44 pages • 1 hour read
Katherine MayA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Light
According to May, part of what makes winter difficult is the shortness of the days. This is exacerbated by an indoors lifestyle, which ensures that we can conduct all manner of activities without being exposed to the elements. A clinical paper published in January 2010 found that lack of exposure to sunlight was causing very low Vitamin D levels and even bringing back Victorian diseases such as rickets, which causes weak bones and skeletal abnormalities.
Many people, including May’s friend Grania O’Brien, suffer from Seasonal Affective Disorder (SAD). The disruption to circadian rhythms that winter brings, in addition to lowered serotonin levels, can lead to depression, lethargy, and substance misuse and abuse. Grania’s medicine is “bright pools of light, all through her home” (107). These include an alarm clock which mimics the rising sun and high-wattage light bulbs throughout the day. She also ensures that she gets out at lunch, to absorb as much sunlight as possible.
May then meditates on the Swedish rituals that accompany Sankta Lucia or St. Lucy’s day. St. Lucy was a third century Christian martyr who brought food to Christians who were hiding out in the Roman catacombs. She wore a crown of candles to light her way. The story is acted out in Nordic churches, in a ritual pageant in which a young girl in a white gown and crown of candles leads a procession of girls and women. May goes to see such a ceremony on December 13 at the Svenka Kyrkan (Swedish Church) in London. There is an abundance of Swedish families there, and the event is so popular that it is ticketed. May feels that she is “an interloper here, sitting alone in the corner of the church amid a sea of families, feeling conspicuously English, and conspicuously a tourist” (113). Still, she feels uplifted by the experience, conscious that she has been avoiding public events because she is embarrassed about leaving her job. Sitting in a pew, May holds space for her sadness and allows for the possibility of hope.
Midwinter
On December 22, May, accompanied by a friend and their respective children, goes to see a Druid celebration of the winter solstice at Stonehenge, a stone circle that was constructed between 4000 and 5000 years ago. Although the site’s historic relationship to Druidism is tenuous, throughout the 20th-century Druids have made Stonehenge a pilgrimage site.
The midwinter celebration initially entailed watching the sun set between two significant stones in the stone circle on December 21. However, as these are no longer standing, the celebration now occurs on the sunrise of December 22, marking that humanity has collectively gotten through the worst of the dark and can now look forward to longer days. The performance includes dancing, drumming, and singing bowls. The crowd is a diverse mix of participants and onlookers. While May feels like an interloper and does not experience ecstasy, she appreciates the sense of community and tolerance for multiple forms of worship. She observes that English people do not like exuberant displays and find the earnestness of rituals embarrassing. She admits that as a secular agnostic, she is among the skeptics. This is arguably because congregational activities, which “were once entirely ordinary to us,” now seem a “brazen challenge to the strictures of the nuclear family, the tendency to stick within tight friendship groups, the shrinking away from the awe inspiring” (134). However, she concludes that we need public rituals in order to bring new insights into our lives and gain support in unexpected places.
Following a conversation with Philip Carr-Gomm, leader of the Order of Bards, Ovates, and Druids, May appreciates that the Druid system of marking the point in the year every six weeks, creates a comforting pattern and a sense of community. May considers that such an approach to time and an ability to make meaning from seasonal changes would be useful for society as a whole. She writes that “if our current society lacks a way to offer us the meanings we seek, then it’s entirely reasonable to reimagine the old ways of doing it, or to create new ones” (131). Most of all, the sense of community that festivities like the ones at Stonehenge offer is paramount, as people feel less alone and more connected after sharing their need to mark the midwinter.
Despite her agnosticism, May dedicates prayers to the earth, closing her eyes and resting her thoughts on the essence of her perception. She accesses a profound non-verbal connection with the world around her and life as a whole.
May is hit with the unexpected wintering of her son’s misery and rageful anxiety at school. As she does not believe that fulfilling one’s potential and being happy should be mutually exclusive, she takes her son out of the school system and embarks on a program of home-schooling.
The transition is difficult for both May and her son, and she feels that she has a special responsibility to teach him how to feel and accept sadness. She does this by spending copious amounts of time doing the activities that connect them. Still, they feel loved and supported, especially by other homeschoolers who express compassion and empathy for their predicament. May realizes that rather than being an extreme outlier, her son is one of hundreds of children in the U.K. who feel defeated by the school system, and she is among a growing group of parents who refuse to accept it as the only means of education. May concludes that “it’s our responsibility to listen to those who have wintered before us” and to pass on the wisdom we have endured (141). This is counterintuitive, given the more entrenched habit on blaming others for their misfortunes. Such an attitude is cruel and prevents individuals from accepting that bad things happen and to adapt and seek help when people inevitably face them. May gently lets her son know that winters are a recurrence.
May marks the days between winter solstice and new year with rituals. At the solstice sunset, she lights a fire on the beach with her friends and repeats the refrain of turning the year from Stonehenge. While the darkest day of the year would have happened anyway, she senses that “we have seized control, not of the seasons, but of our response to them” (146).
She prepares an abundant Christmas for her family and accepts that the days between Christmas and New Year are for rest and puttering around at home. On New Year’s Eve, she fails to plan anything and ends up at home. Still, she considers that at the end of December, on the advent of the new year, she has invested the transition from December to January with a meaning that links the latter month to the return of light and spring. Although the months that follow December are often the coldest, they still bring her closer to spring.
Darkness
When she was five months pregnant with her son Bert, May went to Tromsø, Norway to cross the Arctic Circle and see the Northern Lights. This was because she had booked the trip in advance, when she thought that she would not be able to get pregnant naturally, due to not producing the right hormones. However, she managed to show up to an IVF clinic pregnant. Five months in, she begged her midwife to sign a consent form allowing her to make the longed-for trip, especially as she felt that she was approaching the end of her independent adult life.
The cold in Tromsø was especially harsh on her pregnant body, which prioritized blood flow to the uterus and left the rest of her freezing. Still, while she was there, she learned that, contrary to the rumor that wintertime Tromsø never sees daylight, there is a sort of navy blue tinge to the sky, signaling daytime. For people who live there, “it marks a vital distinction between day and night” (160). May noted that the night lasts from about three in the afternoon to nine in the morning. After that, a dawn follows with a sliver of day before the beginning of twilight again.
May found herself unable to adapt, sleeping too long. Her pregnancy made her anxious about slipping on ice or straying too far from the hospital. She was on the hunt for the aurora borealis and found that it was “pale, evanescent, but tangible in a way that I hadn’t expected” (161). This contrasts with the vibrant media images that have been enhanced with long exposure times.
They went on a trip to Whale Island to meet an Indigenous Sámi family and their reindeer. The Sámi are the only people who are allowed to own reindeer in Norway. Sámi territory expands over Norway, Sweden, Finland, and Russia; however, the people endured discrimination when nation-states began to form. While inequalities continue, the Sámi have their own parliaments. They live a life closely connected to nature and have a rich mythology where reindeer feature prominently. May’s own encounter with reindeer was an unexpected one. They were more creaturely than she had imagined, with moss-covered antlers and roving eyes. When they rode in a sleigh pulled by reindeer, Trine, her host called May “Mama Reindeer,” commenting that she did not yet have her antlers (169). May was moved to tears, realizing that pregnancy made her feel more vulnerable. She was inspired by the Sámi people’s rich ancestral mythology to create a personal mythology for her unborn son. May still tells Bert that he crossed the Arctic Circle before he was even born, to inspire his belief in his own strength.
Hunger
May was mesmerized by a wolf tracker she met at a party because “he had no artifice; no social nicety. Instead, he had something wild, elemental” (173). To May, this man seemed part-wolf, as though years of wolf tracking alone in the forests made him resemble the creatures he loved. Next to this unpretentious, observant man, May felt artificial and frivolous.
As a shepherd in the Greek mountains, the wolf tracker observed the farmers’ loathing of the wolves. While the wolves presented a realistic threat to livestock, the farmers’ desire to see these wild creatures eliminated stemmed from superstitions about their danger to humans and society as a whole. The farmers’ attitude is so widespread that wolf populations are being systematically killed by poisoning, trapping, and beating. May observes that “a wolf’s death is often handled with superstitious ritual, subject to an excessive thoroughness that suggests a belief that wolves have supernatural powers” (176). In medieval times, a potent type of debasement was likening someone to a wolf. In Anglo-Saxon law, outlaws became known as wulfheafod or wolf’s head. While wolves are believed to have been hunted out of extinction in the British Isles, their subtlety and gift for camouflage mean that they are likely still present. In Europe as a whole, their numbers are rising. Wolves are lean, lonely hunters who have evolved to kill more than they can eat, so that they can provide for their packs in times of famine.
If wolves are symbols of compulsive appetite and the wilderness of uncultivated land, winter awakens wolfish appetites in us. The January moon is known as the Wolf Moon and marks the time when wolves were most likely to be hungry and come to the villages seeking prey. However, it also marks the season of peak-quality wolf fur and the medieval wolf-hunting season.
During a person’s personal winters, anyone can have wolfish appetites, often for harmful substances. However, given that daily life can be lonely and dull, craving makes someone human and may even be a symbol of our survival.
Snow
In the Southeast of England where May lives, snow is a rare novelty. Still, May has vague childhood memories of the year 1987 when her village was snowbound and the electricity got cut off. She found that she enjoyed the disruption to the mundane routines of normality and did not want it to end. She still retains a fondness for snow’s transformative powers, despite and especially because of its disruptions to daily life. For May, snow is “yet another liminal space, a crossing point between the mundane and the magical,” which “offers us a whole new world, but, just as we buy into it, it’s whisked away” (192).
May believes that C. S. Lewis’s Narnia offers “the Platonic ideal of snow: a thick, white, perfect layer over pine forests and quaint cottages” (192). This sudden transformation is most desired by children, who imagine that like their favorite book protagonists, the snow will make them independent and wily enough to survive the most extreme challenges. Extraordinarily deep winters become the stuff of nostalgia, and May pines over the winter of 1963, where at the nearby Isle of Sheppey, the sea froze in waves. While she hopes that she will get to see such a spectacle in her lifetime, she is prepared for it to never to happen.
May’s son Bert has managed to live six years of his life without encountering snow, and he talks of it as though it is some fantastical creature. When a substantial snowfall finally occurs, he enjoys it in the beginning but soon gets bored of the layers of clothes and the cold exposure to his face. However, while in England, the snow causes at most a handful of days of inconvenience a year, in Hamina, a small Finnish town, where it is winter six months of the year, life must run normally through severe snowstorms and frigid temperatures. Laborious preparations such as spending a long time warming up the car in the morning and expenses such as a monthly heating bill of 2,000 pounds must be factored in. Being stranded in the snow is a real possibility, and people carry extra warm clothes and boots in their cars.
Cold Water
When May originally moved to the coast, she dreamed that she would swim all year round. However, for the first few years, her swimming record is patchy, as she only manages to do for the Whitstable New Year sea swim and on a few odd days in the summer. The difficulty of predicting the tides sees her giving up. Still, she accompanies her friend Emma on her own new year swim, and they go wetsuit swimming in water that is about three degrees Celsius or 37 degrees Fahrenheit. While the cold is “so absolute, so vicious,” May emerges from the water elated with a sparkling feeling in her veins (204).
Over Skype, May interviews Dorte Lyager, a woman who is part of the Polar Bear Club of year-round swimmers. Dorte swims every day in Jutland, in the North of Denmark. For Dorte, who struggles with bipolar disorder, cold-water swimming is a form of self-care and containment for her fraught mental processes. Dorte’s reliance on cold water for her mental health is such that she has an old agricultural tank which she uses to create an ice bath for herself during the summer.
May finds a partner in Margo Selby, a local woman committed to swimming every day of the year. This reinforces her own old commitment to cold water swimming. The two women encourage each other to stay in longer and longer and even to quit their wetsuits and remain in their normal swimsuits. She finds the experience exhilarating and feels secure, because she is sharing it with Margo. She learns to guard herself from hypothermia by using her ability to feel the cold as her barometer. She knows to get out when she feels a sharp pain across her thumb-joints.
While studies have shown that cold water immersion increases dopamine levels and contributes to a sense of well-being, for May it is “an act of defiance against our own woes. By doing a resilient thing, we felt more resilient” (217). May and her fellow swimmers remain in the present moment, projecting into neither the future nor the past. The daily changes in the sea align with this, forcing them to pay attention. However, they also find that the shared experience of cold-water swimming creates a safe environment where they can talk about their wintriest experiences. They welcome newcomers.
In the actual months of winter, May deals with the elemental realities of the season, including the lack of daylight, snow, and the experience of hunger. This part of the memoir explores her endurance of different styles of cold, as she discovers what the physical realities of this much-deplored season can teach her.
As with the autumn section of the memoir, May seeks inspiration from the advanced winter cultures of Nordic countries. She displays a Southern Briton’s romanticism for both Nordic weather conditions and winter customs, while at the same time realizing that she is a stranger to them. Her attitude at the Swedish church’s Sankta Lucia service reflects this ambivalence, as she enjoys the spectacle of a girl with a wreath of candles around her head and absorbs the larger message that they all have their own light to contribute to the congregation. However, because it is not part of her own culture, she feels like a lonely tourist and voyeur. Overall, she concludes that an hour being still in the presence of tolerant others “brought a little light” (117). It is not a miracle cure for May’s dark mood, but it helps her in a way that things from her secular English culture do not. May will make this point again at the Druid midwinter celebrations at Stonehenge, as she acknowledges the value of a congregational activity that marks the shortest day and the turning point of the year. She argues that in an absence of one’s own rituals, one should borrow and improvise from those of others. Here, May is part of a trend of liberal, left-leaning people who become disenchanted with their own cultures and seek to respectfully appropriate elements of others.
May also seeks to find herself in Northern cultures on her pilgrimage to the Northern Lights in Norway. She feels that on the cusp of becoming a mother, she must mark the end of her independent life as an adult with this adventure of a lifetime. While a patriarchal society regards mothers as self-sacrificing creatures, May’s decision to visit such a harsh climate at an advanced stage of pregnancy shows how she puts herself first. She incorporates her adventurousness into her mothering when she makes the Arctic trip part of her son’s personal mythology. In building a symbiotic narrative of acceptance and resilience with her son following his departure from school, May becomes a wintry sort of mother. This is magnified when she goes cold-water swimming with other women, some of whom are also mothers, as they clear their busy schedules to placate the tides that permit them to undertake the ritual of swimming in near-freezing water. While mothers often act in the future interests of their children, these women are prioritizing having a lively life in the present moment.
Humorously, amidst May’s effusive enthusiasm for winter, she also gives voice to the repetitive tedium of the season. Her Finnish friend Päivi finds the elaborate preparations and routines that will save one from freezing to death in her native Hamina tiresome and boring, while her son Bert is only briefly interested in the snow he has waited a lifetime to see. This shows how a desire for cold weather and the inconveniences it brings are personal and even a luxury for those who do not have to deal with it on a regular basis.
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