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29 pages 58 minutes read

Stephen King

Word Processor of the Gods

Stephen KingFiction | Short Story | Adult | Published in 1983

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Literary Devices

Diction

Stephen King’s word choice in this story reveals key details about tone, setting, and themes. King sets up an unsettling tone by using phrases such as, “Instead, eerily, like a voice from the grave, these words swam up, green ghosts, from the darkness” (288) to describe the mysterious word processor. Furthermore, descriptions of the setting and scenery paint vivid imagery of the world that Richard himself creates. Right after he uses the word processor for the first time, his world “abruptly went gray […] he held on grimly until the world swam back into focus,” emphasizing the break with reality brought about by the word processor (292). Once he deletes his son, he notes that “there was no sound out there now but the cold November wind, blowing grim advisements for winter” (296). Richard creates an unsettling and ominous world with the word processor, one devoid of familiar faces and voices. These elements contrast with the idea that Richard has created his dream world, reinforcing the story’s assertion that technology’s power can be dangerous.

Syntax

The sentence structure throughout the story varies greatly; Stephen King alternately uses short sentences and curt phrases and long, drawn-out sentences to reflect the unsettling tone and Richard’s state of mind. Short and abrupt sentences, such as “Doomed” (295) and “And so he would” (292) bring attention to the magnitude of Jon’s death and his toying with the idea of getting rid of his family. The longer sentences mostly reflect Richard’s haphazard thoughts as he discovers the word processor’s strange and fantastical power. These stream-of-consciousness-esque passages echo the way Richard struggles to understand what is happening.

King also weaves the occasional flashback into the text to metaphorically mirror Richard’s confusion, bewilderment, and determination. He recalls growing up with Roger, losing Belinda, bonding with Jon, and living with Lina and Seth as justifications for the actions he takes. His memories punctuate his actions and provide insights into his moral compass and conscience.

Lastly, the words he types into the word processor are all in capital letters, emphasizing the gravity of Richard’s actions. “DELETE,” “EXECUTE,” and “OVERLOAD” are all used to accentuate just how deadly and permanent Richard’s decisions are.

Juxtaposition

Stephen King juxtaposes characters and objects to delineate their differences and bring out sharp contrasts. He juxtaposes Richard and Roger, with Richard as the small and timid coward and Roger as the stereotypical playground bully. Roger is Richard’s foil; he highlights Richard’s meekness but also his kindness, and Richard notes how he has crafted his personality to be the opposite of his brother’s. King also contrasts Richard with Nordhoff, each representing different reactions people can have toward technology and scientific progress.

Jonathan and Seth are also foils. Seth is lazy, rebellious, and disrespectful, while Jonathan is brilliant, kind, and thoughtful. Their contrasts illuminate their fathers’ personalities; Seth embodies the discontent Richard feels with his life, and Roger’s brutality seems especially cruel when contrasted against Jonathan’s goodness. Lastly, the word processor and the Magic 8 Ball are juxtaposed to represent Richard’s alternate impotence and power, hopelessness and idealism. He could not prevent Roger from destroying his toy; he can, however, change his fate with the word processor. The lack of control he has over the Magic 8 Ball compared to the total control he has with the word processor shows just how much power and control Richard has now compared to when he was a child.

Flashbacks

Stephen King incorporates flashbacks and recollections to help the audience get a clearer picture of who the characters are. They also illuminate the relationships Richard has with these characters and shed light on why he wants to discard his own family in favor of Roger’s. Through flashbacks, the reader learns that Lina has dismissed his dream of becoming a writer since his first book’s failure, highlighting their strained relationship. Richard’s childhood with Roger is also shown through his flashbacks to help explain his resentment toward his brother. Richard has good memories as well, vividly remembering the positive interactions and conversations he had with Jonathan.

While Lina and Seth appear briefly in the text—just before Richard erases them—most of their characterization occurs through Richard’s thoughts and these flashbacks. The indirect characterization of these figures through Richard’s solitary musings highlights the sense of isolation that he feels. This creates a contrast in the story’s final scene when Jon enters his study and invites him to have cocoa with him and Belinda—the first nurturing familial interaction in the story.

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