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48 pages 1 hour read

Brit Bennett

The Vanishing Half: A Novel

Brit BennettFiction | Novel | Adult | Published in 2020

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Symbols & Motifs

Skin Tone

A good deal of emphasis is placed on skin tone throughout the book. The difference between White and Black is important, but so are the nuanced shades of black and their various meanings. Much of the novel’s racial intolerance is exhibited by the inhabitants of Mallard. Because they are so light-skinned, they look down on Black people with darker complexions. Part of Adele’s animosity toward Early stems from his dark complexion. She equates his skin tone with poverty, indigence, and low social status. She also initially dislikes Jude because of her black skin. The girl’s skin tone indirectly suggests a Black father whom Adele would classify negatively in the same category as Early.

Jude is harassed by her schoolmates in Mallard because she is the only dark-skinned child in town. One of the reasons she flees to California is to escape the misery inflicted on her by the villagers. She has already internalized a sense of unworthiness because she views her own skin color as unacceptable. As a child, Jude recalls her father taking precisely the opposite view of skin tone. Sam beats Desiree because her light skin is a tacit reproach of his own darkness. He cautions Jude, “‘You gotta watch your mama […] She still like those folks.’ ‘What folks?’ […] ‘The folks she come from,’ he said. ‘Your mama still got some of that in her. She still think she better than us’” (88). Finally, despite Stella’s Caucasian complexion, she lives in mortal terror of being exposed by another Black person. In her own mind, she can never be White enough to feel completely safe.

Secrets

Although The Vanishing Half concerns itself with Stella’s secret identity, she is far from the only character who conceals the truth from those close to her. Desiree begins the pattern of deception when she convinces Stella to run away from home. They tell no one of their plans before fleeing to New Orleans. Desiree continues a covert pattern when she steals away from her husband and conceals her whereabouts so that she won’t be found. She lies to Jude when she says they will leave Mallard someday soon.

Desiree isn’t the only secret keeper in the novel besides Stella. Early protects Desiree’s secret by lying to Sam about his wife’s location. He continues to conceal this information for decades. Desiree is shocked when Adele reveals a secret about Stella passing for White as a teenager.

Aside from Stella, the character who conceals the most secrets is Jude. The girl begins a pattern of deception as a teenager when she sneaks around at night to have sex with a light-skinned Mallard boy. After she meets Reese in California, she never reveals his transgender identity to anyone in her family. She covertly orchestrates a meeting with Stella and continues to maintain contact with Kennedy for decades, never revealing either of these facts to her mother. Even the loquacious Kennedy becomes adept at concealing the truth. She never tells Stella about Adele’s death, reassuring Jude that keeping this secret is the right thing to do. 

Acting

The motif of acting, both on and offstage, features prominently in the novel. Initially, the reader learns that Desiree played the lead in her high school play. She always wanted to become an actress. Ironically, it is the subdued Stella who becomes an actress: Her decision to pass as White is a lifelong piece of performance art. At one point, she thinks, “There was nothing to being white except boldness. You could convince anyone you belonged somewhere if you acted like you did” (149).

Although Jude has a shy nature, she takes a job at a theater to get close to Kennedy. Her presence in that world might even be considered a form of acting since she pretends to be Kennedy’s friend to gain information about Stella. When Jude tells Kennedy that she would hate to perform on stage and have people staring at her, Kennedy says, “Yes, but acting is different […] You only show people what you want to” (242).

Strangely enough, the principal source of contention between Stella and Kennedy is the girl’s desire to pursue an acting career. Stella’s entire life is an act, yet she can’t understand why someone would willingly assume the identity of a stranger. Stella has internalized upper-middle-class values to such a degree that she wants her daughter to choose a respectable career instead. Stella herself manages to build a career in academia that fulfills a desire formed long ago by her past self in Mallard and reaches fulfillment decades later in California. Her role as a mathematics professor may be the one part of her life that isn’t an act.

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By Brit Bennett