58 pages • 1 hour read
Leah JohnsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Liz’s hair is an important symbol that appears numerous times in the text. It is almost a metonymy, a part of Liz that stands for her as a whole. At the beginning of the novel, Liz strives to control her hair; it is a reflection of her comfort with herself. She begins “wearing my hair slicked back in a tight bun nearly every day. Switched from bright colors to quieter tones so no one would spot me coming” (42). By taming her “defiant” hair and forcing it in line, Liz exerts control over herself and her image (18). Though Liz cannot become like the other students at Campbell, like former prom queen Eden Chandler, she constantly compares herself to them and finds herself less than. She sees her hair as “all defiance where hers is tradition,” and to cope with feeling like an outsider, she slicks her hair back and tries her best not to be seen at all (18). Jordan’s rebuffing of Liz in freshman year of high school is the catalyst for Liz’s insecurity. This moment is also intimately tied in with Liz’s hair. On that day, “My hair was in its full form, big and curly, and fell into my face” as she went up to Jordan (42). When one of Jordan’s friends comments on her hair, no one comes to her defense. Liz takes this incident to heart and begins to make herself smaller, too scared to take up more space than she has to.
Even Liz’s best friend plays into this insecurity. When Liz decides to run for prom queen, Gabi insists that Liz needs a complete overhaul of her appearance. Gabi tells Liz that she needs a “full face of makeup before school, new hair—” (64). Liz has kept her hair, and by extension herself, under tight control all throughout her years of high school. The weight of it has begun to wear on her and soon she worries that “it’s never going to be enough—the good grades, the low-key clothes and hairstyles and attitude. I’m never going to be the type of person who makes sense to other people. I’m never going to be able to own every part of myself” (65). Throughout the events of the novel, however, as Liz begins to befriend Amanda and Jordan, she also starts to rebuild her confidence. As she does so, her own hairstyle begins to change. Slowly but surely, Liz begins to wear her hair down again. Eventually, at prom, Liz is not only able to wear her hair in a way that “Falls in not-quite-straight but not-entirely-curly waves over my shoulder on one side,” but she is also able to recognize that she—and her hair—look beautiful (181).
Music is an important part of Liz’s life. Much like her hair, Liz finds solace in music because it is something that she is able to control. Unlike her hair, however, in music, she is able to express rather than suppress herself. Liz thinks, “Music is something I understand—the notes are a thing that I can always bend to my will” (13). Music becomes a safe space for Liz where she is able to express her emotions. She finds safety in music as it keeps her grounded and reminds her of her carefully planned future at Pennington and beyond. Music ties her to a place beyond Campbell, where she believes that it will be “the place where all my missing pieces would suddenly fit” (19). Though Mr. K tries to convince Liz that she can be herself anywhere, she does not believe him at first. Music represents Liz’s comfort zone; after prom events where she is forced to interact with others and step into the spotlight, all she wants is to go home to her music. For Liz, music is a literal and metaphorical road out of Campbell, it is “Some sort of escape from thinking about how in the world I’m supposed to do any of this, with these people, for the next month of my life” (29). Music offers Liz a calm that counteracts her anxiety and allows her to settle.
Through music, Liz is also able to bond and connect with Amanda. Much of their early friendship revolves around their mutual love of the band Kittredge. Later, they even go to a Kittredge concert together on their first date. Music is thus a vital part of Liz’s life. It offers her a mental escape where “in front of my music, I’m grounded. I’m centered,” a literal road out of Campbell through Pennington, and an emotional connection with someone who understands her (31). All these things play an important role in Liz’s life and her ability to juggle her many responsibilities. At the end of the novel when Mr. Wilson escorts Rachel out of prom and the students begin to clap, Liz compares the sound to music. Liz thinks, “I don’t know the song, but I know the sound. And it’s every bit the soundtrack I’ve been waiting for” (187). Despite making music and listening to it alone for so long, it is only when Liz sees the tangible support others have for her that she begins to realize that she has been waiting for it for years. In that moment, in Campbell, Liz realizes that she can be herself, and that there will be others supporting her through it all.
While the crown in Liz’s posters clearly represents the prom king and queen, it also comes to symbolize Liz and her confidence. Johnson ties the crown directly to Liz the moment that she begins to run for prom queen. Liz’s posters are emblazoned with it. Johnson writes, “What was originally just me holding my clarinet and standing in front of a white wall at the Marinos’ house is now me holding my clarinet with a gold Basquiat-inspired crown photoshopped on my head” (68). The crown is regal and gold in color, utterly unlike the actual tiara that Liz gets as prom queen. As the novel goes on, that crown begins to represent more than just the race for prom queen; it begins to represent Liz herself. When Liz begins her new strategy and directly confronts and calls out the privileged system of the prom court, her new banner has “a gold crown hanging off one of the turrets. The same gold crown that adorns all my posters and fliers” (138). Though Liz is unsure if they should add in the crown, she realizes that people have begun to see it as a representation of her as well. She soon becomes proud of it.
After all of the trials and tribulations of running for prom queen and being side-lined by the administration, Liz realizes that “I never needed this race or a hashtag or the king to be a queen. I was born royalty. All I had to do was pick up my crown” (139). Liz begins to see that she has had the ability to feel whole, loved, and worthy all along. By picking up her metaphorical crown, Liz regains her confidence in being her whole and complete self. She refuses to hide and be invisible any longer.
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