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60 pages 2 hours read

Alan Moore

V for Vendetta

Alan MooreFiction | Graphic Novel/Book | Adult | Published in 1990

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Themes

The True Nature of Anarchy

Anarchy is depicted in a nuanced way that does not force interpretations onto readers by presenting open-ended information. In this way, the novel is practicing what it preaches by allowing its readers the right to self-determine. Anarchy is a philosophical concept that works to dismantle authority and abolish hierarchy, instead dispersing power horizontally among all people. It is a rejection of class and other dogmas meant to rule over people in favor of absolute autonomy, self-governance, and community care.

Though anarchy is undoubtedly the novel’s idea of the more just form of government, it does not go uninterrogated. Because the Norsefire regime is so clearly unjust, V’s destruction of their property and murdering of their even more murderous and violent members do not elicit much condemnation. The same cannot be said when V forcibly reeducates Evey in his fake prison. Once freed, she asks V who gave him the right to decide that her former life wasn’t good enough for her. Anarchy advocates for the abolition of power hierarchies, yet V uses his power over Evey to imprison and torture her. If anarchy’s key tenet is the right to self-govern, the novel asks if Evey was ultimately given that right. The novel does not answer these questions, leaving the reader to determine their own answers.

In common parlance, anarchy is often used as a synonym for chaos, which V understands. To explain “chaos” to Evey, V quotes William Butler Yeats’s “The Second Coming” to show her how anarchy can be misinterpreted: “Things fall apart…the centre cannot hold […] Mere anarchy is loosed upon the world” (196). He emphasizes that anarchy is not “without order” but “without leaders.” Under anarchy, no one must exercise the Interconnected Tools of Fascism to rule people by force because people will self-govern. Anarchy is not things falling apart, but new things being built in their place. V says anarchy “wears two faces, both creator and destroyer. Thus destroyers topple empires; make a canvas of clean rubble where creators can then build a better world” (222). V, as a destroyer, knows that he “has no place within our better world” (222) and must therefore die so that Evey can take his place and usher in creation.

Notably, the novel’s open end does not portray that creation. The promise V’s destruction brings ends the novel hopefully, yet it is unfulfilled until people decide to fulfill it. In this way, the novel’s theme is mimicked by its form; it is a destroyer, much like V is. V has shown the British public a better way, and yet “the choice is theirs, as ever it must be” (260). The novel does the same for its readers: It presents them with a variety of complex ideas and questions but ultimately leaves the power of creation—of interpretation—to the readers themselves.

Interconnected Tools of Fascism

Fascism is a far-right system of government that is overseen by a dictator, ruled by force and violent suppression, and values nationalism, masculine authority, and racial purity. V for Vendetta examines the systems that fascist regimes construct to create and maintain power over their citizens. These systems can either be system-driven, such as the entrenchment of white supremacy and patriarchy, or method-driven, such as the use of extensive propaganda and surveillance.

Norsefire collates their power by implementing widespread systematic changes that un-diversify the British population culturally and ideologically. In her recounting of Norsefire’s takeover, Evey says that they imprisoned gay people, non-white people, and white people with diverse political opinions. These genocidal measures result from fascism’s deeply-striated view of social hierarchy, in which a few people—usually white men—accumulate and hold power by stripping it from others. There are no known people of color in the novel because Norsefire has imprisoned and killed them all in concentration camps. The Leader says that he “believe[s] in the destiny of the Nordic race” (37); this is shorthand for white supremacy. Ideas such as these have precedents in Hitler’s Nazi Germany, which believed that “Aryan” people were part of a “master race” and subsequently employed policies of genocide and eugenics against Jewish, Slavic, Romani, and Black people, among others.

Women such as Evey, Rosemary, and Helen see no way to exercise power under Norsefire’s patriarchal society except by using their sexuality: Evey tries to become a sex worker for extra money, Rosemary joins a cabaret, and Helen uses sex as currency. The fact that these women turn to these measures demonstrates that on some level, they know that they live in a society that has disempowered them and that the men around them primarily value women as sexual objects rather than intellectual equals. Even Delia, the only female character with a professional career, was the sole female employee at Larkhill among dozens of men.

To suppress the Perseverance of Ideas and Symbols, Norsefire monitors every moment of the British citizens’ lives. Book 1, Chapter 1 shows people leaving work. They are monitored, both by on-the-ground police and omnipresent cameras and microphones. An illustration shows a camera near a sign that says “for your protection” (9). While fascist regimes claim they are making their countries strong or safe, they are really protecting themselves from resistance among citizens, who they know did not elect them.

The branches of Norsefire are represented as body parts, which emphasizes their codependent and interconnected nature. Some of these branches, such as the Ear and Eye, focus on surveillance, while others, such as the Mouth, focus on propaganda. All the branches together give Norsefire its power. After V co-opts Norsefire’s surveillance and blows up the Mouth’s headquarters, the Leader says that they are “blind and deaf and unable to speak” (186). By targeting the branches that operate these fascist tools of control, V can slowly unravel the entire regime. He compares Norsefire to dominoes: “Poor dominoes. Your pretty empire took so long to build. Now, with a snap of history’s fingers…down it goes” (208). Though Norsefire’s interconnected system was meticulously built, it is that very interconnectedness that makes it easy to topple. By targeting certain important parts, the entire thing falls.

The Perseverance of Ideas and Symbols

Just like V preserves ideas and artifacts from the time before Norsefire’s reign as a symbolic reminder of cultural diversity, V himself operates as an idea and symbol that ushers Britain toward a new era. An idea is a thought about a thing, concept, or possible course of action. In a 1642 letter, French philosopher René Descartes wrote, “I am certain that I can have no knowledge of what is outside me except by means of the ideas I have within me” (Smith, Kurt. “Descartes’ Theories of Ideas.” Stanford Encyclopedia of Philosophy, March 2007).

All individuals have ideas, and we use ideas to understand the world and conceive of worlds or existences outside our own. Because of this, Norsefire wants to crush ideas and make everyone homogenous by using the Interconnected Tools of Fascism and their state symbols. They use their propaganda-laced phrase “strength through purity, purity through faith” (11), as well as the slogan “England prevails,” to give citizens the idea that they need Norsefire’s police state and cultural cleansing to remain strong. These are the only ideas they want circulating; anyone with different ideas, such as Evey’s socialist father, is taken to the concentration camps.

V believes in freedom of ideas; one of his desires is to bring back the diversity of ideas that comes with the diversity of culture. He tells Evey that Norsefire “eradicated some cultures more thoroughly than they did others…No Tamla and no Trojan. No Billie Holiday or Black Uhuru…Just his master’s voice every hour on the hour. We’ll have to see if we can do something about that” (19). Like records from these Black singers, V preserves works of canonical literature by Cervantes, Shakespeare, Dante, Goethe, Dickens, and Shelley. He often quotes both from this music and these books. With this, V himself is like a time capsule of cultural ideas of authors and artists past.

V also symbolizes the ideas of freedom and liberty that anarchy will bring. When Finch shoots V, V says, “Did you think to kill me? There’s no flesh or blood under this cloak to kill. There’s only an idea. Ideas are bullet proof” (236). By his own design, the British citizens see him as an idea rather than a person. People can die, but ideas and symbols cannot. When V’s first body dies, he is reborn as Evey, who now serves as the symbol that will help the British people pursue the ideas of anarchy V instilled within them.

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