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J. R. R. TolkienA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Tolkien consistently uses the motif of light to represent good and darkness to represent evil, creating images of light appearing in the darkness to symbolize the power of hope. Light and dark imagery appear throughout The Two Towers, such as when Théoden’s restoration is accompanied by a ray of sunlight coming through the clouds and shining into his hall. Frodo and Sam’s journey into Mordor also particularly emphasizes light and darkness to convey the increasingly evil landscape they face and the small moments of hope that allow them to continue.
For example, when a Nazgûl flies over Frodo and Sam, the world around them is plunged into unnatural darkness. Sam’s Elvish rope manages to save Frodo from being trapped on a dangerous ledge, and Frodo’s description of that moment emphasizes how the light color of the rope conveys its goodness: “I could see nothing, nothing at all, until the grey rope came down. It seemed to shimmer somehow” (595).
Likewise, Galadriel’s phial provides Frodo with literal light in the darkest place he has ever been—Shelob’s lair. The light is not only literal but also represents hope:
[A]s he stood, darkness about him and a blackness of despair and anger in his heart, it seemed to him that he saw a light: a light in his mind, almost unbearably bright at first, as a sun-ray to the eyes of one long hidden in a windowless pit (703-04, emphasis added).
By indicating that the darkness is both around Frodo and “in his heart,” Tolkien conveys how evil both pervades the environment of Mordor and negatively influences the morale of Frodo and Sam as they try to travel through it.
There is one exception to the use of light to indicate good and dark to indicate evil found in Tolkien’s description of Minas Morgul, the fortress of the Nazgûl. Rather than being a place of total darkness, the fortification shines white: “Paler indeed than the moon ailing in some slow eclipse was the light of it now, wavering and blowing like a noisome exhalation of decay, a corpse-light, a light that illuminated nothing” (688). This description emphasizes how the light of Minas Morgul is a false and horrible light rather than a comforting or hopeful light. In particular, Tolkien affiliates the pale color with corpses and decay. Minas Morgul was once a tower built by Gondor representing the moon, and therefore its pale glow represents how even what is good and bright can be corrupted and twisted to serve an evil purpose.
Throughout The Two Towers, the food eaten by different creatures in Middle-earth symbolizes the values of their cultures. Tolkien uses the foods preferred by Hobbits, Elves, Orcs, and Ents to convey the positive or negative traits of these creatures. For example, Merry and Pippin are forced to drink a draught made by the Orcs who have captured them. While the drink does give them more energy, they describe it as repulsive to consume. After Merry and Pippin escape, they switch back to eating Elvish lembas bread and remark, “Lembas does put heart into you! A more wholesome sort of feeling, too, than the heat of that orc-draught” (448). The comparison of lembas as being similar in its energizing effects but in a more “wholesome” way ascribes moral superiority to the Elvish food and, therefore, the Elvish people.
In contrast, Merry and Pippin evaluate the food of the Ents as generally good, but lacking in the solidity required for Hobbits. Unlike other creatures in Middle-earth, Ents only drink for sustenance. However, Merry and Pippin do not seem to starve as they might drinking only water for many days. The supernatural abilities of the Ents’ drink is also hinted at when Tolkien describes how “the effect of the draught began at the toes, and rose upwards, right to the tips of the hair. Indeed the hobbits felt that the hair on their heads was actually standing up, waving and curling and growing” (460). While this water is nourishing and seems to allow the Hobbits to grow taller than normal, Merry and Pippin prefer the feast of bread and salted pork they find at Isengard, claiming, “Treebeard’s draughts may be nourishing, but one feels the need of something solid” (547).
Frodo suggests that food can even be a tool to reform corrupted creatures when he encourages Gollum to share their provisions. While Gollum claims that lembas is disgusting to him, Frodo reminds him, “I think this food would do you good, if you would try. But perhaps you can’t even try, not yet anyway” (608). Frodo’s hope that one day Gollum can try to eat the food made by Elves again shows that he wishes to help reform Gollum and cure some of the damage done to him by the Ring. Food is therefore symbolically associated not just with the nature of a culture but also with individual morality and the potential to get better or worse.
The eye is a symbol representing Sauron, and the motif of being watched recurs throughout The Two Towers, conveying how Sauron’s power renders a person vulnerable. Pippin sees Sauron as an eye when he looks into the Palantír; Frodo and Sam pass by a statue of an ancient king vandalized by Orcs, its head replaced with an eye painted on stone. Tolkien also explores how Sauron’s symbolic association with eyes represents his particular form of evil.
Frodo associates Sauron’s eye with a feeling of vulnerability and his own helplessness in the face of a powerful evil. As Frodo travels closer to Mordor, “he [i]s troubled by the Eye […] The Eye: that horrible growing sense of a hostile will that strove with great power to pierce all shadows of cloud, and earth, and flesh, and to see you: to pin you under its dead gaze, naked, immovable” (616). This passage illustrates how the gaze of Sauron’s eye makes Frodo feel afraid, exposed, and unsafe, no matter where he goes.
When Sam takes the Ring at the end of The Two Towers, he uses its power to become invisible when he needs to hide from the Orcs. While the Ring has the power to make him vanish, Sam draws attention to the irony of Sauron’s greatest treasure being able to hide him from sight: “He did not feel invisible at all, but horribly and uniquely visible; and he knew that somewhere an Eye was searching for him” (717). While the Ring can hide a person from physical sight, it makes a person even more visible to Sauron and his servants. This irony suggests that part of the horror of Sauron is his ability to perceive—even in places that are far away and believe themselves safe from his evil influence.
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By J. R. R. Tolkien
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