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57 pages 1 hour read

David Nicholls

You Are Here

David NichollsFiction | Novel | Adult | Published in 2023

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Part 5Chapter Summaries & Analyses

Part 5: “Autumn”

Part 5, Chapter 78 Summary: “The Post-Romantic Era”

As summer arrives, Marnie plants red geraniums in her window boxes and becomes more sociable, meeting up with friends. She goes on a date with another divorcee, but there’s no spark between them. In addition, she travels to Italy alone, visiting the graves of Keats and Shelley. When Anthony comes to stay with her in London, she asks about Michael, learning that he had a girlfriend but the relationship didn’t last.

Part 5, Chapter 79 Summary: “Boot-camp”

In May, Michael meets Tessa at a party. They date for a couple of months, engaging in outdoor activities and energetic sex, but don’t share a sense of humor. Michael misses Marnie and realizes that he’s in love with her. He’s relieved when Tessa ends their relationship.

Part 5, Chapter 80 Summary: “Serpentine”

“Day Ten: Hyde Park Circular”

Michael arranges an urban geography trip to London as an excuse to contact Marnie. She agrees to meet him for a walk. Marnie at first brushes off Michael’s apologies before angrily admitting that she’s in love with him. Michael confirms that he feels the same way.

Presenting his pebble to Marnie, Michael admits that he didn’t carry it to its destination. He suggests they return and complete the last two days of the walk together. She kisses him and agrees to think about it. Before leaving him, she gives him a package. Michael watches Marnie walk away and opens the parcel. Inside is a white, beautifully tailored shirt.

Part 5 Analysis

The final part of the novel, “Autumn,” returns to the motif of the seasons. The section begins with an epigraph from E. M. Forster’s A Room with a View: “Summer was ending, and the evening brought her odours of decay, the more pathetic because they were reminiscent of spring” (325). This quotation highlights the melancholy feelings that often accompany autumn. The optimism and new life associated with spring reverse as winter approaches. This sentiment reflects the protagonists’ sadness as the seasons pass and they remain apart. However, the onset of autumn emphasizes that Marnie and Michael’s feelings for each other have endured beyond their initial spring meeting.

Chapter 78’s title defines this period as “The Post-Romantic Era” (327), as the protagonists move ahead with their lives despite missing each other. The novel illustrates that the Coast to Coast walk continues to have a transformative effect on Marnie through her actions. Her desire to introduce nature into her urban life is apparent when she plants brightly colored flowers in her empty window boxes. She also shows a renewed appreciation of human connection as she becomes more sociable. Marnie’s lone trip to Italy, “role-playing a character in a Forster novel” (328), is a further allusion to Forster’s A Room with a View. Like Forster’s protagonist, Lucy Honeychurch, Marnie seeks personal fulfillment and love. Both Lucy and Marnie eventually discover that these goals aren’t mutually exclusive. Meanwhile, Michael’s short-lived dates with Tessa signal a new openness to meeting people and having fun. The protagonists demonstrate that they’ve overcome the past insecurities and traumas that prevented them from living full lives. The novel suggests that Marnie and Michael’s shared journey has catalyzed emotional growth, leading to a deeper understanding of themselves. At the same time, their moving on only confirms their enduring feelings for each other.

The novel’s structure comes full circle: Michael’s journey ends as it began, with a geography field trip. The relationship that started in his natural territory, the northern wilds of the English countryside, transfers to Marnie’s natural environment as they walk London’s Hyde Park Circular route. The dramatic shift in landscape signals Michael’s ability and willingness to adapt for Marnie.

A defining feature of romance novels is their resolution in a “happily ever after” scenario. The final chapter of You Are Here conveys muted optimism in keeping with the understated nature of Marnie and Michael’s relationship. His suggestion that they complete the remaining stretch of the Coast to Coast Walk together is both a literal request and a metaphorical allusion to reigniting their romantic relationship. While Marnie only verbally agrees to consider the proposition, the couple’s kiss and gifts to each other imply a tacit understanding. The pebble and the new shirt are emotionally charged symbols of their shared journey.

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