door—the Frick Art Reference Library. She tells them that there is a secret door between the two buildings.

Helen takes them into the library to reference employee records and confirm whether Joshua and Veronica are there legitimately. She finds Joshua’s employment record, but when she asks Veronica’s name, she is upset at her German last name, Weber; Helen’s experience in World War I has left her with an aversion to Germans. She wants to kick Veronica out, but Joshua distracts Helen with what they’ve found in the scavenger hunt.

They show her the clues and explain how they solved the mystery. They all return to the art gallery, where Joshua opens the first compartment and shows Helen the watch fob with the magnolia. Then he shows her the cameo, and Helen is shocked because she had always believed that Lillian took it. When Helen opens the back of the cameo, the diamond is not there. Veronica is afraid she is about to get caught.

Chapter 18 Summary

Childs has hired a private agent, Mr. DeWitt, to investigate his father’s death. Most of the family comes to believe Lillian is the murderer, reasoning that she stole the diamond to replace the money Mr. Frick was to have paid her. However, Helen refuses to believe Lillian would commit murder. DeWitt announces that he will interview the staff, and the meeting breaks up.

Lillian returns to her room, terrified, and Helen follows, telling her that she knows Lillian is innocent. They wonder who put the sedative in the water. Before Helen leaves, she sees love letters that Richard sent Lillian and reads them. After angrily asserting that Lillian deceived her from the beginning, Helen decides that Lillian did steal the cameo and murder her father.

Lillian goes to bed that night sure that she will be arrested in the morning. Unable to sleep, she wanders the house and finds a footman posted by the front door. He tells her that no one is allowed to leave, and Lillian realizes that the only way to prove her innocence is to solve the crimes.

The next morning, she is summoned by the family. DeWitt reveals her Angelica identity to the family, and Lillian suspects that Mr. Graham told him. The agent is ready to take her to the police, but the Fricks want to delay for a day so that they can leave New York and avoid the scandal. He agrees, and they lock Lillian in her room for the night.

Chapters 14-18 Analysis

In Chapter 14, Davis again connects the two storylines when Joshua shows Veronica the sculpture above the Frick’s door, for which Angelica posed. These scenes offer dramatic irony, as the reader knows more than the characters—the reader knows “Angelica” firsthand and understands more about the case than Joshua, who repeats the popularly circulated (yet incorrect) story of her involvement in Mrs. Watkins’s death. Joshua’s distorted account highlights an element of the novel’s genre; in literary mysteries, there is typically a gradual and strategic revelation of truth that sets the stage for justice and resolution. Likewise, Joshua’s ignorance will turn to knowledge as he learns the truth about Lillian, and the injustice of the public’s misunderstanding will find some resolution by the end of the narrative.

These chapters also directly address two threads that appear several times throughout the text. The first is Joshua’s struggles as a Black man in the art world and his hopes for his career. He tells Veronica about wanting to put on a show of art brut, focusing on the work of untrained artists like his namesake, Joshua Johnson. Davis explores the theme of passion through Joshua’s pursuit of artistry despite the obstacle of others’ racial prejudice; his passion, in turn, highlights the motif of the muse, as he is inspired by (named after) the painter Joshua Johnson. The second thread explored in these chapters is Mr. Frick’s darker past, which has been glossed over in history. Joshua mentions that he has been discouraged from writing about this side of the Frick legacy, with his advisor warning him against it because he is Black. Davis subtly addresses Frick’s past while placing it in the context of Joshua’s perspective as a Black man in 1966.

Moreover, Veronica, Joshua, and Helen place importance on pleasing a parent, emphasizing this theme once again in these chapters. Joshua’s parents are both involved in the art world, and he seeks to make them proud by finding his own place within their world. Veronica’s intention throughout the book is to support her mother by bringing Polly home. Helen’s desire for pleasing a parent takes precedence upon her father’s death when she returns to the idea of marrying Richard because it was what her father wanted. This impulse won’t last, but it shows Mr. Frick’s continuing influence on her.

Chapter 15 returns to the theme of Society’s View of a Woman’s Place when Lillian returns to the mansion after meeting the producer. Lillian proves herself once again to be determined and adaptable, which is not in line with societal expectations of women at the time. By the end of her conversation with Mr. Graham in the organ room, she is considering a career as a librarian. Lillian pointedly follows her own path and doesn’t depend on anyone else to solve her problems. Once again, the organ chamber symbolizes discovery and new beginnings; it is there that Lillian realizes that she might like to embark on this new career.

Lillian’s determination to have a career is a counterbalance to the societal ideals of femininity, but Davis immediately returns to the themes of shame and the double standard. Richard, who appreciates the art for which Lillian posed, is scandalized by the modeling itself, and he walks away from her. Lillian is not surprised; she is well aware of cultural double standards. By the end of Chapter 15, Lillian has turned the prevailing idea of a woman’s place completely on its head by convincing Helen, who was set on complying with her father’s and society’s expectations, to defy convention and focus happily on her career. Both characters challenge an oppressive social construct.

The two narratives again intersect through Helen, who makes an appearance to Veronica and Joshua in Chapter 17. This connection between the two storylines appears at a climactic time for both plots: In 1919, Lillian has been revealed as Angelica and is now close to being accused of murder; in 1966, Joshua and Veronica show Helen the cameo, and with her discovery that the diamond is not in it, Veronica fears exposure.

When Mr. Frick dies, the mystery of what happened to the Magnolia Diamond begins to unfold. Upon the revelation that Lillian is Angelica, the family finds an easy scapegoat for the crimes. Even though they are familiar with the art world, the Fricks still paint Lillian as guilty because of society’s double standards. By the end of Chapter 18, Lillian is once more embroiled in a murder investigation and falls under suspicion due to her past and others’ prejudices against her.

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