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51 pages 1 hour read

Julie Otsuka

The Swimmers

Julie OtsukaFiction | Novel | Adult | Published in 2022

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Character Analysis

The Swimmers

The swimmers are the collective protagonists and narrators of Parts 1 and 2. The number of swimmers in this group is undefined. Throughout their narrative, many first names are revealed but never in connection to a fully delineated person. Their traits, circumstances, and habits are all mixed together and revealed in lists that examine some aspect of the community as a whole rather than any individual.

Writing from the perspective of the entire group rather than a single character or an omniscient, third-person narrator allows the author to paint a bigger picture while maintaining a feeling of intimacy for readers as if they’re learning the swimmers’ secrets first-hand. The aspect of omniscience is present within the group, but their subjective views of non-swimmers—land people—support Julie Otsuka’s study of in-group culture.

In their lives outside the pool, the swimmers have varied professions, families, cultures, and personalities. Their devotion to swimming laps at the local pool unites them. More casual pool patrons may occupy the water at the same time, but they aren’t part of the community and so are practically invisible to the swimmers. Their near fanatical devotion to swimming warrants belonging to this group.

The pool and the act of swimming carry a good deal of symbolic weight in the story. As characters, the swimmers fit neatly into Parts 1 and 2 of the book. Their connection to Parts 3-5, however, requires a more abstract and symbolic view. The exploration of Alice’s memories and dementia can be seen as an effort to understand what shapes her identity and gives her life meaning. Similarly, the examination of the swimmers’ community is an effort to understand the routines that structure people’s lives and create meaning and a sense of belonging between community members. It is also a psychological exploration of the ways people cope with life’s hardships.

The swimmers’ character arc ends when the pool closes. They will each go on with their lives, but the shared identity of their time together at this pool dissolves. No clear-cut answer is given as to whether they will find other effective ways to stay sane and connected. The most likely outcome is that some will and some won’t. Despite their shared identity, they are individuals too. Some demonstrate more optimism and resilience than others, viewing the pool’s closure as “an opportunity to stop shuffling around in our flip-flops and finally go up there and start living life” (71). The swimmers grieve the loss of their pool and community, and hopefully, they’ll come to accept it.

Alice

Alice, who is only a peripheral character in Parts 1 and 2, becomes the protagonist of Parts 3-5. She is a dynamic and complex character based on the author’s own mother. At the start of the novel’s timeline, Alice is in the early stages of dementia. She is introduced as one of the titular swimmers, one part of a dedicated community that offers a sense of belonging. Her dementia symptoms are merely one example of the myriad stressors and frustrations in the swimmers’ lives. Starting in Part 3, the narrative zooms in to focus on Alice, creating an intimate portrait of her life through her and her daughter’s memories.

Like everything in the book, Otsuka portrays Alice’s character through an accumulation of details, always in the context of examining who she was before dementia, and how dementia is changing her over time. Alice is a Japanese American, a retired lab technician, a swimmer, a wife, and a mother. Some of her traits are revealed through authorial interpretation. For example, the narrator informs the reader directly that Alice had previously been a stylish dresser who always had her hair and makeup done perfectly. Other traits can be derived from her actions, like the efforts she makes to stay close to her daughter and her kindness toward the other Belavista residents.

Alice’s flaws receive minimal attention, apart from those personality changes caused by dementia. The narrative does not proclaim her to be flawless or make any overt statements about what type of person Alice is. Rather, it treats her with the tenderness of a daughter mourning her mother and seeking to honor her memory. There is no claim of objectivity in Alice’s portrayal, only a depiction of Alice as her daughter sees her.

Though the narrative of The Swimmers is not presented linearly, the general order in which things occur for Alice can be inferred, at least enough to trace the relevant aspects of her character arc. In the early stages of dementia, swimming laps at the local pool helps provide routine and meaning in her life, anchoring her to the world she’s made for herself. When the pool closes and she loses that anchor, her cognitive decline accelerates. Belavista provides a level of supervision that Alice’s family cannot, but the poor quality of care they provide expedites her deterioration rather than slowing it. As more and more of her memories fade and her body becomes frailer, her daughter nevertheless observes small moments that suggest Alice’s identity and legacy will not be lost.

Alice’s Daughter

Alice’s daughter is based on the author. She is not present in Parts 1 and 2, but Parts 3 and 5 are narrated from her perspective, as though she’s writing to herself. She doesn’t narrate Part 4 but is referenced occasionally.

Alice’s daughter is never named in the book. Her appearance is described only minimally—she looks more like her father than her beautiful mother. She has two younger brothers and knows about a sister born before her who died at birth. Like many of the swimmers in Parts 1 and 2, she has compulsions stemming from anxiety, which manifested by the time she was five years old. This informs her fascination with, and understanding of, the swimmers’ need for order in their pool routines and lives.

As a child, Alice’s daughter had a close relationship with Alice but distanced herself when she reached adulthood. Her comments about moving away from home at a young age and rarely visiting indicate a source of guilt now that her mother is dying. She found her mother overwhelming and exhausting. Her realization that she overlooked many signs of her mother’s dementia before it was diagnosed is another source of guilt and regret. The lessons she learns about mother-daughter relationships, grief, and loss shape the novel’s themes.

Alice’s daughter mostly plays the role of observer, compiling the details of Alice’s life and disease to illuminate Alice’s true identity—before dementia changed her—and to honor her life and legacy. She also examines her own relationship with Alice, in the big and small moments they shared and within the larger construct of mother-daughter bonds. She creates resolution for Alice’s story by seeking answers after her death. Sending Alice’s brain to be analyzed is her way of grappling with the profound questions that accompany significant loss—in her case, not only her mother’s death but the loss of the woman she knew to dementia.

Belavista

Belavista is a place, not a person, yet it is personified and given a voice, converting it into a character. If any character can be called the antagonist in this story, it’s Belavista. The persona of this for-profit memory residence narrates Part 4, directly addressing its newest resident, Alice.

As a character, Belavista has no transformative arc. It is a maligned institution at the beginning of the story and the end, undergoing no real change. Instead, it functions as an ever-present adversary in a man versus society conflict, representing society’s collective greed. Alice’s stakes in this conflict are her dignity and sense of value.

Belavista is characterized in part by its appearance and physical attributes. Everything’s bolted down, the doors are always locked, and the windows don’t open, portraying it as a place where the residents have safety but no freedom. The sparse furnishings are made of cheap materials, and the views from the residents’ rooms are unpleasant. In other words, Belavista values saving money over its residents’ comfort. The appearance of the spaces where the residents spend their time contrasts sharply with the lobby’s appearance, where leather furniture, flowers, tasteful art, and a shimmering water wall greet potential residents and their families. This contrast characterizes Belavista as hypocritical.

The voice in which Belavista speaks to Alice is cold and imbued with a sinister quality. It shamelessly reveals how profit drives all decisions about patient care and facility operations. The results of Belavista’s value system—seen in patient outcomes—also define it as a character. Its neglectful practices result in patients’ health deteriorating. Its rigid rules and controlling nature—“You will wake when we decide you will wake. You will sleep when we put you down and turn off the lights” (103)—result in patients’ loss of identity and dignity.

Belavista also plays a symbolic role in the story. In a fairly concrete sense, it represents commercialized health care. In a more figurative sense, Belavista represents the inevitability of death and the hopelessness that often goes with it. Belavista tells Alice her stay there is the final phase of her journey. Its message to residents is that being there means they’re dying. It goes on to imply they have no further value, no reason to hope their final months or years can be meaningful.

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