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47 pages 1 hour read

Hugh Lofting

The Story of Doctor Dolittle

Hugh LoftingFiction | Novel | Middle Grade | Published in 1920

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Background

Authorial Context: Hugh Lofting and Doctor Dolittle

Content Warning: This section of the guide describes and discusses the source text’s treatment of colonialist attitudes, which it portrays in a positive light, and its outdated and offensive depictions of Indigenous Africans, which rely on racist stereotypes.

Hugh Lofting created Doctor Dolittle during World War I to entertain his children with positive stories amidst the horrors of war. Serving in the Irish Guards, Lofting witnessed firsthand the brutality and devastation of trench warfare. Amidst the harsh realities, he sought to shield his children from the traumatic impact of the war by writing imaginative letters to them. Thus, the tales of Doctor Dolittle, a kind and eccentric doctor who could communicate with animals, were born. Before enlisting, Lofting had a career as a civil engineer and traveled extensively, experiences that broadened his perspective and fueled his creativity, influencing his writing.

After the war, Lofting moved to the United States, where he expanded his letters into his first book. Published in 1920, “The Story of Doctor Dolittle” quickly became a beloved classic. Lofting’s creation of Doctor Dolittle exemplifies how literature can become a beacon of hope in times of adversity. These stories served as a refuge, not just for Lofting’s children, but also for the author himself, offering an escape into a whimsical world where problems were solved through understanding and cooperation rather than violence and destruction.

The character of Doctor Dolittle embodies the antithesis of war: He is a healer, a nurturer, and a communicator, dedicated to the well-being of all creatures. This contrast to the wartime environment underscores a profound yearning for peace and humanity’s inherent capacity for compassion and empathy. For Lofting, the stories were not merely escapism; they were a form of resistance against the dehumanizing effects of war, a reminder of the goodness that persists even in the darkest times. Lofting’s creation illustrates how literature can serve as both a personal coping mechanism and a broader cultural commentary, offering solace and hope through the power of imagination. This context enriches our understanding of the series, emphasizing the role of creative expression in the face of adversity.

Sociohistorical Context: Early 20th-Century Attitudes in Doctor Dolittle

Hugh Lofting’s Doctor Dolittle reflects the early 20th-century colonial perspective of white Western Europeans. The novel, which follows the adventures of a veterinarian who can communicate with animals, highlights the pervasive influence of colonialism and interventionist attitudes of the era. As Dolittle journeys to lands far from his home and interacts with Indigenous cultures, Lofting portrays him as a benevolent figure bringing knowledge and assistance to “less civilized” societies. This depiction aligns with the paternalistic and racist philosophy of colonial literature. These elements, indicative of the period’s worldview, invite critique and discussion on the legacy of colonialism.

A striking example comes in the depiction of the Jolliginki people and their king, who attempts to imprison and enslave Dolittle because his skin color is that of the “White Man.” Lofting portrays the African Jolliginki people as victims of colonial exploitation, with their lands left barren, their gold extracted, and their elephants slaughtered for tusks, and reifies the colonial narrative of Indigenous cultures as primitive and victimized caricatures. Additionally, original editions of Doctor Dolittle included overtly racist content, such as a storyline involving Prince Bumpo’s request for skin bleaching, which was later removed due to its offensive nature. Examining the book’s publication history and the subsequent edits provides insight into the evolving perspectives on colonialism, xenophobia, and racism. Moreover, Dolittle’s financial success from his travels, acquired through the rare two-headed pushmi-pullyu gifted by the monkeys, also reflects early 20th-century attitudes that leave questions of privilege, appropriation, and exploitation uninterrogated. Despite his reluctance, Dolittle’s tour with the rare creature, charging admission, highlights the exploitation and commodification of the “exotic.” Analyzing Doctor Dolittle through the post-colonial lens reveals the themes of exploitation, racism and paternalism interwoven in Lofting’s work. This contextual analysis underscores the importance of understanding historical literature to grasp the prevailing ideologies of its time and encourages critical examination of the progression of social and environmental consciousness over time.

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