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56 pages 1 hour read

Bonnie-Sue Hitchcock

The Smell Of Other People's Houses

Bonnie-Sue HitchcockFiction | Novel | YA | Published in 2016

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Symbols & Motifs

Smell

The olfactory imagery is central as the motif of smell permeates the novel and features in the title. The use of smell connects to the characters’ memories and effectively conveys their emotions to the reader, reinforcing thematic elements and a sense of place in the narrative. The motif creates a common trait among the protagonists and emphasizes their heightened perception of and connection with their environment as well as their understanding of themselves and others.

Often, smell connects to the characters’ childhood memories. Ruth recalls her mother’s smell, a sign of her vivid memory of her and the fact that she always misses her: “She smelled like marshy muskeg after a hard rain, and even with blood in her hair, she was beautiful” (1). Smell also conveys a distinction between the familiar and the unfamiliar when Ruth moves to her grandmother’s, underscoring her alienation: “Birch Park smelled like an old person’s house, something I’d never noticed when we only visited, which hadn’t been very often” (4). Smell also connects to Hank’s memories of his father. He and his brothers still sense the smell of “Old Spice.” their father’s aftershave while they are on the ferry, a sign that for them his presence is still “alive.”

Smell makes Alyce relive her childhood emotions. The smell of “diesel” on her father’s boat is “the smell of her childhood” and indicates her formative experience at sea (47). For Alyce, smell also is a means of understanding others, such as during her meeting with Hank. Alyce saved the life of Hank’s brother, and their lives connect forever as Hank feels familiar to her: “He smells like miles and miles of mud-soaked road, mingled with sweat and a hint of lavender; beneath it all is the familiar musty smell of a boat” (209). Through smell, Alyce relates to Hank’s character and experiences. Smell also conveys Dora’s troubling emotions that oscillate between her positive and negative experiences. For instance, the smell of blueberries is a vivid memory of her best friend, Dumpling, as she recalls a day when they picked blueberries together just in between fall and winter. This smell indicates the transformative effect of Dumpling’s accident on Dora, which she relates to the changing seasons: “It was a bumper crop and a perfect fall day, when everything smells ripe, like it’s just about to turn and it’s rushing to do so before winter” (187). The smell of alcohol is particularly traumatic for Dora as it reminds her of her father and the abuse she experienced.

The Red Ribbon

The red ribbon symbolizes the idea of love and hope and represents Alaska as a place of belonging. Dumpling defines the symbolism of the red ribbon while gifting one to Ruth: “I have a whole cigar box full of them. I figure it’s good luck. You know, a reminder of what love can do” (81). As an Indigenous character, Dumpling is deeply grounded in Alaska and the red ribbon symbolizes the survival of her family against adversity, a reminder of her father rescuing her mother from the flood. Passing on the red ribbon to Ruth, Dumpling seeks to encourage her and convey this idea of resilience and love.

The red ribbon is key in Ruth’s meeting with Hank. When Ruth drops the ribbon outside the mercantile, Hank is motivated to return it to her. After they meet, Ruth allows Hank to keep the ribbon, echoing Dumpling’s gesture. The ribbon foreshadows their meeting in Fairbanks at the end of the story. Ruth also asks her baby’s foster mother to give the red ribbon to her baby, as a sign of her eternal love for it as a mother despite their separation. When Ruth returns to Fairbanks, Hank ties the red ribbon to her wrist, establishing her homecoming and a newfound sense of belonging.

Alaska

The Alaska setting is an integral motif in the story and a formative factor for the characters. Hank and Ruth feel that their lives were defined by the country’s social context after statehood. They experienced dramatic changes in their families after the loss of their fathers which they link to the social conditions of the country during the 1960s and early 1970s. Ruth’s father died in a plane crash while on a trip defending Alaska’s independence, and Hank’s father drowned in a tsunami after noting the imminent changes of statehood. Both characters recall the older way of life in Alaska. Ruth vividly recalls the meat her father brought from hunting as a beautiful childhood memory. Hank also remembers his father’s fishing stories that defined his and his brothers’ imagination. After their families’ disruption, the two must navigate life alone and find a new sense of belonging in Alaska.

The natural environment is central to Dora and Alyce’s experiences. Alyce spends her childhood fishing on her father’s boat, which instilled in her a great love for the Alaskan sea. On the coast, Alyce feels at home in a familiar environment for forms part of her identity. The sea made her dreams “bouncy,” and she feels at peace, momentarily relieved from her anxiety about dancing: “Even if I do wish I could dance, it smells so much better in this part of Alaska, thanks to the minty Tongass rain forest with its huge cedars and hemlocks and all its lush greenery” (52). Similarly, the Alaskan land central to Dora’s identity as an Indigenous person. At the fish camp on the Yukon River, Dora reconnects with the natural world and her inner traumas gradually subside. There, Dora finds a sense of belonging among the Indigenous community through the practice of salmon gathering: “Everything has a purpose here, even me” (94). Ultimately, Alaska forms part of the understanding and experience of the protagonists and defines their identity throughout the story.

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