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46 pages 1 hour read

William Shakespeare

Two Gentlemen of Verona

William ShakespeareFiction | Play | Adult | Published in 1594

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Act IChapter Summaries & Analyses

Act I, Scene 1 Summary

Content Warning: This section of the guide describes and discusses the play’s treatment of sexual assault and its use of outdated racist stereotypes.

Valentine and Proteus, the titular young gentlemen of Verona, say an emotional goodbye. Valentine is leaving Verona for the court of the Duke of Milan, and wants Proteus to come with him. Although he will miss his friend, Proteus plans to stay behind in Verona to pursue his love for a young woman named Julia. Proteus asks Valentine to think about him whenever he sees anything interesting, and says that he will pray for Valentine daily. Valentine teasingly asks if Proteus is planning to pray on the book for lovers he always carries. Valentine suggests that the pains and humiliation of love aren’t worth the brief pleasure it brings. Proteus admits that love makes people foolish, but says that all smart and witty people are lovers. Valentine responds that love turns everyone into fools, and says he won’t try to convince Proteus otherwise. He asks Proteus to write him in Milan, and promises to do the same.

As Valentine leaves, Proteus reflects on his love for Julia, which has made him abandon his friends, neglect his studies, and forget everything else. Valentine’s servant, Speed, arrives and asks Proteus where Valentine has gone. Proteus tells Speed that Valentine has left, and Speed calls himself a lost sheep. After a playful debate about whether Valentine acts as a good shepherd, Proteus asks Speed if he delivered his letter to Julia. Speed confirms that he did, but won’t reveal her response until Proteus pays him. Speed then reveals that Julia said nothing, but simply nodded when she received the letter. He warns Proteus that Julia will be a hard woman to win over, and that she didn’t even thank him for delivering the letter. Speed tells Proteus to deliver his own letters from now on, and leaves to find Valentine. Proteus decides to send another letter to Julia via a different messenger, hoping that she’ll have a better reaction with someone other than Speed.

Act I, Scene 2 Summary

Julia and her maid, Lucetta, sit alone in Julia’s room. Julia asks Lucetta whether she thinks Julia should fall in love; Lucetta warns her against falling in love mindlessly. Julia lists her suitors—including Proteus—and asks Lucetta for her honest thoughts on each. Lucetta criticizes all of the men except for Proteus, whom she believes is the best match for Julia. Julia is surprised by Lucetta’s response, since Proteus rarely speaks to her, and she is unsure of his true feelings for her. Lucetta offers her Proteus’s letter, and explains that she took it from Speed, who believed that she was Julia. Julia pretends to be scandalized by the situation, claiming that modesty prevents her from receiving letters from suitors. She chastises Lucetta for her role as mediator for the suitors, and for accepting the letter under false pretenses. She gives the letter back to Lucetta and angrily orders her to leave. Lucetta tells Julia that Proteus’s plea for love deserves more than anger, and leaves.

As soon she is alone, Julia regrets giving in to her temper. She wishes she had read the letter, and calls Lucetta back with a question about dinner. Lucetta jokes that if Julia ate, she wouldn’t be so moody, and drops the letter on the floor in front of Julia. Julia pretends to believe it’s a love poem from one of Lucetta’s suitors, and asks Lucetta to sing it to her. When Lucetta refuses, Julia tries to take the letter. In the ensuing scuffle, Julia loses her temper again, and rips the letter into pieces. She sends Lucetta away, then privately chastises herself for destroying the letter she so desperately wants to read. Julia picks up and kisses each piece of the letter. She is moved by Proteus’s description of himself as a passionate, forlorn, wounded lover. Lucetta re-enters to bring Julia down to dinner. She implies that she is aware of the letter’s contents.

Act I, Scene 3 Summary

Proteus’s father Antonio speaks with his servant, Panthino. Panthino tells Antonio that members of the family are worried about Proteus, and gossiping in the household. Unlike other young men, who have left Verona to find patrons in other cities, study at university, or fight in wars abroad, Proteus remains at home with his parents, having never traveled or conducted business on his own. Antonio admits that he believes Proteus cannot be a perfect man without having left his home, and asks Panthino where he should be sent. Panthino reminds Antonio that Valentine is in Milan at the court of the Duke (also referred to as the Emperor), and urges him to send Proteus there. In Milan, Proteus will be surrounded by gentleman and trained in the skills necessary to succeed in tournaments and in life at Court. Antonio agrees, and Panthino arranges for Proteus to travel with a group of other young gentlemen traveling to Milan.

Proteus enters holding a letter from Julia, in which she professes her love and devotion. Unaware of his father and Panthino, Proteus openly wishes that he and Julia can be married. When Antonio interrupts and asks his son about the letter, Proteus lies, claiming that the letter is from Valentine, encouraging him to come to Milan. Antonio tells Proteus that he agrees with Valentine, and that Proteus should plan to leave for Milan the next day. Proteus protests, claiming that he’ll need more time to pack his things. Antonio tells him to pack what he needs and send for the rest, then leaves with Panthino. Alone, Proteus laments his foolishness: He had lied about the letter because he was afraid his father would disapprove of his love for Julia, and now his father was using that lie to send him away from Julia. He compares his fate to an April day, which can alternate between beautiful sun and cold rain in an instant.

Act I Analysis

As in most of Shakespeare’s comedies, the first act of Two Gentlemen of Verona introduces the play’s main characters and establishes its central thematic concern: the nature of love. Act I contains two debates about the various dangers and types of love. In the opening lines of the play, Valentine argues that love “chains” (1.1.3) his friend Proteus, leaving him worn out “with shapeless idleness” (1.1.8) rather than out chasing his fortune. Valentine believes that love is “a folly bought with wit, or else a wit by folly vanquished” (1.1.34-35): in either case, he asserts, love is gained at the expense of a person’s wit. The transactional language Valentine uses—especially the words “bought” and “vanquished”—suggests that he thinks of love as a transaction in which men are generally taken advantage of, foreshadowing the play’s thematic exploration of The Fickle Nature of Young Love. In this first introduction, Valentine values his independence over romantic connections.

Proteus, on the other hand, defends the value of love, saying that “doting love inhabits in the finest wits of all” (1.1.43-44), and that falling in love is a part of being a man. Proteus’s fierce devotion to Julia in the first act demonstrates his understanding of love: he claims that his love for her “made [him] neglect [his] studies, lose [his] time, war with good counsel,” (1.1.67-68) and leave the rest of his responsibilities behind. For Proteus, love is something that ennobles the souls of men but also restricts their usual life.

Act I also features a debate about love by women, as Julia, the object of Proteus’s love, discusses her suitors with her maid Lucetta, introducing The Restrictions of Courtly Love for Women. Although Lucetta is technically Julia’s servant, her age and experience give her some authority over Julia, who is usually portrayed as a teenager. Lucetta favors Proteus over Julia’s other suitors, although she can’t explain why, saying only “I think him so because I think him so” (1.2.24). Lucetta trusts her instincts, and does not require elaborate declarations to convince her love: as she tells Julia, “they love least that let men know their love” (1.2.32). Lucetta’s experience tells her that quiet, measured romances are more meaningful than passionate flings.

Julia, on the other hand, is in the midst of a teenage passion, and feels love much more strongly. She immediately regrets her hasty decision to reject Proteus’s letter, and blames it on love: “how wayward is this foolish love, that like a testy babe will scratch the nurse, and presently, all humbled, kiss the rod” (1.2.57-59). In this passage, Julia compares love to a temperamental child who fights their nurse and then meekly accepts their punishment. The references to youth and immaturity suggest a self-awareness in Julia, who understands her own behavior to be immature. In this way, she echoes Proteus’s arguments that love causes people to act in ways counter to their character.

Structurally, Shakespeare shifts the dialogue in Act I from blank verse (unrhymed lines of 10 syllables each) to prose (sustained paragraphs of text without line breaks) depending on who is speaking to indicate the social class of the speakers and the relative significance of the dialogue. In the opening scene, for example, Valentine and Proteus’s debate about the nature of love is presented in blank verse, and their lines often rhyme. The elevated style of this dialogue points to their position as gentleman and the importance of their topic. When Valentine leaves and Speed enters, the dialogue changes, and Proteus and Speed’s conversation about Julia’s letter is presented in prose. This change reflects Speed’s position as a domestic worker, and demonstrates his inability to serve as a proper mediator between Proteus and Julia.

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