55 pages • 1 hour read
Fiona DavisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Another model stops Veronica from leaving and helps her repair her makeup. Veronica reflects on her twin sister, Polly, who was born with developmental differences. Polly now lives in a home for people with disabilities because Veronica and her mother can’t afford to take care of her. Veronica’s hope is that this Vogue job will launch her modeling career and she will be able to afford to bring Polly home.
When the photographer demands that the models go outside in a snowstorm, Veronica objects, and he kicks her off the shoot. She goes upstairs to change and gather her things, and, to avoid the other models, she explores the mansion. In the organ room, she discovers a sheaf of papers, each with a clue. She recognizes the document as a scavenger hunt and puts the clues in her pocket. She will give them to Joshua, the archivist, who told them about the missing Magnolia Diamond earlier. The power goes out because of a snowstorm, and she realizes that everyone has left. She is alone and locked in.
Lillian is due to meet with Helen on her first morning of work, but she explores the mansion first. Helen’s lady’s maid, Bertha, shows her around, but they steer clear of Mr. Frick’s study and art gallery as entry requires his permission. Bertha also gives Lillian background information about the Fricks, particularly Henry Clay Frick. Finally, she meets Helen in her sitting room. When Helen is difficult and picky, Lillian reminds herself that she only has to stay for one month.
Throughout the house, there are portraits of a young girl who Lillian assumes to be Helen, but when she brings them up, both Helen and Mrs. Frick get upset. Because it is her first day, Lillian is invited to eat lunch with the Fricks. She finds out that Helen has a brother, Childs, who lives in Long Island with his wife. Mr. Frick looks down upon his son’s scientific interests as divergent from his own passion for fine arts.
Mr. Frick questions Lillian about her references, but an organ suddenly starts to play and drowns them all out. Mr. Frick has hired a man, Mr. Archer Graham, to play the mansion’s organ during lunch. Afterward, Mr. Frick leaves for his club, and Helen asks him to take a coat. When he refuses, she follows him out and tosses the coat in through the car window. Helen believes she has won the battle, but Mr. Frick dismissively and disrespectfully drops the coat out the car window and drives away.
Later that day, Helen shows Lillian her secret project in an alcove near the bowling alley. She is cataloging her father’s favorite artworks that he owns, listing history and provenance. Lillian proposes that Helen catalog all of Frick’s artwork to create a library, and Helen is immediately drawn to the idea. She directs Lillian to finish her current project so that she can move on to planning the library.
Lillian has been working for Helen for two weeks. At night, when she cannot sleep, she explores the mansion. She is enjoying living in a house with so much beautiful artwork. One night, the door to Mr. Frick’s study, which includes the art gallery, is open. She goes in to look at the paintings, but Mr. Frick is there. Helen has given him the catalog that Lillian finished. He points out one of the entries Lillian wrote. Tired and frustrated, she had made up the entry rather than doing the necessary research.
By cutting these corners, Lillian risked ruining the book; she now fears that Mr. Frick will tell Helen, who would fire her. Mr. Frick is kind, however, and tells her about Helen’s time with the Red Cross during World War I. Her health has suffered since, which explains why Helen rarely goes out. Mr. Frick tells Lillian that Helen is fragile, even though she doesn’t seem so. Helen told him about the art history library idea, but he thinks it would be too much for her.
He believes that Helen should be married but is too difficult and spoiled to attract a husband. He offers Lillian $1,000 to help Helen get engaged to the suitor he has chosen by Christmas (a sum equivalent to nearly $17,000 at the time of the novel’s publication). Even though it means staying longer, Lillian accepts.
A week later, Lillian is helping Helen dress for a dinner party, at which she will be introduced to Richard Danforth, the suitor her father chose. Helen knows the purpose of the evening and doesn’t want to be humiliated. She is nervous and irritable.
Lillian planned and executed the dinner party, and she is surprised at both how well she did it and how satisfying the work was. Helen is still worried about the evening and lashes out, saying that her older sister would’ve done a better job organizing the party. Finally, Lillian learns about Martha, Helen’s older sister, who died as a child, and Helen shows her a cameo of the girl. She opens the back to reveal the 12-carat pink Magnolia Diamond. Helen goes downstairs to the party, and Lillian checks on the food and drinks. When she does, one of the party guests, Mrs. Whitney, recognizes her as Angelica.
In 1966, the snowstorm continues. Veronica finds a candle and, remembering the clues she found, decides to distract herself by solving them. The markings tell her that she has 11 clues of 20 total. The first clue mentions “the magnificent magnolia treasure” (105), and she wonders if it is connected to the missing Magnolia Diamond.
Veronica finds the painting described in the 11th clue and locates the 12th clue in a nearby book. Before she can open it, however, Joshua finds her. He fell asleep while working in the archives, and they are locked in together. They talk about climbing out the window, but Joshua points out that the alarm will go off, and, as a Black man, he is nervous about the police finding him there after hours.
Instead, they light the fireplace, and Veronica falls asleep. When she wakes up the next morning, Joshua tells her that the radio is reporting a citywide shutdown until the next morning. They will be trapped there for another day.
Veronica sees this as an opportunity to continue her scavenger hunt. Joshua tells her about his work in the archives, located in an alcove off the bowling alley in the basement. He mentions that Helen Frick is still alive, nearly 80 years old. Veronica shows Joshua the clues, and he gets excited because he knows who wrote them.
As Lillian becomes familiar with the Frick family, she gains insight into their relational dynamic, especially at their first lunch together. The family is awkward, as if “they were all performing some kind of peculiar family pantomime due to the presence of a stranger in their midst” (77). The relationship between Helen and Mr. Frick presents the theme of The Need to Please One’s Parent, and it is immediately clear to Lillian that Helen idolizes her father. Lillian’s description of Helen’s sitting room, where her father’s “visage was scattered throughout the entire room” (72), emphasizes Helen’s adoration of her father, as does her following him out of the house with his jacket.
Because Helen is a woman, however, she doesn’t receive the paternal validation she seeks, revealing another of Davis’s themes—Society’s View of a Woman’s Place. Helen herself is the one to bring it up: “Haven’t I been happily in charge? Don’t I step in whenever Mother is feeling low? I really don’t see why Childs and his possible son get to be the chosen ones” (76). Yet a heavily patriarchal attitude pervades the family, and even in the face of his daughter’s love, loyalty, and shared passion for art, Mr. Frick sees her as less valuable because she is a woman.
Helen’s plight contrasts with Lillian’s career as her personal assistant. Although Lillian got the job accidentally, she is very good at it and enjoys it: “It made her feel competent, and she found she rather liked being in charge” (98). She finds that several skills from her modeling career—“patience, the ability to bide her time and then strike with a suggestion when her employer wouldn’t get defensive” (98)—are fully applicable to the secretarial work. Lillian discovers skills and talents in herself that she didn’t know existed; Davis portrays her as less constrained by a woman’s place in 1919 society. She is career-driven and passionate from the outset, and her exposure to the Frick Collection gives her a potential new career path.
This theme of Society’s View of a Woman’s Place appears further in Helen’s work with the Red Cross during World War I. Although her health has declined as a result of her work, she says, “It was the first time I felt a part of something. That I was a useful member of society” (99). Helen’s intelligence and capabilities go beyond what society and her father demand she be—a wife. Throughout the novel, she will struggle between the desire to fulfill her father’s expectations and her own interests.
In Chapter 7, when Helen shows Lillian the cameo and the Magnolia Diamond, a connection emerges between the two storylines. Veronica is embarking on the search for the missing Magnolia Diamond that went missing in 1919. This means that, sometime in the upcoming year in the 1919 storyline, the Magnolia Diamond will disappear. The mystery, at this moment in the story, is how and why. It is here that the motif of the magnolia begins to have meaning in the story, highlighting the idea of transience.
Davis also keeps the pressure on Lillian, whose internal and external conflicts still highlight themes of the double standard and shame. Just when she is getting comfortable in her new position and feeling safe, Mrs. Whitney recognizes her. Lillian knows that if her employers find out that she is Angelica, she will be fired and possibly turned in to the police. In the next chapter, Mr. Graham, the organist, turns out to be an unlikely ally in helping her escape Mrs. Whitney, but Lillian doesn’t trust him not to reveal her identity.
In these chapters, Davis keeps the two storylines connected by repeating landmarks around the house. The bowling alley is one such setting in both stories; the archive is located near the bowling alley, a unique and whimsical landmark. The organ room is another such setting, and it is even a multifaceted symbol throughout the novel: This room represents a passion for the arts, but it also represents discovery, most notably in these chapters as the site where Veronica finds the clues. The room eventually symbolizes new beginnings as well.
By the end of Chapter 8, Veronica’s goal has shifted: The modeling gig, and perhaps her career, are over, and she is determined to use her time in the Frick Collection to search for the Magnolia Diamond. No matter how far-fetched the idea, she has decided not to go home empty handed. She will counter society’s idea of a woman’s place and firmly set about achieving her objective of supporting her sister. However, this shift in her goal leads to an even higher end: While Veronica initially plans to do it alone, she soon realizes that Joshua’s help would be invaluable, and the two characters set out on the hunt that will eventually lead to the resolution of the theft, of Mr. Frick’s murder, and of Lillian’s disappearance.
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By Fiona Davis