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57 pages 1 hour read

William Dean Howells

The Rise of Silas Lapham

William Dean HowellsFiction | Novel | Adult | Published in 1885

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Chapters 6-10Chapter Summaries & Analyses

Chapter 6 Summary

Tom Corey has spent time considering how to approach Silas with regards to a job. He finds his mother and reveals his plans. Mrs. Corey shares her husband’s disapproval of Silas’s business. Mr. Corey does not like the advertisements that Silas paints on landmarks across the countryside. Mrs. Corey views Silas as too “common” (73) for her son. Tom ignores his mother’s comments. He seeks out Silas and makes him an offer: Tom will use his knowledge of European languages to sell paint in foreign countries, starting in South America. He speaks Spanish, French, and German, which impresses Silas, who is still “rather sore” (75) about the newspaper article. Tom offers to work for commission and Silas invites Tom to his summer residence to discuss the proposal. As they take a boat ride, Silas talks about his favorite pastimes. He enjoys reading newspapers and staring at the fresh-faced people in the pictures. This relaxes him. They are met at the dock by Penelope, who rides in the back of the carriage with Tom while Silas insists on taking the reins.

Chapter 7 Summary

Tom visits the Lapham home. He is polite and inquisitive, discussing business matters with Silas and then inquiring about the family’s love of literature. Persis remarks that Penelope does “most of our reading” (88) and Silas encourages his daughters to take Tom out to tour the property. Silas talks to Persis, proudly revealing that the respectable Tom Corey has approached him with a business proposal. This proposal completely undermines Persis’s comments from the previous day. Silas mentions that recent changes in the paint market have made business difficult and he hopes that hiring Tom might open up new business opportunities. Up to this point, Silas had disdained the snooty Corey family. He did not believe that someone from the “offensively aristocratic” (92) Corey family could ever marry Irene. Increasingly, however, he watches the young people together and he imagines Tom and Irene marrying, thereby raising the Lapham name up among the Boston elite.

Chapter 8 Summary

When Mrs. Corey makes a return from the seaside, she is shocked and appalled that her son would involve himself in the “hideous” (94) mineral paint trade. Bromfield insists that he could do nothing to stop their son from going into business with Silas. Bromfield has increasingly come to believe that his son is not a brilliant man, though he is filled with energy. Tom is desperate to achieve something, Bromfield believes, but he may not possess the wherewithal to succeed in a profession. Bromfield does not see too much difference between mineral paint or other industries. Tom has rejected his offer to live as a man of leisure; the Corey family fortune is dwindling away, but they pride themselves on being among the elite and not having to work. Mrs. Corey is worried that Tom wants to marry Irene. She finds Irene to be an insipid (94) young woman. Bromfield tells his wife that, in this day and age, American parents do not interfere in their children’s marriages. He cannot imagine himself approaching any other wealthy man to suggest that Tom marry that man’s daughter. He would feel like a fool. Mrs. Corey plans to speak to Tom about the matter when the time is right.

Tom has been staying with the Lapham family. When he returns to the Corey home, his mother begins to probe him about his plans. She learns nothing about Irene, but she is told a string of family gossip items. Uncle Jim is the one who suggested that Tom join the paint business; Irene has good skin; and Penelope is considered “plain” (99) but also droll and comedic. Mrs. Corey goes to her husband and complains that she was not able to find out more. She believes that Tom has already set his mind on the paint industry. She feels as though there is nothing she can do if Tom does decide to marry Irene, though she hopes that he will not do this. She returns to the seaside, feeling defeated.

Meanwhile, Tom has enthusiastically thrown himself into his new job. While visiting the office one evening, he happens upon Silas, who is with one of his female employees, Zerrilla. Tom overhears Silas tell Zerrilla, “[Y]ou better get a divorce!” (104), before Silas sees and greets him. The following day, Tom mentions this encounter to the head bookkeeper, Walker, who suggests that Silas has always had something of a strangely close relationship with Zerrilla. They walk back to the warehouse, passing a dramatic scene in the street in which a woman rejects a drunk man.

Chapter 9 Summary

Silas is keenly aware of his social status. When Tom joins his company, he makes sure not to treat the rich young man any differently than he treats his other employees. However, he cannot help but brag to the staff that someone from the Corey family is now working for him. Silas believes that Tom has natural business instincts, and he happily plans for a future with Tom as his son-in-law. Tom visits the site where the new Lapham home is being built. Tom talks to Silas but, once they have exhausted their usual topics of business, the construction of the house, and horses, they have little in common. When Tom talks to Irene, they discuss the books that might go in the new family library. They flirt with a wood shaving, which he gifts to her from the construction site.

When he talks to his family, Tom admits that the Laphams are not keen readers, but he insists that they are intelligent. He praises Silas as a shrewd and sensible man. Bromfield dismisses this appraisal, claiming that Silas and his family are uncivilized. Though he is critical of the Laphams, he plans a celebratory meal to mark the new business venture between Tom and Silas.

In this moment, Silas is at home wondering why his newfound bond with Tom has not resulted in a rush of social outreach. Perhaps unrealistically, he is insistent that his daughters have the same social status as someone like Tom. Meanwhile, Irene plots the next step in her romance with Tom. Her older sister Penelope suggests that she does not need to do anything.

Chapter 10 Summary

Silas’s plans for the new house are becoming increasingly lavish and increasingly expensive. Persis complains that her husband is spending too much. When she mentions this, Silas reveals that he has made a good deal of money on the stock market in recent months. Persis warns him against being overconfident. One day, he returns home with good news. Much to Persis’s relief, Silas says that he has taken most of the remaining money that he set aside for the house and loaned it to Rogers. His former business partner has a new venture and needed investment. Persis talks about the budding romance between Tom and Irene. Their daughter has asked her parents (and, in particular, Silas) not to bring Tom home with him from work. Silas is too swept up in the possibility of marriage, however. Since Persis is happy with the news about Rogers, Silas ignores his daughter’s request and invites Tom to dinner with the family. Tom spends the night with the family. He talks with Irene and Penelope, leaving the house alone and laughing to himself that “she’s charming” (136).

Chapters 6-10 Analysis

Silas Lapham is a proud man. He is proud of building his business from nothing, and he is proud of the innovative techniques he has developed to grow his fortune. One of these techniques involves painting advertisements on local natural landmarks, such as rocks and hills. His paint endures the tough weather, and, through this endurance, demonstrates its quality above competing brands of paint. Silas considers this to be an innovative and clever advertising technique, so much so that he brags about it to other people. Not everyone is quite so enamored with his adverts, however. When she discusses Silas, Mrs. Corey mentions these adverts as though they are a blight on the community. She does not appreciate Silas’s need to advertise, nor the way he imposes himself on those around him through his choice of advertising locations. This difference in opinion is illustrative of Social Etiquette and Class as more than simple wealth. To Mrs. Corey, Silas seems to be a loud, ill-mannered figure whose only interest is in selling his mineral paint. She does not care about his wealth or his innovation, only the way in which he presents himself to the world. She views his adverts as a demonstration of poor manners, a problem that Silas has never even considered. This fundamental difference in opinion shows how much Silas still struggles to enter high society, as the elite have rules and expectations regarding personality and behavior that never crossed his mind.

Silas’s behavior becomes the target of suspicion as Zerrilla’s presence in Silas’s office is more keenly felt as the narrative progresses. Whenever she is mentioned, other characters are struck by her physical attractiveness. This first thought is then typically followed by the assumption that she may be Silas’s mistress. The truth, revealed later in the novel, is far less scandalous. Zerrilla is the daughter of the man who saved Silas’s life during the American Civil War, Jim Millon, and Silas employs her as a way of repaying a debt to her father. Her physical presence in the office is a constant reminder to Silas of his Familial Responsibility, even to those outside his immediate family. The rumors that attach themselves to Zerrilla’s presence are a burden that he must endure on behalf of Jim Millon. The frequency with which rumors about Zerrilla are spread in the early chapters of the novel are telling, making the future reveal of her true identity all the more cathartic. By introducing Zerrilla in such a conspicuous and scandalous way, the novel contextualizes the reputational damage that Silas is willing to bring on himself as a way to repay his debt to Jim Millon.

The Rise of Silas Lapham is a Realist novel that is critical of the pervading sentimentality of contemporary literature. Rather than narrate characters’ sentiments and emotions, for example, the novel presents their actions, almost exclusively. The narrator does not explore the inner thoughts or emotions of the characters, adding an additional layer of mystery to elements of the plot, such as Zerrilla’s identity or the nature of Tom’s affections. The truths about these narrative strands remain hidden in the characters’ inner lives; unless they specifically voice their emotions, the audience cannot access the thoughts of the characters through the narration. This Realist element of narrative storytelling provides a reflection of the way in which the novel explores polite society. Characters like Mrs. Corey are fully enveloped in the social etiquette of the Bostonian elite. In this system of social etiquette, privacy and decorum are highly valued. Characters should not talk about their emotions in polite society, so the narrative mode echoes the system of social etiquette that governs their lives. The adherence to Realist literary expectations becomes a symbolic extension of the adherence to social etiquette.

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