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44 pages 1 hour read

Jean-Baptiste Moliere

The Miser

Jean-Baptiste MoliereFiction | Play | Adult | Published in 1668

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Act 5Act Summaries & Analyses

Act 5 Summary

The chief of police arrives to investigate the crime scene. Harpagon tells him to arrest everyone as suspects, but the chief of police suggests they start by interrogating people closer to home. Master Jacques enters, calling out instructions to Valere about how to cook the pig for dinner. After a number of jokes and misunderstandings about the pig, the chief of police tells Master Jacques why he is there. He has been hired to investigate the robbery that has taken place, and if Master Jacques cooperates, his master will give him a reward. Master Jacques realizes he now has the perfect opportunity to get revenge on the flatterer, Valere. He says, “Sir, it causes me untold agony to say this, and I know how much more it will hurt you, but it was your steward who did this” (53). Harpagon is stunned, having believed Valere to be upright and loyal.

When Valere enters, Harpagon demands that he get on his knees and confess to his crimes. Valere is shocked, but then asks permission to tell his side of the story. He tells Harpagon that the treasure he loves has “not fallen into bad hands” (55), and that he is “of rank and status to take care of it providentially” (55). Harpagon is confused and asks what could have driven him to this act; Valere replies that it was love. He tells Harpagon that he has pledged his love to the treasure for the rest of his life, and that his intentions are pure. Finally, it is revealed the treasure Valere is talking about is, in fact, Elise—he had nothing to do with the stealing of the literal strongbox.

Elise enters with Marianne and Frosine. Harpagon confronts Elise about her disobedience. He shouts curses at her, promising to lock her in a dark pit and to send Valere to the gallows. Elise tries to calm her father and show him the side of Valere that she has grown to love. Seigneur Anselme arrives at that moment, and Harpagon announces that his marriage to Elise seems to be in jeopardy, and that revenge must be taken.

Valere stands up to Harpagon, saying that he is no criminal for loving Elise. He says, “By birth and by privilege I have right to this fair maid. Anyone in Naples can testify [to] my rank” (59). Valere tells the story of his father, the noble Don Tomas D’Albruzzi, and the storm at sea that separated him from his family when he was seven years old. He holds up a family heirloom, a bracelet his mother wore, as proof.

Marianne asks to examine it closer, then holds up her wrist, which bears an identical bracelet. She is Valere’s long-lost sister. Finally, Seigneur Anselme holds up a third bracelet: He is their father. The family rejoices at being reunited after so many years apart. Anselme tells them that he is incredibly wealthy, for after he was “swept to the shores of Africa on the back of a mast” (61), he made his fortune. Eventually, due to some misunderstandings, he left Africa for Paris and decided to change his name.

Harpagon has had enough of this and diverts the conversation back to the robbery. He demands that Seigneur Anselme compensate him for the ten thousand crowns Valere stole. At that moment, Cleante and La Fleche enter. Cleante declares, “Have no fear, father; this can be arranged. Here is the bargain: I give you your money, you give me Marianne” (61). He tells the group that Marianne’s mother has agreed to let her daughter marry whoever she pleases. Marianne turns to her father, who immediately gives his consent. Harpagon tells Seigneur Anselme if these marriages happen, he will not be able to give him a cent. Seigneur Anselme says it is not a problem—he will pay for both weddings himself. The characters are all left celebrating their happy endings. Harpagon, reunited with his strongbox, lies on the floor with it held to his chest while the others dance and sing around him.

Act 5 Analysis

In this Act, Master Jacques gets one last chance at revenge on Valere. When Harpagon and the Chief of Police question him about the robbery, Master Jacques turns to the audience. He says, “Now’s my chance to repay the sniveling steward” (53) and proceeds to lie about Valere being the one who stole the strongbox. However, his revenge backfires, as it merely prompts Valere to finally tell the truth about his love for Elise. In choosing to tell lies and present himself as Harpagon’s loyal ally when he is now anything but, Master Jacques is yet another character who faces The Consequences of Flattery—his lies end up exposed, costing him his own credibility with his master. Harpagon tries to have him hanged, and Master Jacques says, “What’s a poor man to do? First I’m beaten for telling the truth and now I’m to be hung for lying!” (62). It is only the intervention of Seigneur Anselme that saves him.  

The rivalry between Harpagon and Cleante, too, comes to an end, with Cleante having the power over his father at last. He returns with the strongbox, only willing to give it back if Harpagon agrees to let him marry Marianne. He gives his father a choice, saying “Which is it— your strongbox or Marianne?” (61-62). Harpagon, ever true to his greedy character, first asks if anything has been removed. Cleante assures him that nothing has been touched, and Seigneur Anselme urges him to break off the contract. He will pay for everything, and Harpagon will not have to pay a cent. Cleante’s offer to exchange the stolen strongbox for his father’s consent to the marriage with Marianne once more invokes the theme True Love versus Transactional Relationships: Since money is the only thing Harpagon truly loves, he is ultimately more than happy to discard Marianne in favor of it. For Cleante, on the other hand, Marianne is worth more than the strongbox’s fortune, so he will gladly relinquish the money so long as he can make the love match he wanted all along.

Like most comedies, The Miser ends with all loose ends tied, and the marriage of the lovers. To achieve this, the final Act of The Miser employs the theatrical device of deus ex machina, which translates to “God from the machine.” In Greek and Roman drama, when a play needed to end but a resolution seemed unlikely, playwrights would sometimes literally fly in a deity figure on a crane that would magically provide a means of escape or a satisfying conclusion for the characters. In The Miser, the deus ex machina comes in the form of the long-lost family plot. Molière foreshadowed this resolution throughout the play in having Valere make allusions to his lost family fortune, but it is only in the last few pages that everything is resolved when Seigneur Anselme is revealed to be Valere and Marianne’s father.

The family reunion solves their problems on several levels. For one, each couple is allowed to marry their true love, ending the tensions between True Love versus Transactional Relationships that have dominated the play’s action. Marianne receives support from both her ailing mother and her newly found father, so she is not forced to go against family duty in marrying for love. Seigneur Anselme is wealthy enough to support all four lovers, so Elise will not lose her status, and Cleante will be able to have fine clothing after all. Though each of them proved that they were ultimately willing to sacrifice these things to be with their true loves, none of them must make these sacrifices in the end. Even Harpagon gets his happy ending, as the final stage direction describes it: “Harpagon lies on the floor fondling his strongbox” (63). For Harpagon, money still remains the one and only true love of his life—he is indeed “the miser” even to the play’s end.

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