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51 pages 1 hour read

Lara Prescott

The Secrets We Kept

Lara PrescottFiction | Novel | Adult | Published in 2019

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Parts 7-9Chapter Summaries & Analyses

Part 7: “East May 1958”-Part 9: “East September-October 1958”

Part 7, Chapter 19 Summary: “The Mother”

One night Mitya wakes Olga because there is someone outside their house. Ira calls out to the intruder to show himself. Both children have seen men following them. Olga tries to assuage their fears, but she has been followed, too. When she brings up her fears to Borya, however, he is too preoccupied with the success of Doctor Zhivago to pay much attention. Olga understands that he puts the book above all of the rest of them and even his own life. Fortunately, that night the intruder is just a couple of foxes. Mitya and Ira think they should get pistols, but Olga tells them it wouldn’t do any good. She tries to distract Mitya by asking if he’s excited about summer camp, but he says he would prefer another camp where they build things, which costs more. This leads him to ask why Boris doesn’t marry Olga or at least give her more money. She explains that “sometimes love isn’t enough” (242).

Part 8, Chapter 20 Summary: “The Typists”

The Agency contracted with the New York publisher Felix Morrow to prepare the proofs of Doctor Zhivago and send them off to the Netherlands for publication to cover the tracks of American involvement. However, Morrow started talking about the project and having it reviewed by Russian scholars. He also contacted the University of Michigan to have it printed in the US, too. Teddy and Henry had to visit Morrow twice with bribes and pressure to get him to stop and to cut him out of the operation. Teddy also convinces Michigan not to publish, citing danger to the author. Mouton, a Dutch publisher, already had rights from Feltrinelli to publish a Dutch version and now would do a Russian one for the CIA. Once the books are on their way to the World’s Fair in Brussels, where they’ll be handed out to Soviet citizens, Teddy and Henry go back to Washington and celebrate at a nightclub. They are unaware that women from the typing pool are sitting within earshot. Teddy is down because a distance has been growing between Irina and him. Henry informs him that Sally will be fired for being lesbian. One day, the women see Teddy drive Irina to the office, but they stay in the car for a while and appear upset. When Irina comes in, she is not wearing the engagement ring. Before the women can ask about it, she is called into Anderson’s office; then she goes home. His secretary tells them that her behavior with regards to her sexuality has been called into question and that she’d better shape up. She stays home, complaining of illness, for a week before flying to Brussels for the mission. Teddy is also out for a week. When he returns, he punches Henry in the cafeteria. After that, Henry doesn’t reappear at the Agency. After more time passes, a new secretary is hired, and the women realize that Irina isn’t coming back.

Part 8, Chapter 21 Summary: “The Nun”

Irina is undercover in Brussels, disguised as a nun. She recalls that when she broke off her engagement to Teddy it broke her heart too because she felt she hurt a friend. Irina meets up with other agents disguised as clergy, and they go over their plan to hand out the book from the City of God, the Vatican’s pavilion at the Fair. The plan goes well, and interest builds. However, the grounds are covered with the book covers that have been ripped off because the recipients want to make the book smaller to smuggle back into the Soviet Union. When they are done, all the agents go their separate ways without a word. Irina heads to the Hague for her next assignment.

Part 9, Chapter 22 Summary: “The Prizewinner”

Boris receives a copy of the book, and it is an international bestseller. One day, coming back from his walk, Boris encounters some reporters, who tell him he’s won the Nobel Prize and ask whether he’ll accept it. He meets up with Olga and notices that she’s been intentionally looking drabber, perhaps to avoid notice. When he returns to his house where there are more reporters, Zinaida is upset, believing that the prize will only bring trouble. The next day, his neighbor Fedin tells him that Polikarpov of the Culture Department expects him to refuse the prize and gives him two hours to do so. Instead, Boris sends a thankful telegram to the Swedish Academy.

Parts 7-9 Analysis

Events are in motion in this section of the book while the characters await the results. With the international success of Doctor Zhivago, the Soviet government seems coiled, ready to strike. Olga and her children notice increased surveillance around them and fear arrest. She explains, “With each foreign publication, questions arose about why the book had not been published at home. For now, the State spoke no word publicly of the novel. Its hand was steady, but a tremor grew. I knew it was only a matter of time before they’d act” (238). She understands that Boris has put the novel above all of them and even his own life and tells her children that “Sometimes love isn’t enough” (242). It is not enough that Boris loves her and she loves him; she needs security, both physically and financially, while he has a sense of duty to his wife and to his art. His favoring of his art over Olga meditates on the theme of Private and Public Loyalty and Betrayal.

Irina is in motion, too. As she prepares for her mission in Brussels, she realizes, “I had a chance to become someone else, a clean slate. So I took it. Heartbreak can be freeing—the weight lifted, no one left to hurt or be hurt by” (258). She doesn’t know what is in her romantic future; she just performs her mission of handing out copies of Doctor Zhivago. The soft-propaganda of using literature to destabilize a government is a long game. The agents are putting ideas into people’s hands, but it will not yield quick results, and the outcome is uncertain. The novel is used as Literature as a Balm and a Weapon in the former sense for the Soviet people and in the latter sense to destabilize the oppressive nation. The use of passive literature in this way also embodies a type of Female Soft Power and Hidden Talent.

For Boris, winning the Nobel Prize presents him with an unfortunate option: accept it and endanger himself and Olga, or reject it and decline the highest honor bestowed in the world of literature. He muses on his dilemma: “His life has led to this precipice; how can he not take this final step, even if into the abyss?” (276). At the end of the section, he decides to accept, feeling that Olga’s suffering in the Gulag on his behalf needs to have been for something. However, the prize and his acceptance of it puts in motion increased scrutiny and danger.

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