52 pages • 1 hour read
J.R. MoehringerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Moehringer begins Chapter 35 by reflecting on reuniting with his cousin McGraw, who had moved to Nebraska to pursue a professional baseball career. McGraw now physically dwarfed Moehringer, which startled Moehringer, since he regarded himself as McGraw’s elder brother.
He was soon after noticed by an editor who gave him the opportunity to begin writing small columns on local incidents. Moehringer explains that while he did not want to admit that the bar could be a distraction to him, he forbade himself from visiting it during his trial month writing for the times, dedicating himself to his work instead. Moehringer found that by focusing on telling the truth and not worrying how it would sound, he greatly improved his writing and attracted the attention of a top editor at the Times. He also recalls a painful mistake he made when reporting the shooting death of an elderly man by the police in which he spelled the man’s name incorrectly in his article. Moehringer remembers being consumed with guilt and self-loathing for his mistake and its effect on the victim’s family.
While still self-conscious about his work, he felt his confidence growing and hoped that soon he would be making enough money to support his mother and her dream of going to college. Sidney also crossed his mind again, and he vacillated between trying to spite her with his success, to wanting to attain her social status and be her boyfriend again.
After his trial month, Moehringer frequented the bar again. In fact, he felt that he practically lived there. As a result, his friendship with Bob the Cop deepened, and he began lending him books and spending time with him outside of the bar. He learned that Bob accidentally shot another police officer when he was in his early twenties, which was what caused him to move to Manhasset. This prompted Moehringer to realize how little perspective he’d had about his own professional shortcomings, which were not so consequential in comparison.
These chapters mark another turning point in Moehringer’s personal development, as he was able to take inspiration from his cousin’s attitude and apply it to his own life. Moehringer describes playing catch with McGraw and noticing that his cousin was not afraid of making mistakes or paralyzed by self-doubt when he failed. This observation helped Moehringer reflect on his own anxious responses to failure, and he became inspired to apply himself at work the way McGraw had to his sport. He recounts that playing catch with McGraw for one hour had taught him “more than all the editors at the Times” had taught him in nearly two years (288). As usual, Moehringer is quick to credit others with his own maturation, showing how he came to have a renewed sense of drive and purpose in his career.
Moehringer emphasizes that it was McGraw, Uncle Charlie, and the men from Publicans who inspired his inner changes. Knowing he had to learn how to better cope with the pressures of newspaper deadlines, he visualized Cager, Bob the Cop, McGraw, and Joey D overcoming problems with their own unique flair and confidence. He writes that he thought of “Uncle Charlie doing the flamingo tango while mobsters plotted his demise, and Joey D’s serene face while beating a drunk senseless. Relaxkidjustfuckingrelax. I thought of them all and it helped” (290).
Another notable part of this chapter is Moehringer’s inclusion of his conflicted feelings about his ex-girlfriend, Sidney. While he sometimes hoped his success as a writer would cause her grief and regret, he also felt that he could still earn her love by a higher salary and a nicer apartment, and he fantasized about proposing to her one day. These inclusions are far from linear; in fact, they contradict much of Moehringer’s earlier realizations and decisions. By including these different thoughts, he paints an honest picture of the long, winding process of his maturation, which was an organic human process and not a neat series of logical steps.
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