29 pages • 58 minutes read
Mary Wilkins FreemanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The most obvious symbol in “The Revolt of ‘Mother’” is the contentious barn. It looms in the background of every scene, yet it means different things to different people.
For Adoniram, the barn is an important representation of his success and hard work. For men of this period, being able to acquire a certain amount of riches was a measure of status, and Adoniram clearly gives priority to this tangible symbol of coming up in the world. For Sarah, the barn symbolizes a promise broken. For 40 years she waited, without complaint, for the comforts that money can buy. She stands by as Adoniram cultivates success and is dismayed when he invests their wealth in a barn instead of using it to improve their home.
In the end, Sarah turns the negative symbol into a positive one—for her and her children, at least—by making the barn a home. How this reconfiguration changes Adoniram’s perception of the barn is less conclusive. It cannot be denied, however, that the barn now stands as a different kind of hallmark: a reminder of Sarah’s rebellion.
“The Revolt of ‘Mother’” focuses intensely on the different roles that men and women play in and around the house. In the beginning, these roles follow the traditional separation of domestic and laborious tasks.
Objects and ideas related to the domestic sphere are clearly associated with the women of this tale. The Penn home is small and insufficient, but it is plainly depicted as Sarah and Nanny’s domain. The women are constantly shown cleaning, sewing, baking and cooking, fashioning laying out clothing, and talking about courtship, home matters, and the upcoming wedding. These tasks were traditionally relegated to women throughout history, before the emergence of feminism, and within this tale delineate the difference between women’s work and men’s.
The men in the story—Adoniram, Sammy, the farm laborers, and others—exist in an entirely separate space than the women. Their domain is one of field work, stock, and farming. They collar horses, dig in fields, unload wood, and milk cows. They are often outside, doing hard labor. The family patriarch is also in charge of financial decisions, as shown when Adoniram uses their money to build a barn and goes on a trip to buy a new horse. Men are also depicted as more educated; readers see Sammy go to school and work on arithmetic. And, as in the case of Minister Hersey, men are characterized as having a certain authority by virtue of their better moral standing and community leadership qualities.
The men in “The Revolt of Mother” use their strength daily, whether it is physical or spiritual, and are not used to having women ignore their wishes. Men’s labor provides families’ every financial need, and this traditionally meant that men had more rights over women. This, the symbols of men’s work were considered more desirable than those of women’s.
As such, women’s labor was often overlooked. Rarely were women honored for keeping the household running and ensuring everyone was fed and cared for; instead, they were belittled and ignored. Therefore, the attention paid to domestic work versus laborious work in this short story reinforces gender stereotypes to better emphasize the importance of Sarah’s ultimate rebellion.
Religion is a mainstay of life in rural New England—so entrenched that its presence in the text is almost subtle. Still, the Bible’s influence is apparent, from character names to Sarah’s personality and actions being compared to some Biblical stories. The repeated mention of 40 years is another important aspect of the religious motif. In Scripture, dozens of events take place over 40 years, including Moses’ years on Mount Sinai, Israelites wandering the desert, God flooding the earth after calling on Noah, and Goliath’s reign of terror.
Freeman’s religious allusions also observe the strict Calvinist thought that ruled village life and made the church very influential in citizens’ daily lives. Calvinism teaches that humans are full of sin but do have free will. Therefore, if an act of God emerges in life, people are obligated to heed it. Sarah mentions Providence several times: once in relation to “men-folks” (45) being as unpredictable as the weather, and once when she makes her decision to rebel. By taking advantage of a Providential occurrence, as Calvinists are encouraged to do, Sarah is able to assert herself and act in the way she sees fit.
It is worth nothing that, at the time this story was written, these old-fashioned philosophies were losing favor. Society was undergoing many changes during the late 19th century, including the rise of factories and mills and appearance of new immigrants. So, it is possible Freeman was expressing nostalgia for a time when people were more morally minded.
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