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62 pages 2 hours read

Alison Espach

The Wedding People

Alison EspachFiction | Novel | Adult | Published in 2024

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Part 1Chapter Summaries & Analyses

Part 1: “Tuesday: The Opening Reception”

Part 1, Chapter 1 Summary

Content Warning: The section of the guide includes discussions of infertility, pregnancy loss, and suicide.

A third-person limited narrator introduces the novel’s leading protagonist, Phoebe Stone, as she arrives at the fictional Cornwall Inn in Newport, Rhode Island. Traveling from her home in St. Louis, Phoebe’s decision to take this vacation is impulsive and long overdue. Phoebe’s husband initiated a divorce one year prior, an event from which she has not yet recovered emotionally. The divorce occurred after several unsuccessful attempts to conceive a pregnancy via in vitro fertilization (IVF). The COVID-19 pandemic, which began simultaneously with the end of Phoebe’s marriage, paused Phoebe’s life amidst grief and confusion. Unable to face her daily responsibilities as a Victorian literature professor, Phoebe spontaneously purchases an airline ticket and room at Cornwall; she leaves for her vacation without her typical pre-trip preparations or even packing a suitcase.

Phoebe’s elegant emerald green dress contrasts sharply with the casual attire of the other hotel-goers, who (Phoebe soon learns) are wedding guests for the week-long nuptials of Lila Rossi-Winthrop and Gary. Phoebe waits in line behind two bridesmaids who lament their difficult flights and reminisce about the bride in high school, both commenting on her flawless beauty. Phoebe silently names them “High Bun” and “Neck Pillow.” They eagerly anticipate meeting Gary and seeing their cherished friend; the pandemic prevented an earlier introduction, and both friends share lingering feelings of disconnection and loneliness after isolating for so long. Lila appears with gift baskets filled with expensive bottles of alcohol, and the bridesmaids warmly embrace their friend. Phoebe confirms that Lila is exceptionally conventionally attractive: thin with blond hair and a sophisticated style. Lila mistakes Phoebe for a wedding guest, enthusiastically handing her a gift basket before hugging and welcoming her to the wedding. This interaction stuns Phoebe: her ending marriage, divorce, and isolation deprived her of tender and kindhearted exchanges for years. Before Phoebe can correct Lila, the receptionist, Pauline, invites Phoebe to check in.

Phoebe’s presence as a guest unrelated to the wedding confuses Pauline. She admits the Inn is experiencing staffing shortages, and she is a new hire. However, Pauline ensures Phoebe will stay in the penthouse suite with an ocean view. The room has a Roaring Twenties theme. Lila dashes into Phoebe’s elevator, cutting her hand while attempting to stop the closing doors. She makes small talk with Phoebe, who admits she’s not with the wedding party. Confused, Lila says she booked the Inn entirely for the wedding and is not expecting outside guests. Phoebe confesses she plans to die by suicide while staying at the Cornwall Inn; she feels relieved when stating her intentions. Shocked, Lila argues that Phoebe cannot die by suicide during her wedding. Phoebe and Lila argue about whose major life moment renders more significant: Lila’s wedding or Phoebe’s death. Phoebe thinks Lila should learn about the disappointments in marriage as soon as possible. She recollects happier moments from her wedding 10 years prior, missing the joy she felt when deeply in love.

High Bun and Neck Pillow intercept Lila, who realizes her hand bled onto her dress. Phoebe sneaks away to her room and drinks German chocolate wine from Lila’s welcome basket.

Part 1, Chapter 2 Summary

The narrative flashes back two years, detailing Phoebe’s hardships in the months before her divorce from her husband, Matt Stone. While recovering from a miscarriage, Phoebe plans a vacation to the Cornwall Inn. Phoebe’s nonviable pregnancy marks the end of a long and challenging infertility struggle, and she’s eager to create something to which she can look forward. Matt judges Phoebe for constructing a spreadsheet about Cornwall’s excursions and fun activities, and he suggests they return to the more affordable Ozarks, their traditional vacation destination. Phoebe agrees to this plan, though she dislikes the extensive workload of building an itinerary and hiking plan in the Ozarks. Lately, Phoebe feels all aspects of her life are tiring, including sex. Phoebe also feels disappointed with her career. Although she and Matt both work as college professors, Matt has tenure while Phoebe is an adjunct. Matt enjoys more security and opportunities than Phoebe, although they have carried a similar workload for years. Phoebe blames herself for failing to advance as she hasn’t published anything since her dissertation.

One evening, Phoebe sends Matt a flirty text suggesting the couple have sex later. Matt returns home with a bottle of champagne. Instead of initiating intimacy, he toasts to an award he will soon receive from the university where he and Phoebe work. Phoebe celebrates with her husband, though she finds the champagne too dry after the initial sip. Later, Matt notices Phoebe’s text message and apologizes tenderly for missing it. Phoebe wishes Matt would show more aggression in bed; she fantasizes about rough sex with Matt. Phoebe discusses feeling inadequate with her cat, Harry.

Phoebe begins to think of her life as a tragic Russian novel, still beautiful but unhappy at its end. She ponders various deceased mothers in literature (e.g., Cinderella‘s mother) while thinking of her mother, who died during childbirth. On impulse, Phoebe buys an expensive emerald dress for Matt’s award ceremony. She believes she deserves to look and feel special in place of being pregnant and having a family. Ultimately, Phoebe decides the dress is too flashy for an event held in a college gymnasium in Missouri. She opts for a black Calvin Klein dress, which she has worn yearly to the same event for over a decade.

Phoebe and Matt purchase wine from their favorite shop on the day of the award ceremony. The misogynistic undertones of the wine seller unsettle Phoebe more than usual, especially when she sees the tip jar labeled “Joe’s Pussy Fund” (35). At the event, Phoebe feels the weight of Matt’s professional success overshadowing her career achievements. She feels suspicious and dismayed by Matt’s joyous interactions with Mia, a physically attractive co-worker further advanced in her career than Phoebe. Mia’s husband, Tom, has depression and attempted to die by suicide a few years prior, after which Phoebe and Matt offered friendly support. Although Phoebe once considered Mia a close friend, she feels jealous of Mia’s ability to make Matt laugh. The fact that Mia recently became a mother doesn’t help their strained relationship.

Phoebe begins to fantasize about Matt as a stranger who asserts himself aggressively during sex. The couple grows distant. Phoebe’s attempts to feel content with her career, marriage, and personal life dissolve in the first few months of isolation during the COVID-19 pandemic. One evening, Matt packs his bags and leaves after a quiet dinner. He tells Phoebe that he is in love with Mia.

Part 1, Chapter 3 Summary

Returning to the Cornwall Inn timeline in the narrative present, Phoebe catches her self-criticism as she pours more chocolate wine. She thinks about the years of self-implicated rules and how she’s still divorced, with no children and a stalled career. Phoebe wants to see the ocean before she dies but feels disappointed by the sea. She has never visited the ocean before, a fact Matt found cute. Phoebe wants to eat a large, decadent dinner before her death. She calls to order room service but is told the Inn is understaffed and all guests are invited to attend the welcome reception for the wedding. Phoebe cannot face a room of happy people celebrating, so she sits on the beach and thinks about the past few days.

Mia and Matt now raise Mia’s baby (from her previous marriage with Tom) as their own. Phoebe lost her office when she opted to teach online for another year during the pandemic. Now, her desk resides in the senior faculty lounge beside the copy machine. On her last day at work, she confronted Mia in front of the jammed copy machine, and although she apologized, Mia declared Phoebe and Matt’s marriage ended long before Matt and Mia’s affair began. Phoebe returned home to discover Harry, her cat, died in his sleep. She drank heavily and woke up the following day with a hangover. This is the moment Phoebe decides she will travel to the Cornwall Inn to die by suicide.

Part 1, Chapter 4 Summary

The details Phoebe planned for her death begin to unravel. In addition to being disappointed by the ocean and failing to order a luxurious dinner, Phoebe’s music keeps skipping, and the cigarette she wants to smoke makes her cough. She hears the wedding people laughing and enjoying a pleasant evening below her; however, she enjoys spying on the other guests from her balcony. Lila knocks on Phoebe’s door and barges into Phoebe’s room, demanding that Phoebe stop smoking. She also begs Phoebe to delay her planned death by suicide by a week so as not to ruin the wedding. Lila is incredulous that Phoebe’s room has a nicer balcony and view than her own, especially since she requested a “shoreline” view. Phoebe explains what a shoreline view means before detailing the origin of the word “balcony,” and Lila is impressed.

Phoebe and Lila fall into a conversation about insignificant art. Lila works at an art studio as the curator’s (her mother‘s) assistant, but she dislikes her work. Lila briefly shares details about her family. Her parents, Patricia and Henry, raised Lila with conflicting religious beliefs that left her terrified of dying and hell. Lila reminds Phoebe of her students; she peppers Lila with questions, encouraging her to draw conclusions. Henry died before Lila could get married; the pandemic delayed the nuptials. His dying wish was to see Lila marry, so he gifted her $1 million. Lila feels intensely pressured to ensure the wedding is exquisite because of her father’s contribution, which was his final gift to Lila. Gary, her fiancé, was Henry’s doctor, who tried and failed to save Henry’s life. Lila offers to pay for Phoebe’s weeklong stay at the Cornwall Inn if she promises not to die by suicide for a week. Phoebe declines, and the women enter into a shouting match about Phoebe’s plans to end her life.

Just as Lila turns to leave for her opening reception, Phoebe notices a bit of food stuck in Lila’s teeth. Phoebe noticed this earlier in the lobby and is concerned that Lila’s friends failed to point it out. Phoebe stops Lila and addresses the issue. Lila calls the front desk and requests floss. While waiting, she suggests she and Phoebe stand on the balcony and spy on the wedding guests with binoculars. Lila reveals how Gary is an older widower with one pre-teen daughter. His brother-in-law, Jim, is the best man. Gary’s close friendship with Jim feels weird to Lila, and she worries Jim will try to ruin the wedding. She watches Jim flirt with her mother; Lila launches into the story of how her parents met and collected contemporary art for decades, only for Henry to confess he hates modern art just before dying. Now, Patricia warns Lila away from marrying. Lila’s monologue encourages Phoebe to consider her relationship with her father, which was strained after her mother’s death. Phoebe spent most of her childhood trying to get by quietly without upsetting the men in her life. She wonders how her life might have been different had her mother survived childbirth. Lila continues to talk about her father on his deathbed, and at one point, both she and Phoebe enter an uncontrollable fit of laughter. Phoebe can’t remember the last time she laughed so hard; she realizes she never laughed like this with Matt. 

Part 1, Chapter 5 Summary

When Lila returns to the open reception, Phoebe feels lonely and empty. She finishes the bottle of chocolate wine and takes an entire bottle of Harry’s pain pills, which are tuna flavored. She immediately wonders if the dosage will be enough to end her life. Pauline arrives, delivering a coconut pillow and offering complimentary spa services to compensate for the lack of room service. Phoebe declines, but the two have a polite conversation. Pauline is from the Midwest and is a recent college graduate; she feels ecstatic to have landed her job as a property manager straight out of college, though she understands the hiring pool is limited due to the COVID-19 pandemic. Pauline appreciates Phoebe’s kind honesty.

Phoebe tries to lie in bed, but she hears Patricia make an impromptu speech and decides to move to the balcony to better hear. Lila specifically requested that her mother not make a speech. As waves of fatigue sweep over Phoebe, Patricia’s speech grows increasingly humiliating at Lila’s expense. Phoebe realizes she doesn’t want to die without hearing Patricia circle to a wholesome conclusion. She fights the exhaustion, traveling to the bathroom and forcing herself to vomit. The speech improves slightly, and Phoebe falls asleep with her face pressed against the cold marble bathroom floor as other wedding guests toast the bride and groom.

Part 1 Analysis

Espach introduces her protagonist amidst significant challenges with depression, choosing to withhold detailed explanations of the life events contributing to Phoebe’s mental health condition until later chapters. Thus, Phoebe’s decision to die by suicide is surprising to the other characters. This approach isolates commentary about Phoebe to her perceptions and assumptions, reflected through a limited third-person perspective. By focusing solely on Phoebe’s internal thoughts, Espach emphasizes her character’s sense of isolation. For instance, the narrator reflects, “It’s tempting for Phoebe to think like this now—to believe that everybody is as alone as she is” (5), highlighting her belief in universal loneliness as a coping mechanism. Similarly, Phoebe questions, “How much of her life had she spent in this moment, waiting for someone else to decide something conclusive about her?” (28), illustrating her struggle with self-definition and dependence on external validation. The novel’s initial chapter underscores the depth of Phoebe’s isolation and her introspective struggle with her sense of self-worth.

Comparatively, the narrative introduces Lila through Phoebe’s perspective, which casts her as shallow, selfish, and pretentious. This portrayal is particularly evident when Lila reveals her concerns in response to Phoebe’s serious confession. For instance, when Phoebe shares her intention to die by suicide, Lila’s focus remains on her own disrupted plans, stating, “‘All I worried about for the last two years was catching Covid and dying before I could have my wedding’” (60). This reaction underscores Lila’s self-centered nature and lack of empathy toward Phoebe’s emotional state. Even so, Phoebe’s perception of Lila’s character develops nuance in the initial chapters. Though overly focused on herself and her wedding, Lila subtly peppers Phoebe with questions and advice without emphasizing Phoebe’s anguish. Though she may be too preoccupied to realize it, Lila helps Phoebe at a critical moment of crisis. Phoebe realizes that “Lila’s question surprised Phoebe, and she’s not sure if that’s because she didn’t expect insightful questions from someone wearing so much self-tanner” (90). This observation reinforces Lila‘s superficial image but also suggests that beneath her obsession with outward appearances, there is more to her character. This initial complexity establishes the symbolic role physical appearances play in the text. Moreover, Phoebe’s interactions with Lila prompt her to become more introspective by challenging her initial judgments of others and encouraging her to be more open to embracing new perspectives. Although Lila and Phoebe initially appear as foil characters, commonalities quickly emerge alongside their unlikely friendship.

Phoebe’s room at the Cornwall Inn represents her false assumptions about the end of her life as well as her misguided snap judgments about other characters. The room itself is decorated to reflect a lively party, inspiring Phoebe to “want to drink before she should be drinking” (43), an antithesis to the serene setting Phoebe envisions for her death. Lily ruins Phoebe’s supposition of privacy by continuously barging into her room unannounced. This intrusion shatters Phoebe’s idealized image she imagined for her death. Additionally, Phoebe’s balcony serves as a metaphor for her critical nature, providing a vantage point from which she can “stare and pass judgment without being noticed [...] that is one of the few gifts that depression gives her: aerial vision” (54). This elevated perspective allows Phoebe to observe and critique her surroundings while remaining detached, highlighting her struggle with connection and her tendency to view others from a distance. Together, these elements of the room underscore the dissonance between Phoebe’s internal expectations and the reality of her interactions and the environment around her.

As the novel’s expository chapters conclude and the critical life events leading to Phoebe’s mental health condition are fully revealed, Cultivating Unexpected Connections to Find Fulfillment Amidst Life’s Challenges emerges as one of the novel’s central themes. Phoebe initially grapples with this theme through a sense of loss, reflecting on how her former passions have faded: “Phoebe used to read books and feel astounded. She used to walk around galleries, inspired by the beautiful human urge to create. But that was years ago. Now she can’t stand the sight of her books” (58). This realization highlights her struggle to reconnect with the things that once brought her joy and meaning. As the narrative unfolds, Phoebe’s journey reveals a deeper exploration of how her mental health challenges have distorted her perception of existence and her capacity to appreciate life’s simple pleasures. Through her evolving understanding, the novel delves into the complexities of finding purpose and enjoyment amidst personal turmoil, portraying a struggle between despair and the search for rediscovered meaning.

By setting The Wedding People in the years immediately following the COVID-19 pandemic, Espach further underscores relatable themes of isolation and the struggle to reclaim a sense of fulfillment and community. Phoebe reflects on the impact of her prolonged solitude, noting, “It’s startling to be spoken to like this after two years of intense isolation” before describing the difficulties associated with online teaching (9). This observation further captures Phoebe‘s sense of disconnection and the emotional toll of interacting only with virtual interfaces while already navigating symptoms of depression. As the narrative progresses, the novel explores how this period of intense isolation has shaped Phoebe’s understanding of human connection. The lingering effects of the pandemic on her personal life and relationships highlight the ongoing struggle to reestablish a sense of belonging and purpose in a changed world, a conflict all other characters make note of as well.

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