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45 pages 1 hour read

Silvia Moreno-Garcia

Velvet Was the Night

Silvia Moreno-GarciaFiction | Novel | Adult | Published in 2021

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Chapters 12-17Chapter Summaries & Analyses

Chapter 12 Summary

Elvis heads to Café La Habana, a popular spot for leftist sympathizers, which is where El Mago told him he could find Justo. Justo is surprised to be approached by a member of the Hawks; he tells Elvis that he believes the Hawks will soon be disbanded since El Mago is being pursued by a member of the secret police—Anaya. This information surprises Elvis, but he still carries on with his questioning. He discovers that Justo is a member of the DGPIS, an intelligence agency, and that he’s familiar with the members of Asterisk. Justo tells Elvis about some of the core members and says that if he wants to infiltrate the group, he should go to one of their Saturday meetings and say he was sent by a man named Carlitos. Elvis pays Justo for the information and returns home.

Chapter 13 Summary

Maite visits Emilio in his expensive home in a wealthy neighborhood. She tells him that she’s now looking for Leonora because she believes Leonora has gone missing due to the contents of her camera. Emilio corroborates that the camera had compromising photos related to the Hawks. He says he wanted to get the camera from Leonora because he was afraid that she would take it to a journalist in Cuernavaca named Lara—he suspects this is exactly what she did. Emilio says that he’ll call Lara to see if she’s had contact with Leonora. As Maite leaves his apartment, a man approaches her from behind.

Chapter 14 Summary

Elvis and El Güero track Maite to Emilio’s house. They realize that they’re not the only ones surveying this building. When Maite emerges from the house, she’s approached by a man Elvis doesn’t recognize; the two get into the man’s car. They tail the man and Maite, eventually ending up at the building where Asterisk is located. Since Elvis was planning on infiltrating Asterisk later anyway, he follows the pair into the building, leaving El Güero in the car. He makes his way to the Asterisk’s main meeting room, which he gains access to using the information he got from Justo. Maite and the man she was with aren’t there, so he approaches a woman named Concha and pretends to be an acquaintance of Leonora’s. Concha tells him that Leonora won’t be at this meeting or any future meeting, because she was ex-communicated from Asterisk by Jackie, who believes that she is a mole. She also tells Elvis that Leonora had secretly gotten back together with Emilio but didn’t want anyone else to know. Just as Elvis is about to press her for more information, a new group enters the room. Father Villareal is among them and immediately recognizes Elvis. Elvis tries to run, but he’s captured at knifepoint.

Chapter 15 Summary

After leaving Emilio’s, Maite realizes she’s being approached by Rubén, whom she forgot she’d agreed to meet up with. Over lunch, they discuss Maite’s conversation with Emilio and her surprise visit from Anaya. Rubén is disturbed by the news that the secret police are following her and know of her association with him, so he takes her to the building where Asterisk is located so they can inform Jackie of this. They find Jackie in an office with a few other people, including a badly injured man who is introduced as Casimiro and a silent man in a suede jacket. Maite tells Jackie everything she knows, and Jackie goes over the problems currently facing the group: They don’t know where Leonora is; they aren’t familiar with the reporter, Lara; and Casimiro has recently been beaten up by a group of men of unknown origin. Some of the men leave the room while Rubén asks Jackie if he can borrow her gun and car while he and Maite go to find Lara. Jackie consents, and shortly thereafter, they hear a scuffle in the hall. Some of the members of Asterisk—including Arkady, the man in the suede jacket—have captured the man who tortured Casimiro. They are holding him in a storage room.

Chapter 16 Summary

Elvis, captured by the members of Asterisk, is interrogated by a man named Arkady. Elvis deduces from his name and accent that this man is Russian, probably a KGB agent. Arkady beats him with a rolled-up newspaper, and Elvis confesses that he’s looking for Leonora but doesn’t have any useful leads. He lies, telling Arkady that he’s employed by Anaya—a response that seems to satisfy the Russian.

When Arkady leaves the room, Elvis escapes and gets in contact with El Mago. He meets up with his boss and tells him about the confrontation with Arkady and about what Justo said about Anaya. El Mago knows of Anaya and that Anaya has a side hustle smuggling stolen cars. El Mago gives Elvis folders of information on Emilio and another member of Asterisk, Sócrates, and then tells Elvis to continue keeping tabs on Maite.

Chapter 17 Summary

Rubén takes Maite to Emilio’s antique shop so she can get Lara’s address from him. Emilio is surprised that Maite is so determined to find Leonora, but he still gives her the address. Maite brings Rubén back to her apartment, where the two discuss their past breakups and how Rubén is still in love with Leonora even though she dumped him for Emilio, whom he perceives to be bourgeois and womanizing. Maite lets him stay the night on her couch so they can rest before heading to Lara’s in the morning.

Chapters 12-17 Analysis

Through this third section, Moreno-Garcia continues to use the narrative structure of the novel to explore differing perspectives on the protests and sociopolitical climate of Mexico City in this historical moment. While Elvis’s sections are awash in virulently anti-communist sentiments, Maite slowly gains exposure to a broader range of political opinions as she becomes more involved in the mystery of Leonora’s disappearance. Her initial contact with Rubén familiarizes her with the protestors’ sentiments about the current state of the government; her encounter with Emilio in this section, by contrast, exposes her to a more moderate viewpoint. Emilio tells her, “Change should come peacefully. We need a more educated nation, we need to come to agreements. President Echeverria has said he is willing to have conversations” (136). Emilio holds a centrist position in the radical movements that Maite finds herself caught between; this is, initially, part of what attracts her to him. As the novel progresses, though, it’s revealed that Emilio doesn’t actually stand for these moderate perspectives; this reveal suggests that such moderate political stances are sometimes safe hiding places for those wanting to conceal their more radical affiliations.

Later in this section, Elvis shares the reason he chose “Elvis” as his identifier while working with the Hawks. While being interrogated by Arkady, Elvis reveals that this is actually his true name: “There’s nothing that Elvis loved more than being Elvis. The loser he’d been before was best forgotten. Elvis wasn’t a code name, like it might have been for the others. Elvis was him” (159). The fact that Elvis is the only Hawk who uses his real name in his line of work suggests that he has different motivations in working for the group than some of the others might. Elvis doesn’t want to hide while he’s working for the Hawks; he’s unashamed of the work he’s doing, and he has come to the group in the hopes that it’s a space where he can openly be himself and find community. That “Elvis” is also a name that he chose for himself, not his legal name, speaks to the ways in which Elvis understands identity to be constructed. Elvis knows that identity isn’t permanent and is something that can be deployed in order to achieve certain ends.

This section exhibits one of the ways in which Elvis uses the construction of identity strategically. In infiltrating Asterisk, Elvis approaches a woman inside by changing the way he speaks. He opts “for the tone of a down-to-earth student, but avoiding the intonation that would identify him as someone from Tepito. He’d learned, while working for El Mago, at least to hit a bland, middle-class way of talking” (144). Elvis understands that speech, like naming, is a way of marking and creating identity. When infiltrating Asterisk, he needs to create an identity that won’t stand out or raise any suspicions about why he’s choosing to join the group at this moment. This demonstrates that Elvis understands identity to not only be constructed but also temporary and ultimately strategic: He can create, use, and cast aside various identities as needed in order to get what he wants. Elvis’s attitude toward the mutability of identity in this section sets up his internal conflict for later sections: He must grapple with whether he knows his own identity when his work is over.

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